Belinda arises to prepare for the day’s social activities after sleeping late. Her guardian sylph, Ariel, warned her in a dream that some disaster will befall her, and promises to protect her to the best of his abilities. Belinda takes little notice of this oracle, however. After an elaborate ritual of dressing and primping, she travels on the Thames River to Hampton Court Palace, an ancient royal residence outside of London, where a group of wealthy young socialites are gathering for a party. Among them is the Baron, who has already made up his mind to steal a lock of Belinda’s hair. He has risen early to perform and elaborate set of prayers and sacrifices to promote success in this enterprise. When the partygoers arrive at the palace, they enjoy a tense game of cards, which Pope describes in mock-heroic terms as a battle. This is followed by a round of coffee. Then the Baron takes up a pair of scissors and manages, on the third try, to cut off the coveted lock of Belinda’s hair. Belinda is furious. Umbriel, a mischievous gnome, journeys down to the Cave of Spleen to procure a sack of sighs and a flask of tears which he then bestows on the heroine to fan the flames of her ire. Clarissa, who had aided the Baron in his crime, now urges Belinda to give up her anger in favor of good humor and good sense, moral qualities which will outlast her vanities. But Clarissa’s moralizing falls on deaf ears, and Belinda initiates a scuffle between the ladies and the gentlemen, in which she attempts to recover the severed curl. The lock is lost in the confusion of this mock battle, however; the poet consoles the bereft Belinda with the suggestion that it has been taken up into the heavens and immortalized as a constellation.
Mock epic is a narrative poem which aims at mockery and laughter by using almost all the characteristic features of an epic but for a trivial subject. Alexander Pope’s “The Rape of the Lock” is a famous mock-epic. In it, there is invocation to Muses, proposition of subject, battles, supernatural machinery, journey on water, underworld journey, long speeches, feasts (coffee house), Homeric similes and grand style but all for a simple family dispute instead of a national struggle. The grand treatment of a low subject produces hilarious l... Read more→
19 out of 21 people found this helpful
Ans: Having a Cleopatra-like variety, Belinda is the one who is all pervasive and central character in Alexander Pope's mock heroic, "The Rape of the Lock". Pope's attitude to Belinda is very mixed and complicated: mocking and yet tender, admiring and yet critical. Read the full answer at
Ans: The word ‘satire’ is derived from the Latin word ‘satira’ which is a literary attack on the follies and vices of an individual or a society with a view to correcting them through laughter and ridicule written either in prose or verse. However, as Shakespeare is the poet of man, Alexander Pope is a poet of society. “The Rape of the Lock” is a social document because it mirrors contemporary society and contains a social satire, too. Read the full answer Free at
2 out of 2 people found this helpful