Cervantes respectfully dedicates his novel to the Duke of Bejar and asks him to protect the novel from ignorant and unjust criticism.
Cervantes belittles his novel and denies that Don Quixote is an invented character, claiming that he, Cervantes, is merely rewriting history. He reports a likely fictional account of a conversation with a friend who reassures Cervantes that his novel can stand without conventional embellishments, such as sonnets, ballads, references to famous authors, and Latin phrases. He humorously suggests that such adornments can be added to a book after its completion. Cervantes accepts this advice and urges us to enjoy the novel for its simplicity.
Cervantes mentions an eccentric gentleman from an unnamed village in La Mancha. The man has neglected his estate, squandered his fortune, and driven himself mad by reading too many books about chivalry. Now gaunt at fifty, the gentleman decides to become a knight-errant and set off on a great adventure in pursuit of eternal glory. He polishes his old family armor and makes a new pasteboard visor for his helmet. He finds an old nag, which he renames Rocinante, and takes the new name Don Quixote de la Mancha. Deciding he needs a lady in whose name to perform great deeds, he renames a farm girl on whom he once had a crush, Dulcinea del Toboso.
Don Quixote sets off on his first adventure, the details of which Cervantes claims to have discovered in La Mancha’s archives. After a daylong ride, Don Quixote stops at an inn for supper and repose. He mistakes the scheming innkeeper for the keeper of a castle and mistakes two prostitutes he meets outside for princesses. He recites poetry to the two prostitutes, who laugh at him but play along. They remove his armor and feed him dinner. He refuses to remove his helmet, which is stuck on his head, but he enjoys his meal because he believes he is in a great castle where princesses are entertaining him.
In the middle of dinner, Don Quixote realizes that he has not been properly knighted. He begs the innkeeper to do him the honor. The innkeeper notes Don Quixote’s madness but agrees to his request for the sake of sport, addressing him in flowery language. He tries to cheat Don Quixote, but Don Quixote does not have any money. The innkeeper commands him always to carry some in the future.
Trouble arises when guests at the inn try to use the inn’s well, where Don Quixote’s armor now rests, to water their animals. Don Quixote, riled and invoking Dulcinea’s name, knocks one guest unconscious and smashes the skull of another. Alarmed, the innkeeper quickly performs a bizarre knighting ceremony and sends Don Quixote on his way. Don Quixote begs the favor of the two prostitutes, thanks the innkeeper for knighting him, and leaves.
In your analysis of the second part of Don Quixote, you write: "The story of Anna Felix and Don Gregorio tempers Cervantes’s otherwise rampant racism" - Really? This is a masterpiece that has survived the centuries because of it's jawdroppingly brilliant use of irony, but you can't seem to notice the difference between the first narrator (Cide Hamete's translator) and Cervantes himself!
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Any analysis of Don Quixote that doesn't mention the fact that that book is, at the core, a meditation on individual liberty, monetary debasement and the moral horror of involuntary slavery, is incomplete. See the work of Eric C. Graf of Universidad Francisco Marroquín. His article-
Juan de Mariana and the Modern American Politics of Money: Salamanca, Cervantes, Jefferson, and the Austrian School