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Fragment 7, lines 2768–3446
After the Monk has told his tale, the Knight pleads that no more tragedies be told. He asks that someone tell a tale that is the opposite of tragedy, one that narrates the extreme good fortune of someone previously brought low. The Host picks the Nun’s Priest, the priest traveling with the Prioress and her nun, and demands that he tell a tale that will gladden the hearts of the company members. The Nun’s Priest readily agrees, and begins his tale.
A poor, elderly widow lives a simple life in a cottage with her two daughters. Her few possessions include three sows, three cows, a sheep, and some chickens. One chicken, her rooster, is named Chanticleer, which in French means “sings clearly.” True to his name, Chanticleer’s “cock-a-doodle-doo” makes him the master of all roosters. He crows the hour more accurately than any church clock. His crest is redder than fine coral, his beak is black as jet, his nails whiter than lilies, and his feathers shine like burnished gold. Understandably, such an attractive cock would have to be the Don Juan of the barnyard. Chanticleer has many hen-wives, but he loves most truly a hen named Pertelote. She is as lovely as Chanticleer is magnificent.
As Chanticleer, Pertelote, and all of Chanticleer’s ancillary hen-wives are roosting one night, Chanticleer has a terrible nightmare about an orange houndlike beast who threatens to kill him while he is in the yard. Fearless Pertelote berates him for letting a dream get the better of him. She believes the dream to be the result of some physical malady, and she promises him that she will find some purgative herbs. She urges him once more not to dread something as fleeting and illusory as a dream. In order to convince her that his dream was important, he tells the stories of men who dreamed of murder and then discovered it. His point in telling these stories is to prove to Pertelote that “Mordre will out” (3052)—murder will reveal itself—even and especially in dreams. Chanticleer cites textual examples of famous dream interpretations to further support his thesis that dreams are portentous. He then praises Pertelote’s beauty and grace, and the aroused hero and heroine make love in barnyard fashion: “He fethered Pertelote twenty tyme, / And trad hire eke as ofte, er it was pryme [he clasped Pertelote with his wings twenty times, and copulated with her as often, before it was 6 a.m.” (3177–3178).
One day in May, Chanticleer has just declared his perfect happiness when a wave of sadness passes over him. That very night, a hungry fox stalks Chanticleer and his wives, watching their every move. The next day, Chanticleer notices the fox while watching a butterfly, and the fox confronts him with dissimulating courtesy, telling the rooster not to be afraid. Chanticleer relishes the fox’s flattery of his singing. He beats his wings with pride, stands on his toes, stretches his neck, closes his eyes, and crows loudly. The fox reaches out and grabs Chanticleer by the throat, and then slinks away with him back toward the woods. No one is around to witness what has happened. Once Pertelote finds out what has happened, she burns her feathers with grief, and a great wail arises from the henhouse.
The widow and her daughters hear the screeching and spy the fox running away with the rooster. The dogs follow, and pretty soon the whole barnyard joins in the hullabaloo. Chanticleer very cleverly suggests that the fox turn and boast to his pursuers. The fox opens his mouth to do so, and Chanticleer flies out of the fox’s mouth and into a high tree. The fox tries to flatter the bird into coming down, but Chanticleer has learned his lesson. He tells the fox that flattery will work for him no more. The moral of the story, concludes the Nun’s Priest, is never to trust a flatterer.
The Host tells the Nun’s Priest that he would have been an excellent rooster—for if he has as much courage as he has strength, he would need hens. The Host points out the Nun’s Priest’s strong muscles, his great neck, and his large breast, and compares him to a sparrow-hawk. He merrily wishes the Nun’s Priest good luck.
his story begins off with him telling everyone about drunken Flemish people.
then talks about their vices
he is very hypercritical
story is about a guy who poisons everyone else so that he could have all the gold
his tale ends with him trying to sell relics even though he told everyone in his prologue that they are fake
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I'm not finding any hint as to which side Chaucer took regarding the Peasants Revolt, the poor or the rich. Opinion based question I'm sure but I couldn't even begin to say. Any ideas?
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After further inspection I'd like to point out that John doesn't actually seem all that jealous. Just because the narrator says he is doesn't mean his actions point that way. He leaves Alisoun alone with Nicholas and he lets her listen to Absolon's love song.
Perhaps John is simple "sely" or naive, rather than jealous. He says he loves her more than his life, so maybe John is just blinded to her betrayal because he loves his wife so much. That might be a better moral to the story. He still cares about the earthly world (his wife) mor
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