After regaining his freedom, Gulliver goes to Mildendo, the capital city of the Lilliputians. The residents are told to stay indoors, and they all sit on their roofs and in their garret windows to see him. The town is 500 feet square with a wall surrounding it, and can hold 500,000 people. The emperor wants Gulliver to see the magnificence of his palace, which is at the center of the city, so Gulliver cuts down trees to make himself a stool, which he carries around with him so that he can sit down and see things from a shorter distance than a standing position allows.
About two weeks after Gulliver obtains his liberty, a government official, Reldresal, comes to see him. He tells Gulliver that two forces, one rebel group and one foreign empire, threaten the kingdom. The rebel group exists because the kingdom is divided into two factions, called Tramecksan and Slamecksan. The people in the two factions are distinguished by the heights of their heels.
Reldresal tells Gulliver that the current emperor has chosen to employ primarily the low-heeled Slamecksan in his administration. He adds that the emperor himself has lower heels than all of his officials but that his heir has one heel higher than the other, which makes him walk unevenly. At the same time, the Lilliputians fear an invasion from the Island of Blefuscu, which Reldresal calls the “Other Great Empire of the Universe.” He adds that the philosophers of Lilliput do not believe Gulliver’s claim that there are other countries in the world inhabited by other people of his size, preferring to think that Gulliver dropped from the moon or a star.
Reldresal describes the history of the two nations. The conflict between them, he tells Gulliver, began years ago, when the emperor’s grandfather, then in command of the country, commanded all Lilliputians to break their eggs on the small end first. He made this decision after breaking an egg in the old way, large end first, and cutting his finger. The people resented the law, and six rebellions were started in protest. The monarchs of Blefuscu fueled these rebellions, and when they were over the rebels fled to that country to seek refuge. Eleven thousand people chose death rather than submit to the law. Many books were written on the controversy, but books written by the Big-Endians were banned in Lilliput. The government of Blefuscu accused the Lilliputians of disobeying their religious doctrine, the Brundrecral, by breaking their eggs at the small end. The Lilliputians argued that the doctrine reads, “That all true believers shall break their eggs at the convenient end,” which could be interpreted as the small end.
Reldresal continues that the exiles gained support in Blefuscu to launch a war against Lilliput and were aided by rebel forces inside Lilliput. A war has been raging between the two nations ever since, and Gulliver is asked to help defend Lilliput against its enemies. Gulliver does not feel that it is appropriate to intervene, but he nonetheless offers his services to the emperor.
Gulliver spies on the empire of Blefuscu and devises a plan. He asks for cables and bars of iron, out of which he makes hooks with cables attached. He then wades and swims the channel to Blefuscu and catches their ships at port. The people are so frightened that they leap out of their ships and swim to shore. Gulliver attaches a hook to each ship and ties them together. The Blefuscu soldiers fire arrows at him, but he keeps working, protecting his eyes by putting on the spectacles he keeps in his coat pocket. He tries to pull the ships away, but they are anchored too tightly, so he cuts them away with his pocketknife and pulls the ships back to Lilliput.
In Lilliput, Gulliver is greeted as a hero. The emperor asks him to go back to retrieve the other ships, intending to destroy Blefuscu’s military strength and make it a province in his empire. Gulliver dissuades him from this action, saying that he does not want to encourage slavery or injustice. This position causes great disagreement in the government, with some officials turning staunchly against Gulliver and calling for his destruction.
Three weeks later, a delegation arrives from Blefuscu, and the war ends with Blefuscu’s surrender. The Blefuscu delegates are privately told of Gulliver’s kindness toward the Lilliputians, and they ask him to visit their kingdom. He wishes to do so, and the emperor reluctantly allows it.
As a Nardac, or person of high rank, Gulliver no longer has to perform all the duties laid down in his contract. He does, however, have the opportunity to help the Lilliputians when the emperor’s wife’s room catches fire. He forgets his coat and cannot put the flames out with his clothing, so instead he thinks of a new plan: he urinates on the palace, putting out the fire entirely. He worries afterward that since the act of public urination is a crime in Lilliput he will be prosecuted, but the emperor tells him he will be pardoned. He is told, however, that the emperor’s wife can no longer tolerate living in her rescued quarters.
Despite the fact that the history of the conflict between Lilliput and Blefuscu is blatantly ridiculous, Gulliver reports it with complete seriousness. The more serious the tone, the more laughable this conflict appears. But Swift expects us to understand immediately that the entire history Gulliver relates parallels European history exactly, down to the smallest details. The High-Heels and the Low-Heels correspond to the Whigs and Tories of English politics. Lilliput and Blefuscu represent England and France. The violent conflict between Big-Endians and Little-Endians represents the Protestant Reformation and the centuries of warfare between Catholics and Protestants.
By recasting European history as a series of brutal wars over meaningless and arbitrary disagreements, Swift implies that the differences between Protestants and Catholics, between Whigs and Tories, and between France and England are as silly and meaningless as how a person chooses to crack an egg. Once we make this connection, though, we face the question of why Swift thinks that these conflicts are trivial and irrelevant. After all, religion, politics, and national identity would have been considered the most important issues in Swift’s time, and we continue to think of these things as important today. The answer to this question is less obvious, and the text does not give us a simple explanation. The debate between the Big-Endians and Little-Endians does provide some clues, however. The egg controversy is ridiculous because there cannot be any right or wrong way to crack an egg, so it is unreasonable to legislate how people must do it. Similarly, we may conclude that there is no right or wrong way to worship God—at least, there is no way to prove that one way is right and another way is wrong. Moreover, the Big-Endians and Little-Endians both share the same religious text, but they disagree on how to interpret a passage that can clearly be interpreted two ways. Similarly, Swift is suggesting that the Christian Bible can be interpreted in more than one way, and that it is ridiculous for people to fight over how to interpret it when no one can really be certain that one interpretation is right and others are wrong.
The text contains a number of allusions to events in Swift’s life and to the politics of Europe. For instance, it has been suggested that the empress represents Queen Anne of England, Gulliver’s urination on her quarters represents Swift’s work A Tale of a Tub, and the empress’s disgust at Gulliver’s urination is analogous to Queen Anne’s criticism of Swift’s work and her attempts to limit his prospects in the Church of England. Within the story, Gulliver’s urination on the palace is not merely an offense to the Lilliputians’ sense of decency, it is also a suggestion of their insignificance, to which they respond indignantly. Although Gulliver’s urination is intended to prevent a disaster, it is also an assertion of his ability to control the Lilliputians—even by the most profane of actions. The episode illustrates again the importance of physical power, which can turn a normally insignificant and vulgar action into a lifesaving act.
Gulliver’s refusal to obey the emperor’s orders to destroy the fleet of Blefuscu is a sign that he feels some responsibility toward all beings. However small, the inhabitants of Blefuscu still have rights, one of which is freedom from tyranny. Granted almost godlike power by his unusual size, Gulliver finds himself in a position to change the Lilliputians’ society forever.
The type of work is Satire, not Novel, because it happened before the Novel tradition started, and because it is a parody.
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