Just as Bianca is Katherine’s foil—her opposite—the intrepid, lovesick Lucentio serves as a foil for Petruchio throughout the play. Lucentio reflects the sort of idyllic, poetical view of love that Petruchio’s pragmatism dismisses: Lucentio is struck by love for Bianca at first sight, says that he will die if he cannot win her heart, and subsequently puts into motion a romantic and fanciful plan to do so. Whereas love in the play is often mitigated by economic and social concerns, Lucentio is swept up in a vision of courtly love that does not include the practical considerations of men like Petruchio. Throughout much of the play, then, Lucentio and Bianca’s relationship appears to be refreshing and pure in comparison to the relationship between Petruchio and Katherine. Petruchio’s decision to marry is based on his self-proclaimed desire to win a fortune, while Lucentio’s is based on romantic love. Moreover, while Petruchio devotes himself to taming his bride, Lucentio devotes himself to submitting to and ingratiating himself with his. While Petruchio stages his wedding as a public spectacle, Lucentio elopes with Bianca.
The contrast between Lucentio and Petruchio distinguishes The Taming of the Shrew from other Elizabethan plays. Through Lucentio and Bianca, the play looks beyond the moment when the romantic lovers are wed and depicts the consequences of the disguises and subterfuges they have charmingly employed to facilitate their romance. Once the practical business of being married begins, Lucentio’s preoccupation with courtly love seems somewhat outmoded and ridiculous. In the end, it is Petruchio’s disturbing, flamboyant pragmatism that produces a happy and functioning marriage, and Lucentio’s poeticized instincts leave him humiliated when Bianca refuses to answer his summons. Love certainly exists in the world of The Taming of the Shrew, but Lucentio’s theatrical love, attractive though it is, appears unable to cope with the full range of problems and considerations facing married couples in adult life.
Lucentio is a very kind and obedient servant. He agrees to every thing that his master Lucentio says. Lucentio's father had told Tranio to take good care of his master while in Padua [ Lucentio had come to study at a famous university, but he fell in love with Bianca later ]. Since Tranio is aware of his master's love Bianca( the youngest daughter of Baptista Minola ), he helps him [Lucentio] in all ways possible.
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Katherina and Bianca are like the north pole and south pole. They both have different characteristics and different natures.
KATHERINA:- Katherina is Baptista Minola's eldest daughter. She is an intolerable, curst, ill favored and shrewd young lady. She is famous in Padua for her scolding tongue. She is so "wild", unpleasant and hot tempered that no man wants to marry her. She thinks her father loves her sister Bianca more than he loves her. Katherina does not care about marriage and does not want any man to love her. She is disliked... Read more→
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Petruchio is late for his wedding. All the family members and guests are worried about the fact if he is coming or not.
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Petruchio comes dressed up in a new hat, an old jerkin, a pair of old breeches (that were turned thrice), a pair of boots, with a broken hilt an chapless, and with two broken points. Even his horse was looking messed up. The horse was hipped-- with an old mothy saddle and some stirrups of no kindred-- besides, possessed with the glanders and like to mose in chine; t... Read more→
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