full title · The Canterbury Tales
author · Geoffrey Chaucer
type of work · Poetry (two tales are in prose: the Tale of Melibee and the Parson’s Tale)
genres · Narrative collection of poems; character portraits; parody; estates satire; romance; fabliau
language · Middle English
time and place written · Around 1386–1395, England
date of first publication · Sometime in the early fifteenth century
publisher · Originally circulated in hand-copied manuscripts
narrator · The primary narrator is an anonymous, naïve member of the pilgrimage, who is not described. The other pilgrims narrate most of the tales.
point of view · In the General Prologue, the narrator speaks in the first person, describing each of the pilgrims as they appeared to him. Though narrated by different pilgrims, each of the tales is told from an omniscient third-person point of view, providing the reader with the thoughts as well as actions of the characters.
tone · The Canterbury Tales incorporates an impressive range of attitudes toward life and literature. The tales are by turns satirical, elevated, pious, earthy, bawdy, and comical. The reader should not accept the naïve narrator’s point of view as Chaucer’s.
tense · Past
setting (time) · The late fourteenth century, after 1381
setting (place) · The Tabard Inn; the road to Canterbury
protagonists · Each individual tale has protagonists, but Chaucer’s plan is to make none of his storytellers superior to others; it is an equal company. In the Knight’s Tale, the protagonists are Palamon and Arcite; in the Miller’s Tale, Nicholas and Alisoun; in the Wife of Bath’s Tale, the errant knight and the loathsome hag; in the Nun’s Priest’s Tale, the rooster Chanticleer.
major conflict · The struggles between characters, manifested in the links between tales, mostly involve clashes between social classes, differing tastes, and competing professions. There are also clashes between the sexes, and there is resistance to the Host’s somewhat tyrannical leadership.
rising action · As he sets off on a pilgrimage to Canterbury, the narrator encounters a group of other pilgrims and joins them. That night, the Host of the tavern where the pilgrims are staying presents them with a storytelling challenge and appoints himself judge of the competition and leader of the company.
climax · Not applicable (collection of tales)
falling action · After twenty-three tales have been told, the Parson delivers a long sermon. Chaucer then makes a retraction, asking to be forgiven for his sins, including having written The Canterbury Tales.
themes · The pervasiveness of courtly love, the importance of company, the corruption of the church
motifs · Romance, fabliaux
symbols · Springtime, clothing, physiognomy
foreshadowing · Not applicable (collection of tales)
his story begins off with him telling everyone about drunken Flemish people.
then talks about their vices
he is very hypercritical
story is about a guy who poisons everyone else so that he could have all the gold
his tale ends with him trying to sell relics even though he told everyone in his prologue that they are fake
47 out of 109 people found this helpful
I'm not finding any hint as to which side Chaucer took regarding the Peasants Revolt, the poor or the rich. Opinion based question I'm sure but I couldn't even begin to say. Any ideas?
2 out of 5 people found this helpful
After further inspection I'd like to point out that John doesn't actually seem all that jealous. Just because the narrator says he is doesn't mean his actions point that way. He leaves Alisoun alone with Nicholas and he lets her listen to Absolon's love song.
Perhaps John is simple "sely" or naive, rather than jealous. He says he loves her more than his life, so maybe John is just blinded to her betrayal because he loves his wife so much. That might be a better moral to the story. He still cares about the earthly world (his wife) mor
1 out of 1 people found this helpful