full title · The Tragedy of Othello, the Moor of Venice
author · William Shakespeare
type of work · Play
genre · Tragedy
language · English
time and place written · Between 1601 and 1604, England
date of first publication · 1622
publisher · Thomas Walkley
tone · Shakespeare clearly views the events of the play as tragic. He seems to view the marriage between Desdemona and Othello as noble and heroic, for the most part.
setting (time) · Late sixteenth century, during the wars between Venice and Turkey
setting (place) · Venice in Act I; the island of Cyprus thereafter
protagonist · Othello
major conflict · Othello and Desdemona marry and attempt to build a life together, despite their differences in age, race, and experience. Their marriage is sabotaged by the envious Iago, who convinces Othello that Desdemona is unfaithful.
rising action · Iago tells the audience of his scheme, arranges for Cassio to lose his position as lieutenant, and gradually insinuates to Othello that Desdemona is unfaithful.
climax · The climax occurs at the end of Act III, scene iii, when Othello kneels with Iago and vows not to change course until he has achieved bloody revenge.
falling action · Iago plants the handkerchief in Cassio’s room and later arranges a conversation with Cassio, which Othello watches and sees as “proof” that Cassio and Desdemona have slept together. Iago unsuccessfully attempts to kill Cassio, and Othello smothers Desdemona with a pillow. Emilia exposes Iago’s deceptions, Othello kills himself, and Iago is taken away to be tortured.
themes · The incompatibility of military heroism and love; the danger of isolation
motifs · Sight and blindness; plants; animals; hell, demons, and monsters
symbols · The handkerchief; the song “Willow”
foreshadowing · Othello and Desdemona’s speeches about love foreshadow the disaster to come; Othello’s description of his past and of his wooing of Desdemona foreshadow his suicide speech; Desdemona’s “Willow” song and remarks to Emilia in Act IV, scene iii, foreshadow her death.
It is awethome cos they all die
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This is perhaps one of Shakespeare's more interesting plays, if you will. In comparison to Macbeth it isn't quite the walk in the park.
I think conceptually it enables the reader to see that characters can influence characters to such a degree that the original traits are masked and changed. Tragedy in this play is definitely a main component - and a great emphasis that perhaps the villain doesn't always find their true defeat. In a way, wasn't the "villain" successful? He lied to everyone and pretty much killed whomever got in his way.
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