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The Taming of the Shrew

William Shakespeare


Key Facts

Key Facts

full title  ·  The Taming of the Shrew

author  · William Shakespeare

type of work  · Play

genre  · Romantic comedy

language  · English

time and place written  · Around 1592, London

date of first publication  ·  1623

tone  · The overall tone of the play is light and comic, though the exploration of larger social questions, such as the proper relation of the sexes in marriage, lends much of the comedy a more serious tone.

settings (time)  · Unspecific, though presumably sometime during the Italian Renaissance

settings (place)  · Padua, a city-state in Italy prominent during the Renaissance

protagonist  · There is no single protagonist; Katherine and Petruchio are the main characters.

major conflict  · Petruchio’s attempt to “tame” Katherine; that is, to assert his authority in their marriage and overcome her hotheaded resistance to playing the role of his wife

rising action  · Petruchio and Katherine’s early verbal conflicts; Katherine’s many scenes of shrewish behavior, including her attack on Bianca; the various disguises and subterfuges of the subplot; Katherine and Petruchio’s comical wedding

climax  · There is no single moment of intense action in the play, but rather a long process of development culminating in Katherine’s fully changed behavior. It might be possible to see a climax in the wedding scene in Act III, or in Katherine’s decision in Act IV to submit to Petruchio when he says the sun is really the moon, or her agreement to throw shame to the winds and kiss him in the middle of the street in Act IV.

falling action  · The banquet at Lucentio’s house in Act V, scene ii

themes  · Marriage as an economic institution; the effect of social roles on individual happiness

motifs  · Disguise; domestication; fathers and their children

symbols  · Petruchio’s wedding costume; the haberdasher’s cap and tailor’s gown

foreshadowing  · Petruchio’s declaration to Katherine in Act II that he is the man to tame her

More Help

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Tranio's Character in Scene 1- Act1 (scene- when he and his servant reach Padua, when they are at Baptista's house)

by TTOSfreak, September 12, 2013

Lucentio is a very kind and obedient servant. He agrees to every thing that his master Lucentio says. Lucentio's father had told Tranio to take good care of his master while in Padua [ Lucentio had come to study at a famous university, but he fell in love with Bianca later ]. Since Tranio is aware of his master's love Bianca( the youngest daughter of Baptista Minola ), he helps him [Lucentio] in all ways possible.


9 out of 45 people found this helpful

Comparison of the nature's of Katherina and Bianca

by TTOSfreak, September 12, 2013

Katherina and Bianca are like the north pole and south pole. They both have different characteristics and different natures.

KATHERINA:- Katherina is Baptista Minola's eldest daughter. She is an intolerable, curst, ill favored and shrewd young lady. She is famous in Padua for her scolding tongue. She is so "wild", unpleasant and hot tempered that no man wants to marry her. She thinks her father loves her sister Bianca more than he loves her. Katherina does not care about marriage and does not want any man to love her. She is disliked... Read more


169 out of 201 people found this helpful

Petruchio's "Image" on how he arrives for the wedding [Act-3, Scene-2]

by TTOSfreak, November 16, 2013

Petruchio is late for his wedding. All the family members and guests are worried about the fact if he is coming or not.
[Note: this is just an overview of the topic]

Petruchio comes dressed up in a new hat, an old jerkin, a pair of old breeches (that were turned thrice), a pair of boots, with a broken hilt an chapless, and with two broken points. Even his horse was looking messed up. The horse was hipped-- with an old mothy saddle and some stirrups of no kindred-- besides, possessed with the glanders and like to mose in chine; t... Read more


39 out of 65 people found this helpful

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