Bloom walks a roundabout route toward the downtown post office, thinking about the people he passes and about the funeral he will attend at 11:00 A.M. While reading packet labels in the window of the Belfast and Oriental Tea Company, Bloom takes out the postal card for his pseudo-nym, Henry Flower. Inspired by the tea labels, Bloom imagines the heady atmosphere of the East. He surreptitiously walks into the post office and picks up a typed letter addressed to his pseudonym.
Outside the post office, Bloom opens his letter, but before he can read it, he is accosted by McCoy. Bloom makes small talk with McCoy while he tries to determine what is pinned to the letter, now in his pocket. While Bloom watches a sexy, upper-class woman across the street, McCoy makes small talk about Paddy Dignam’s death, which he heard about from Bantam Lyons. Bloom anticipates seeing the woman’s leg as she steps into her cab, but a tram blocks his view. Still chatting with McCoy, Bloom opens his newspaper and reads an ad: “What is a home without / Plumtree’s Potted Meat? / Incomplete. / With it an abode of bliss.” McCoy and Bloom speak about Molly’s upcoming concert tour (McCoy’s wife is an aspiring singer). Bloom thinks of Boylan’s letter this morning and skirts the topic of Boylan’s management of Molly’s tour. Taking leave of Bloom, McCoy asks him to put McCoy’s name down in the Dignam’s funeral register. As McCoy leaves, Bloom thinks of the inferior singing ability of McCoy’s wife.
Bloom sees an advertisement for the play Leah. Bloom remembers the story line, which involves the blind, dying Abraham recognizing the voice of his long-lost son, Nathan. This reminds Bloom of his own father’s death. Bloom finally pulls out his letter—it has a flower inside. The letter is from his erotic penpal, Martha Clifford. In it, she asks to meet her correspondent in person, calls him “naughty” for using a certain word in his last letter, and, finally, asks him what kind of perfume his wife uses. Bloom puts the letter back in his pocket. He will never agree to meet her, but he will push further with the wording of his next letter. Bloom pulls the flower pin out of the enclosed flower and contemplates the many pins of women’s clothes. A song comes to mind: “O, Mairy lost the pin of her drawers. . . .” He thinks of the names Martha and Mary, and of a painting of the biblical Martha and Mary.
Under a railway arch, Bloom tears up the envelope from Martha. Bloom steps into the backdoor of a church, reads the missionary notice, and ponders tactics for bringing religion to natives. Inside the church, a ceremony is in progress. Bloom considers that churches provide opportunities for sitting close to attractive women. He thinks of the power of Latin to stupefy. Sitting down in a pew, Bloom ponders the communal feeling that must come from taking communion.
He thinks about Martha acting indignantly respectable one minute about his diction, but asking to meet with him (a married man) the next minute. This discrepancy reminds Bloom of the turncoat Carey, who had a respectable, religious life, but was also involved with the “Invincibles” who committed the Phoenix Park murders. Bloom watches the priest rinse out the wine chalice and wonders why they do not use Guinness or another beverage. Looking at the choir loft, Bloom thinks of Molly’s performance of the Stabat Mater. As the priest finishes the ceremony, Bloom admires the effectiveness of the institution of confession and the idea of reform. The mass ended, Bloom gets up to leave before donations are requested. Bloom checks the time and heads toward Sweny’s to order Molly’s lotion, though he has left the recipe (along with his key) at home in his regular trousers.
At the chemist’s, Bloom thinks of alchemy and sedatives. While the chemist searches for the lotion recipe, Bloom thinks of Molly’s lovely skin and wonders if he has time for a bath. Bloom takes a lemon soap from the chemist and plans to return later to pick up the lotion and pay for both. As he leaves the shop, Bloom runs into Bantam Lyons. Lyons asks to see Bloom’s newspaper so he can check on a horse race. Bloom tells Lyons he can keep the paper since Bloom was only going to throw it away. Lyons, mistaking Bloom’s statement for a tip on a racehorse, hands the paper back to Bloom, thanks him and rushes off. Bloom thinks disgustedly about betting fever and begins to walk toward the public baths. He critiques an ineffective advertisement for college sports. He greets Hornblower, the porter, and thinks ahead to the moment when his body will be naked and reclined in a tub, his penis limp and floating like a flower.
This book needs a No Fear for it! But if there were a No Fear made, it should be made in a different way from the others; some lines just need to be put into context. For example, I can't tell if one character is thinking or talking.
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I think Ulysses, and all Joyce (except Finnegan's Wake) should have a No Fear and a summary video. These classics are often overlooked by kids my age, and they should be read!
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I'm about half way through Ulysses and I'm beginning to realize that his scenarios and conversations will never become any clearer than they are now. I rarely quit a thing once I've started, but it's very frustrating. To those of you who have read it in full....do you understand who's talking, where they are, who's good/bad.....nothing is clear to me. I just keep reading words......I'm not sure why.
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