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Treasure Island Robert Louis Stevenson
Chapters I–III
Summary: Chapter I
Fifteen men on the dead man's chest
Yo-ho-ho, and a bottle of rum!
Drink and the devil had done for the rest
Yo-ho-ho, and a bottle of rum!
At the urging of Squire Trelawney, Dr. Livesey, and others,
a boy named Jim Hawkins records his story about Treasure Island.
He omits the island's exact location, as a portion of its treasure
still remains buried there. Jim begins the story by recounting his
first meeting with a ragged but imposing old seaman who shows up
at the Admiral Benbow, the inn Jim's father owns.
The old sailor throws down a few gold coins and
moves in, staying at the inn for far longer than his payment covers.
He hires Jim to stay on the lookout for a one-legged sailor whom
he apparently fears. He terrorizes the others in the inn with his
coarse sailor's songs and heavy drinking. Livesy cautions the sailor
about the dangers of drinking, but these warnings enrage the seaman,
who threatens Livesey with a knife. Livesey subdues the man with
his calm authority.
[I]f you keep on drinking rum, the world
will soon be quit of a very dirty scoundrel!
Summary: Chapter II
On a cold January morning soon after, a tall pale man
who is missing two fingers enters the inn. The man asks Jim if he
has seen his mate Bill, or Billy Bones, as he is generally called,
who is recognizable by a scar on one cheek. Jim knows the stranger
is referring to the old seaman who is staying at the inn, and he
tells the stranger that Bill will be back soon. Bill returns, and
he gasps when he recognizes his former shipmate, whom he addresses
as Black Dog. The two launch into a violent conversation that Jim
cannot hear. The conversation ends as Billy Bones attempts to kill
Black Dog with his sword, but he is cut short, as he suddenly succumbs
to a stroke. Livesey cares for Billy in the inn and warns him to
stay away from rum, which in his ill health would be lethal for
him.
Summary: Chapter III
Jim attends to the ailing Billy, who begs him for a swig
of rum in return for some money. Jim is offended, saying he wants
only what Billy owes his father for rent. But he gives Billy one
glass of rum. Energized by the alcohol, Billy says he must quickly
get moving to outsmart his pursuers. He explains to Jim that the
former crew of the ship he sailed on, under the now-dead Captain
Flint, wants his sea chest. That night Jim's father, who has also
been ill, dies.
Returning from his father's funeral, Jim encounters a
sinister blind man who asks to be taken to Billy. Billy appears
sickened to see the blind man, who hands him a black spot, which
Jim has learned represents an official secret pirate summons. Reading
the black spot, Billy enigmatically cries out that he has only six
hours left. He springs into to action, but falls down, stricken
with a fatal stroke. Jim is worried and calls for his mother.
Analysis: Chapters I–III
Stevenson begins his adventure tale with the unusual device
of a young male narrator, giving the narrative an innocent and straightforward
tone. This tone eases our entry into the dark criminal underworld
of pirates and murderers. Since most readers are typically unfamiliar
with such shady figures, Jim's wide-eyed awe of them mirrors our
own perspective. Jim is meek and fearful of the pirates' drunken,
swaggering, coarse language and tendency toward violence. When he
calls out for his mother at the end of Chapter III, we are reminded
that he is a scared little boy, and indeed a world apart from the
sailors. Stevenson's emphasis on Jim's childishness in these early
chapters highlights the degree to which Jim matures throughout the
novel. Later, Jim is no longer cowed by the grizzly seamen and holds
his own against them. Here at the beginning, however, the contrast
between the narrator's innocence and the characters' worldly experience
helps set the stage for the rite of passage into adulthood that
Jim later undergoes.
The device of the boy narrator also allows Stevenson
to emphasize the fascinating, enthralling allure of the pirates.
Jim is clearly entranced by these ragged, powerful, and outlandish
men, much more so than by his own father, who is ordinary and unexciting
by comparison. Jim hardly mentions his parents, even after his father's death.
Though the narrative hints that the pirates are morally bad, Jim
admires them all the same. As Stevenson surely understood, many
readers can relate to the romanticizing of the pirate life, and the
fantasy of becoming a pirate may inspire our own wide-eyed fantasies.
Indeed, Stevenson encourages us to fantasize and use our imaginations
by having the young Jim thrillingly refer to the treasure that still
lies buried on the island. The idea of this treasure prompts us
to create our own daydreams of finding it. Sharing Jim's fantasies
allows us to become greater participants in Treasure Island,
and enables us to relate to Jim even more strongly.
In these first chapters, Stevenson begins to show the
vast difference between the upstanding world of doctors, housewives,
and small business owners, and the sinister world of pirates. Though
the conflict between these two sides does not reach its peak until
a battle between the good and the bad much later in Treasure
Island, the roots of this conflict are here in these opening
chapters. Billy Bones bullies Jim's parents enough to frighten them
out of collecting the rent he owes them, suggesting that the world
of law and order is powerless again a pirate's brute force and charisma.
Even the blind man, whom we later learn is named Pew, becomes a
figure of terror, immense in his criminal glamour. However, in the
scene in which Livesey coolly rebuffs Billy's knifepoint threats,
we sense that the sides of crime and justice may be evenly matched,
and that the balance between them is very delicate. This scene is
an early exploration of one of Stevenson's central ideas in the
novelthe frequent opposition between social lawfulness and personal
charisma.
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