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Dickinson's Poetry Emily Dickinson
"I heard a Fly buzz--when I died--..."
Summary
The speaker says that she heard a fly buzz as she lay on her deathbed. The room
was as still as the air between "the Heaves" of a storm. The eyes around her
had cried themselves out, and the breaths were firming themselves for "that last
Onset," the moment when, metaphorically, "the King / Be witnessed--in the
Room--." The speaker made a will and "Signed away / What portion of me be /
Assignable--" and at that moment, she heard the fly. It interposed itself "With
blue--uncertain stumbling Buzz--" between the speaker and the light; "the
Windows failed"; and then she died ("I could not see to see--").
Form
"I heard a Fly buzz" employs all of Dickinson's formal patterns: trimeter and
tetrameter iambic lines (four stresses in the first and third lines of each
stanza, three in the second and fourth, a pattern Dickinson follows at her most
formal); rhythmic insertion of the long dash to interrupt the meter; and an ABCB
rhyme scheme. Interestingly, all the rhymes before the final stanza are
half-rhymes (Room/Storm, firm/Room, be/Fly), while only the rhyme in the final
stanza is a full rhyme (me/see). Dickinson uses this technique to build
tension; a sense of true completion comes only with the speaker's death.
Commentary
One of Dickinson's most famous poems, "I heard a Fly buzz" strikingly describes
the mental distraction posed by irrelevant details at even the most crucial
moments--even at the moment of death. The poem then becomes even weirder and
more macabre by transforming the tiny, normally disregarded fly into the figure
of death itself, as the fly's wing cuts the speaker off from the light until she
cannot "see to see." But the fly does not grow in power or stature; its final
severing act is performed "With Blue--uncertain stumbling Buzz--." This poem is
also remarkable for its detailed evocation of a deathbed scene--the dying
person's loved ones steeling themselves for the end, the dying woman signing
away in her will "What portion of me be / Assignable" (a turn of phrase that
seems more Shakespearean than it does Dickinsonian).
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