climax · In the strictest sense, there is no real climax, as the conflicts of the play are all resolved swiftly by magical means in Act IV; the moment of greatest tension is probably the quarrel between the lovers in Act III, scene ii

protagonist · Because there are three main groups of characters, there is no single protagonist in the play; however, Puck is generally considered the most important character

antagonist · None; the play’s tensions are mostly the result of circumstances, accidents, and mistakes

settings (time) · Combines elements of Ancient Greece with elements of Renaissance England

settings (place) · Athens and the forest outside its walls

point of view · Varies from scene to scene

falling action · Act V, scene i, which centers on the craftsmen’s play

tense · Present

foreshadowing · Comments made in Act I, scene i about the difficulties that lovers face

tones · Romantic; comedic; fantastic; satirical; dreamlike; joyful; farcical

symbols · Theseus and Hippolyta represent order, stability, and wakefulness; Theseus’s hounds represent the coming of morning; Oberon’s love potion represents the power and instability of love

themes · The difficulties of love; magic; the nature of dreams; the relationships between fantasy and reality and between environment and experience

motifs · Love out of balance; contrast (juxtaposed opposites, such as beautiful and ugly, short and tall, clumsy and graceful, ethereal and earthy)