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Maiguru is a complex, often contradictory, and multilayered character who grows increasingly concerned about the development of her children and their responses to the various cultural traditions, both Western and African, with which they have been raised. Her fears and anxieties are rooted in her own experience of trying to reconcile attitudes and behaviors that come from two very different worlds. Her conflicting attitudes suggest the deep divide that exists in her perception of herself as a woman and as an African. When the family returns to Rhodesia, Maiguru wishes her children to retain the mark of distinction and difference that they have achieved from living in a Western society. She defends the fact that they have lost their ability to communicate fluently in Shona, their native tongue. After the family has settled back into life in Rhodesia, Maiguru’s reactions and attitudes change, and she grows concerned at how Anglicized her children have become. Only when her daughter is severely ailing in the final stages of the novel does she realize the dire consequences of these conflicting cultural pressures that have been placed on her children.

When the family returns to the homestead for the holidays, Maiguru, highly educated and accustomed to earning her own living as an educator, is reduced to a traditional role as domestic drudge. During subsequent holidays, Maiguru refuses to attend the celebrations. Even more boldly, Maiguru confronts her husband about her lack of respect and recognition in the family, an action that leads to the even bolder move of her leaving the house altogether. Although she returns to the family fold, Maiguru has evolved into a realistic model of modern womanhood for the young girls in her care. She represents a subtle but emerging voice of feminist dissent, a woman ahead of her time who attempts to enact change in gradual and realizable ways.

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