Context
Plot Overview
Character List
Analysis of Major Characters
Themes, Motifs & Symbols
Part One, Section One
Part One, Section Two
Part One, Section Three
Part One, Section Four
Part Two, Section One
Part Two, Section Two
Part Two, Section Three
Part Two, Section Four
Part Two, Section Five
Part Two, Section Six
Part Two, Section Seven
Part Two, Section Eight
Part Two, Section Nine
Part Three, Section One
Part Three, Section Two
Important Quotations Explained
Key Facts
Study Questions & Essay Topics
Quiz
Suggestions for Further Reading
|
Wide Sargasso Sea Jean Rhys
Part One, Section One
Summary
Antoinette and her family do not fit in with the white
people in Spanish Town. According to Christophine, the Jamaican
ladies do not approve of Antoinette's mother, Annette, because she
is too beautiful and young for her husband, and because she comes
from Martinique (which was then a French colony, whereas Jamaica
was an English colony). When Antoinette asks her mother why so few people
visit them at Coulibri Estate since her father's death, her mother
makes excuses about the road being bad and travel being difficult.
Annette's only friend is a neighbor named Mr. Luttrell,
who suddenly and mysteriously shoots his dog and swims out to sea,
never to return. His house is abandoned, and his tragedy incites
widespread gossip. Annette, who has little money and whose clothes
become increasingly shabby, rides her horse every day even though
the servants jeer at her. One day, Antoinette finds her mother's
horse lying dead under a tree. Godfrey, a servant, confirms that
the animal has been poisoned.
A doctor from Spanish Town comes to check on Pierre, Antoinette's
disabled younger brother. After the doctor's visit, Antoinette's
mother is suddenly changed: She never leaves the house but walks
up and down the glacis, or verandah, in plain view
of the laughing servants. As her mother grows stranger and more
distant, Antoinette spends time in their overgrown garden. She also
visits with the servant, Christophine, who sings her songs from
her island home of Martinique.
The other women from the bayside are terrified of Christophine, who
reportedly has magic powers. When Antoinette asks her mother about
Christophine, Annette replies that Christophine was a wedding present
from Antoinette's father, and that she has been with them a long
time. Annette assures her daughter that Christophine has her reasons
for staying with them, and that her presence has protected them
in many ways. When Antoinette reminds her mother that the servants
Godfrey and Sass stayed with them after her father's death, her
mother snaps at her, saying that Sass would leave them any day and
that Godfrey is a deceitful and lazy rascal. Antoinette begins to
worry that Christophine might leave them. She then fans her mother,
who looks tired and ragged, but her mother turns away and asks to
be left alone.
Analysis
Narrated by Antoinette, Part One of Wide Sargasso
Sea focuses on her childhood at Coulibri after the death
of her father, Alexander Cosway. Antoinette's vague and fragmentary
memories focus on glimpses of tropical landscape, descriptions of
her mother, and examples of her childhood isolation. Racial tensions
and the disapproval of the white Jamaican ladies pervade these memories.
Danger lurks in all of these scenes; in fact, the novel begins with
the explicit warning, "when trouble comes, close ranks." Rhys sets
a tone of eerie silence in this West Indian landscapethe calm before the
storm of racial violence.
In a state of disrepair and decay, the Coulibri Estate
represents the downfall of the colonial empire and the aftermath
of its exploitative reign in the West Indies. The bizarre tale about
Mr. Luttrell speaks to the mood of apprehension among the island's
whites, who fear the revenge of the black ex-slaves. Antoinette,
as the narrator, seems particularly preoccupied with morbidity and
decay. The text is replete with images of death and rotting, such
as the flies that hover over the carcass of Annette's poisoned horse.
Religious symbols and imagery also dominate the novel's
opening passages. Godfrey constantly speaks about a Lord who makes no
distinction between blacks and whites. Remembering the garden, Antoinette
compares it to the Garden of Eden in the Bible. Like Eden, Antoinette's
garden is a symbol of corrupted innocence: it has given itself over
to wildness and a savage overgrowth that marks the entire estate.
It is in this atmosphere of impurity and decay that Antoinette and
her mother become increasingly isolated and misanthropic.
Antoinette and her mother are complete outsiders in their
community, not unlike Christophine. Like Christophine, Annette is
a foreigner in Jamaica, having lived in Martinique; she wears the French
Caribbean fashions that other Jamaican women avoid. Antoinette feels
as estranged as her mother when others call her a "white cockroach"
and when Tia accuses her and her family of not being like "real
white people." Accepted by neither white nor black society, Antoinette
feels great shame.
  Help |
Feedback |
Make a request |
Report an error |
Send to a friend
|
|