Much Ado About Nothing
full title · Much Ado About Nothing
author · William Shakespeare
type of work · Drama
genre · Comedy
language · English
time and place written · 1598, England
date of first publication · 1600
publisher · Valentine Simmes for Andrew Wise and William Aspley
tone · Shakespeare’s attitude toward courtship and romance combines mature cynicism with an awareness that the social realities surrounding courtship may detract from the fun of romance. The need to marry for social betterment and to ensure inheritance, coupled with the importance of virginal chastity, complicates romantic relationships. Although this play is a comedy ending in multiple marriages and is full of witty dialogue making for many comic moments, it also addresses more serious events, including some that border on tragedy.
setting (time) · The sixteenth century
setting (place) · Messina, Sicily, on and around Governor Leonato’s estate
protagonists · Claudio, Hero, Beatrice, and Benedick
major conflict · Don John creates the appearance that Hero is unfaithful to Claudio, and Claudio and Don Pedro come to believe this lie. The real conflict that underlies all of this “ado about nothing” may be that Claudio, Don Pedro, and Benedick share a suspicion of marriage as a trap in which husbands are bound to be controlled and deceived, but they also deeply desire to be married.
rising action · Claudio falls in love with Hero; Benedick, Don Pedro, and Claudio express their anxieties about marriage in jokes and witty banter; Don Pedro woos Hero on Claudio’s behalf; the villainous Don John creates the illusion that Hero is a whore.
climax · Claudio rejects Hero at the altar, insulting her and accusing her of unchaste behavior; Don Pedro supports Claudio; Benedick, who was most opposed to women and love at the beginning of the play, sides with Hero and his future wife Beatrice.
falling action · Benedick challenges Claudio to a duel for slandering Hero; Leonato proclaims publically that Hero died of grief at being falsely accused; Hero’s innocence is brought to light by Dogberry; Claudio and Don Pedro repent.
resolution · By blindly marrying a masked woman whom he believes he has never met, Claudio shows that he has abandoned jealous suspicions and fears of being controlled, and that he is ready to marry. He is rewarded by discovering that his bride is actually Hero.
themes · The ideal of social grace; deception as a means to an end; loss of honor; public shaming
motifs · Noting; entertainment; counterfeiting
symbols · The taming of wild animals; war; Hero’s death
foreshadowing · Don John’s plan to cross Claudio out of jealousy in Act I; Benedick and Beatrice’s witty insults foreshadow their falling in love.
by CDGirvin, December 06, 2012
In this SparkNote, it mentions that Don Pedro "seems to have no romantic interest of his own," although in Act 2, Scene 1 (beginning around line 275) Don Pedro is talking with Beatrice about her views on marriage after the masquerade. Beatrice makes a joke, saying, "I would rather have one of your father’s getting. / Hath your grace ne'er a brother like you? / Your father got excellent husbands, if a maid could come by them." Don Pedro responds, "Will you have me, lady?" which is potentially another joke, although it may also be quite a se... Read more→
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by GoblinMaiden, April 23, 2013
I think that at the end of the day, Don Pedro is more inclined to try be of any help and see his friends happy. Don Pedro offers himself to Beatrice lightly, but with the obvious intent of wanting to secure her own happiness, especially since she is so fickle about men in the first place. He doesn't seek her hand with his own interest so much as in the interest of her own well being. It illustrates just how selfless his character is.