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Key Facts
full title · The Tragedy of Othello, the Moor of Venice
author · William Shakespeare
type of work · Play
genre · Tragedy
language · English
time and place written · Between 1601 and 1604,
England
date of first publication · 1622
publisher · Thomas Walkley
tone · Shakespeare clearly views the events of the play as
tragic. He seems to view the marriage between Desdemona and Othello
as noble and heroic, for the most part.
setting (time) · Late sixteenth century, during the wars between Venice
and Turkey
setting (place) · Venice in Act I; the island of Cyprus thereafter
protagonist · Othello
major conflict · Othello and Desdemona marry and attempt to build a
life together, despite their differences in age, race, and experience. Their
marriage is sabotaged by the envious Iago, who convinces Othello
that Desdemona is unfaithful.
rising action · Iago tells the audience of his scheme, arranges for
Cassio to lose his position as lieutenant, and gradually insinuates
to Othello that Desdemona is unfaithful.
climax · The climax occurs at the end of Act III, scene iii,
when Othello kneels with Iago and vows not to change course until
he has achieved bloody revenge.
falling action · Iago plants the handkerchief in Cassio’s room and later
arranges a conversation with Cassio, which Othello watches and sees
as “proof” that Cassio and Desdemona have slept together. Iago unsuccessfully
attempts to kill Cassio, and Othello smothers Desdemona with a pillow.
Emilia exposes Iago’s deceptions, Othello kills himself, and Iago
is taken away to be tortured.
themes · The incompatibility of military heroism and love; the
danger
of isolation
motifs · Sight and blindness; plants; animals; hell, demons,
and monsters
symbols · The handkerchief; the song “Willow”
foreshadowing · Othello and Desdemona’s speeches about love foreshadow
the disaster to come; Othello’s description of his past and of his wooing
of Desdemona foreshadow his suicide speech; Desdemona’s “Willow”
song and remarks to Emilia in Act IV, scene iii, foreshadow her
death. |
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