Perhaps because he lives with his dying mother, Mitch is noticeably more sensitive than Stanley’s other poker friends. The other men pick on him for being a mama’s boy. Even in his first, brief line in Scene One, Mitch’s gentlemanly behavior stands out. Mitch appears to be a kind, decent human being who, we learn in Scene Six, hopes to marry so that he will have a woman to bring home to his dying mother.
Mitch doesn’t fit the bill of the chivalric hero of whom Blanche dreams. He is clumsy, sweaty, and has unrefined interests like muscle building. Though sensitive, he lacks Blanche’s romantic perspective and spirituality, as well as her understanding of poetry and literature. She toys with his lack of intelligence—for example, when she teases him in French because she knows he won’t understand—duping him into playing along with her self-flattering charades.
Though they come from completely different worlds, Mitch and Blanche are drawn together by their mutual need of companionship and support, and they therefore believe themselves right for one another. They also discover that they have both experienced the death of a loved one. The snare in their relationship is sexual. As part of her prim-and-proper act, Blanche repeatedly rejects Mitch’s physical affections, refusing to sleep with him. Once he discovers the truth about Blanche’s sordid sexual past, Mitch is both angry and embarrassed about the way Blanche has treated him. When he arrives to chastise her, he states that he feels he deserves to have sex with her, even though he no longer respects her enough to think her fit to be his wife.
The difference in Stanley’s and Mitch’s treatment of Blanche at the play’s end underscores Mitch’s fundamental gentlemanliness. Though he desires and makes clear that he wants to sleep with Blanche, Mitch does not rape her and leaves when she cries out. Also, the tears Mitch sheds after Blanche struggles to escape the fate Stanley has arranged for her show that he genuinely cares for her. In fact, Mitch is the only person other than Stella who seems to understand the tragedy of Blanche’s madness.
More characters from A Streetcar Named Desire
I don't understand your view of how Blanche's rape, In which you stated, "Blanche's most visceral experiences are illusions and repressed memories that torment her, so that her rape seems an almost inevitable consequence of her psychological pain." How exactly, in anyway, is Blanche's rape inevitable? Did she appeal weak stimulating Stanley's carnal desire to conquer Blanche's threatening, bourgeoisie personality?
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Wait, wait. Mitch -doesn't rape someone- and that makes him a gentleman? C'mon. That's a pretty low bar for "gentleman" isn't it? That word has a specific meaning and it is for sure not "doesn't commit a horrible, violent crime even though he wants to."
I think the wording you're looking for there is something other than "fundamental gentlemanliness." There is a whole lot of daylight between simply not being a violent criminal and being a gentleman.
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I am failing to see how Stella is not a major character -- and especially how Mitch is considered to be MORE major than her.
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Take a Study Break!