full title · Ulysses
author · James Joyce
type of work · Novel
genre · Modernist novel; comic novel; quest novel
language · English
time and place written · Trieste, Italy; Zurich, Switzerland; Paris; 1914–1921
date of first publication · Individual episodes were published serially starting in 1918; as a novel, it was first published in 1922
publisher · First serially in The Little Review; as a novel by Shakespeare & Company
narrator · Episodes One, Two, Four–Twelve, Sixteen, and Seventeen feature anonymous narrators. Episode Three features Stephen’s thoughts. Episode Thirteen features an amalgamation of anonymous narrator, Gerty MacDowell, and Bloom. Episode Fourteen features a variety of narrators, meant to be representative of the prose styles of historical English authors. Episode Fifteen has no narrator. Molly Bloom is the first-person narrator of Episode Eighteen.
point of view · Episodes One, Two, Four–Eleven, Sixteen, and Seventeen are told from the third-person viewpoint. Episode Three features interior monologue. Episode Twelve is told from the first-person. Episode Thirteen is told from the third and first person. Episode Fourteen is told variously in the third-person and first-person. Episode Fifteen is in play-script form. Episode Eighteen features an interior monologue.
tone · The narratives of Episodes One through Eight have a straightforward tone. Episodes Nine through Eleven have a self-conscious, playful tone. Episode Twelve has a hyperbolic, belligerent tone. Episode Thirteen has a sentimental tone. Episode Fourteen has an extreme variety of tones, including pious, sensational, and satiric. Episode Fifteen has no narrator and therefore no dominant narrative tone. Episode Sixteen has a tired tone. Episode Seventeen has a scientific tone.
tense · Present
setting (time) · 8:00 A.M., June 16, 1904–approximately 3 A.M., June 17, 1904
setting (place) · Dublin, Ireland, and its surrounding suburbs
protagonist · Stephen Dedalus, Leopold Bloom, Molly Bloom
major conflict · Molly Bloom’s infidelity with Blazes Boylan; Stephen Dedalus’s search for a symbolic father; Leopold Bloom’s desire for a son (his only son died eleven years ago several days after his birth)
rising action · Bloom leaves his house for the day, sees Blazes Boylan on the street several times, and becomes anxious about Blazes and Molly’s four o’clock rendezvous. Bloom is convinced they are going to have sex. Stephen and Bloom go about their day. They pass by each other several times and coincidentally meet at Holles St. Maternity Hospital.
climax · The first climax could be when Bloom looks after Stephen during Stephen’s argument with Private Carr (at the end of Episode Fifteen). The second climax is Bloom’s return home to his bedroom to discover evidence of Molly’s infidelity and to mentally overcome the threat of Blazes Boylan (Episode Seventeen).
falling action · Bloom and Stephen rest at a cabman’s shelter (Episode Sixteen), then return to the Bloom residence and have cocoa and talk (Episode Seventeen). Bloom tells Molly about his day and asks her to serve him breakfast in bed (Episode Seventeen). Molly lies awake considering the events of the day and a happy memory from her and Bloom’s past.
themes · The quest for paternity; the remorse of conscience; compassion as heroic; parallax or the necessity of multiple perspectives
motifs · Lightness and darkness; the home usurped; the East
symbols · Plumtree’s Potted Meat; the Gold Cup horserace; Stephen’s Latin Quarter hat; Bloom’s potato talisman
foreshadowing · Stephen’s and Bloom’s compatible dreams set in an Eastern marketplace street
This book needs a No Fear for it! But if there were a No Fear made, it should be made in a different way from the others; some lines just need to be put into context. For example, I can't tell if one character is thinking or talking.
12 out of 18 people found this helpful
I think Ulysses, and all Joyce (except Finnegan's Wake) should have a No Fear and a summary video. These classics are often overlooked by kids my age, and they should be read!
1 out of 2 people found this helpful
I'm about half way through Ulysses and I'm beginning to realize that his scenarios and conversations will never become any clearer than they are now. I rarely quit a thing once I've started, but it's very frustrating. To those of you who have read it in full....do you understand who's talking, where they are, who's good/bad.....nothing is clear to me. I just keep reading words......I'm not sure why.
5 out of 6 people found this helpful