Motifs are recurring structures, contrasts, and literary devices that can help to develop and inform the text’s major themes.
Many of the novel’s harshest critiques of nationalism are reserved for the character of Kantorek, the teacher whose impassioned speeches convinced Paul and his friends to join the army at the onset of the war. Kantorek uses an idealistic, patriotic, and poetic rhetoric to convey the concepts of national loyalty and glory. In his letter to the young men, for instance, he calls them “Iron Youth,” implying that they are hard, strong, and resilient, a description that fails to consider the horror of the war, which traps the men in a constant state of panic and despair. As Kantorek and his speeches are recalled throughout the novel, Paul and his friends become increasingly disgusted by them; their experience of war has made them increasingly cynical about patriotism and nationalism. Even at the start of the novel, they blame Kantorek for Joseph Behm’s untimely death, claiming that the teacher failed to understand that no lofty ideal can possibly offer physical or emotional protection or comfort in the heat of battle.
The novel’s main weapon against patriotic idealism is simply its unrelenting portrayal of the carnage and gore that the war occasions. Every battle scene (roughly every other chapter) features brutal violence and bloody descriptions of death and injury. Hospital scenes portray men with grisly wounds that go untreated because of insufficient medical supplies. Paul carries the wounded Kat on his back to safety, only to discover that Kat’s head was hit by a piece of shrapnel while Paul was carrying him. As part of the overall exploration of disconnection from one’s feelings, death is treated with impersonal efficiency: the cook wonders whether regulations permit him to give the surviving soldiers the dead men’s rations; when Kemmerich dies, he is hauled away with the tears still wet on his face so that another soldier can have his bed. Amid this horrific violence and numbness, the overblown phrases of nationalistic rhetoric quickly lose their persuasive power and take on a loathsome quality of hypocrisy and ignorance.
Remarque indicates throughout the novel that the only way for a soldier to survive battle is to turn off his mind and operate solely on instinct, becoming less like a human being and more like an animal. Paul thinks of himself as a “human animal,” and the other soldiers who survive multiple battles operate in the same way. The experience of battle is quite animalistic in this way, as the soldiers trust their senses over their thoughts and sniff out safety wherever they can find it. This motif of animal instinct contributes to the larger theme that war destroys the humanity of the soldier, stripping away his ability to feel and, in this case, making him act like a beast rather than a man.
More main ideas from All Quiet on the Western Front