Context
Plot Overview
Character List
Analysis of Major Characters
Themes, Motifs & Symbols
Part One, Section One
Part One, Section Two
Part One, Section Three
Part One, Section Four
Part Two, Section One
Part Two, Section Two
Part Two, Section Three
Part Two, Section Four
Part Two, Section Five
Part Two, Section Six
Part Two, Section Seven
Part Two, Section Eight
Part Two, Section Nine
Part Three, Section One
Part Three, Section Two
Important Quotations Explained
Key Facts
Study Questions & Essay Topics
Quiz
Suggestions for Further Reading
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Wide Sargasso Sea Jean Rhys
Part Two, Section Seven
Summary
Rochester wakes early the next morning feeling suffocated,
having dreamt that he was buried alive. Cold and sick, he staggers
to his dressing room and vomits, and he continues to vomit the rest
of the day. He believes he has been poisoned. He enters Antoinette's
room and hatefully watches her sleep. Detecting a smile on her lips
as she dreams, he covers her face with a torn sheet, as though he
were covering a dead person.
Rochester runs outside to the forest and finds himself
near the ruined house he had seen on his earlier forest walk. He
sleeps for several hours, waking when it is already late and chilly.
He heads back to Granbois, where he shuts himself in his dressing
room. The servant Amelie comes to care for Rochester, bringing him
food and wine and cradling him as though he were a child. She tells
him, "I am sorry for you," then begins to laugh merrily. Rochester
pulls Amelie down onto the bed with him. Not until the next morning
does he consider Antoinette, who has been listening to his sexual
play with the servant through the thin partition between their rooms.
As Amelie dresses the next morning, Rochester offers her
money, which she accepts without a word of thanks. She details her
plans to leave Granbois and travel to Rio to find rich men. After
Amelie exits the room, Rochester hears Antoinette leave the house
on horseback.
Antoinette does not return for three days. On the third
day, Rochester writes a letters to his friend in Spanish Town inquiring about
Christophine, who had earlier been arrested for practicing obeah.
Rochester learns that Christophine has disappeared after being released
from jail, and that the local police are on the lookout for any
trouble.
As Rochester sits in his hammock at dusk, Antoinette returns home
and goes immediately upstairs to her room, without uttering a word
to her husband. He follows her inside the house and tries to enter
her room, pushing her blocked door partially open. He sees her lying
in bed, furiously ringing her hand-bell as she summons Baptiste
and Christophine (Rochester has already spotted Christophine in
the kitchen).
When Antoinette opens the door, she looks crazed and unkempt. She
grabs for a bottle of rum and accuses Rochester of being no better
than the slaveholders he condemns, having slept with a servant and
sent her away. Antoinette cries when Rochester calls her "Bertha,"
accusing him of trying to transform her through obeah magic. She
says she hates him for ruining the one place she loved. When Rochester
grabs Antoinette's wrist, she sinks her teeth into his arm. Ferocious
and wild-eyed, she curses him, and then begins sobbing when Christophine
enters the room. Rochester walks to the veranda and hears Christophine
comfort his wife, speaking softly and singing.
Analysis
Ironically, the love potion that Antoinette gives her
husband sends him into the arms of another woman, Amelie. A concoction
brewed in the Caribbean and instilled with foreign wisdom, the potion
is not compatible with Rochester's system. When he becomes violently
ill, it is as though he is purging himself of any desire or compassion towards
Antoinette. Indeed, he begins to hate her even more. Treating her
like a corpse, he covers her with a sheet as she sleeps. He seems
to enact her "first death" as described by Antoinette in an earlier
conversation, when she says, "There are always two deaths, the real
one and the one people know about." Rochester appears to adhere
to this formula by figuratively "killing" Antoinette.
Rochester's encounter with Amelie begins benignly, with
Amelie playing a maternal role. Just as Aunt Cora nursed Antoinette
back to health from her childhood fever, Amelie appears, at first,
as a kind of missing mother. Rochester recalls, "she cut some of
the food up and sat beside me and fed me as if I were a child."
However, he perverts the transaction by sleeping with and then paying
the girl. Money taints Amelie and Rochester's relationship as much
as it does Rochester and Antoinette's (he married Antoinette for
her money). Whereas Amelie takes Rochester's money and leaves to find
other rich men in Rio, Antoinette cedes to her husband all legal rights
to her inheritance, becoming his financial captive. Money frees
Amelie from Rochester, but it entraps Antoinette.
Antoinette's absence from Granbois leaves Rochester alone
with servants who become increasingly hostile and cold. However,
in England later, we see that Rochester will be the one to leave
his spouse for long stretches of time at his own estatea reversal
of roles. Another later reversal involves the confinement of Antoinette. At
Granbois, Antoinette shuts herself in her room, using furniture
to block the door and keep her husband out. In England, she later
is locked inside a room rather than actively locking others out.
As the fight escalates between the couple, Antoinette
moves dangerously close to incarnating her mother's madwoman image.
Just as Annette had threatened to kill Mr. Mason, so Antoinette
threatens Rochester's life with a broken bottle, becoming frenzied
and unruly. Rochester watches in horror as Amelie and Antoinette
fight, noting, "Amelie, whose teeth were bared, seemed to be trying
to bite." Antoinette fulfills Amelie's violent intentions when she
sinks her teeth into Rochester's arm, satisfying the stereotypical
image of the wild Caribbean woman.
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