Context
Plot Overview
Character List
Analysis of Major Characters
Themes, Motifs & Symbols
The First Part, The Author's Dedication of the First Part–Chapter IV
The First Part, Chapters V–X
The First Part, Chapters XI–XV
The First Part, Chapters XVI–XX
The First Part, Chapters XXI-XXVI
The First Part, Chapters XXVII–XXXI
The First Part, Chapters XXXII–XXXVII
The First Part, Chapters XXXVIII–XLV
The First Part, Chapters XLVI–LII
The Second Part, The Author's Dedication of the Second Part–Chapter VII
The Second Part, Chapters VIII–XV
The Second Part, Chapters XVI–XXI
The Second Part, Chapters XXII–XXVIII
The Second Part, Chapters XXIX–XXXV
The Second Part, Chapters XXXVI–XLI
The Second Part, Chapters XLII–XLVI
The Second Part, Chapter XLVII-LIII
The Second Part, Chapters LIV–LX
The Second Part, Chapters LXI–LXVI
The Second Part, Chapters LXVII–LXXIV
Important Quotations Explained
Key Facts
Study Questions & Essay Topics
Quiz
Suggestions for Further Reading
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Don Quixote Miguel de Cervantes
The First Part, Chapters V–X
Chapter V
A laborer finds Don Quixote lying near the road and leads
him home on his mule. Don Quixote showers the laborer with chivalric verse,
comparing his troubles to those of the great knights about whom
he has read. The laborer waits for night before entering the town
with Don Quixote, in hopes of preserving the wounded man's dignity.
But Don Quixote's friends the barber and the priest are at his house.
They have just resolved to investigate his books when Don Quixote
and the laborer arrive. The family receives Don Quixote, feeds him,
and sends him to bed.
Chapter VI
The priest and the barber begin an inquisition into Don
Quixote's library to burn the books of chivalry. Though the housekeeper wants
merely to exorcise any spirits with holy water, Don Quixote's niece
prefers to burn all the books. Over the niece's and the housekeeper's
objections, the priest insists on reading each book's title before
condemning it. He knows many of the stories and saves several of
the books due to their rarity or style. He suggests that all the poetry
be saved but decides against it because the niece fears that Don
Quixote will then become a poeta vocation even worse than knight-errant.
The priest soon discovers a book by Cervantes, who he
claims is a friend of his. He says that Cervantes's work has clever
ideas but that it never fulfills its potential. He decides to keep
the novel, expecting that the sequel Cervantes has promised will
eventually be published.
Chapter VII
Don Quixote wakes, still delusional, and interrupts the
priest and the barber. Having walled up the entrance to the library,
they decide to tell Don Quixote that an enchanter has carried off
all his books and the library itself. That night, the housekeeper
burns all the books. Two days later, when Don Quixote rises from
bed and looks for his books, his niece tells him that an enchanter
came on a cloud with a dragon, took the books due to a grudge he
held against Don Quixote, and left the house full of smoke. Don
Quixote believes her and explains that he recognizes this enchanter
as his archrival, who knows that Don Quixote will defeat the enchanter's
favorite knight.
Don Quixote's niece begs him to abandon his quest, but
he refuses. He promises an illiterate laborer, Sancho Panza, that
he will make him governor of an isle if Sancho leaves his wife,
Teresa, and children to become Don Quixote's squire. Sancho agrees,
and after he acquires a donkey, they ride from the village, discussing
the isle.
Chapter VIII
After a full day, Don Quixote and Sancho come to a field
of windmills, which Don Quixote mistakes for giants. Don Quixote
charges at one at full speed, and his lance gets caught in the windmill's
sail, throwing him and Rocinante to the ground. Don Quixote assures Sancho
that the same enemy enchanter who has stolen his library turned
the giants into windmills at the last minute.
The two ride on, and Don Quixote explains to Sancho that knights-errant
should never complain of injury or hunger. He tears a branch from
a tree to replace the lance he broke in the windmill -encounter.
He and Sancho camp for the night, but Don Quixote does not sleep
and instead stays up all night remembering his love, Dulcinea.
The next day, Don Quixote and Sancho encounter two monks and
a carriage carrying a lady and her attendants. Don Quixote thinks
that the two monks are enchanters who have captured a princess and
attacks them, ignoring Sancho's and the monks' protests. He knocks
one monk off his mule. Sancho, believing he is rightly taking spoils
from Don Quixote's battle, begins to rob the monk of his clothes.
The monks' servants beat Sancho, and the two monks ride off.
Don Quixote tells the lady to return to Toboso and present
herself to Dulcinea. He argues with one of her attendants and soon
gets into a battle with him. Cervantes describes the battle in great
detail but cuts off the narration just as Don Quixote is about to
deliver the mortal blow. Cervantes explains that the historical
account from which he has been working ends at precisely this point.
Chapter IX
Cervantes says he was quite irked by this break in the
text, believing that such a knight deserves to have his tale told
by a great sage. He says that he was at a fair in the Spanish city
of Toledo when he discovered a boy selling Arabic parchments in
the street. He hired a Moor to read him some of the stories. When
the Moor began to translate one line about Dulcinea, which read
that she was the best hand at salting pork of any woman in all
La Mancha, Cervantes rushed the Moor to his home to have him translate
the whole parchment.
According to Cervantes, the parchment contained the history
of Don Quixote, written by Cide Hamete Benengeli. From this point on,
Cervantes claims, his work is a translation of Benengeli's story. This
second portion of the manuscript begins with the conclusion of the
preceding chapter's battle. The attendant gives Don Quixote a mighty
blow, splitting his ear. Don Quixote knocks the man down and threatens
to kill him. He spares him when several ladies traveling with the
man promise that the man will present himself to Dulcinea.
Chapter X
Afterward, Sancho begs Don Quixote to make him governor
of the isle that he believes they have won in battle. Don Quixote
assures him that he will fulfill his promise soon. Sancho then begins
to worry that the authorities might come after them for beating
the lady's attendant. Don Quixote assures Sancho that knights never
go to jail, since they are permitted to use violence in the pursuit
of justice.
Sancho offers to care for Don Quixote's bleeding ear.
Don Quixote tells him about the Balsam of Fierbras, which he says
has the power to cure any wound and is easy to make. Sancho suggests
that they could make money by producing the balsam, but Don Quixote dismisses
the suggestion. Upon seeing the damage the attendant did to his
helmet, he swears revenge, but Sancho reminds him that the attendant
promised to present himself to Dulcinea in return. Don Quixote abandons
his oath of revenge and swears to maintain a strict lifestyle until
he gets a new helmet. Unable to secure other lodging, the two sleep
out under the sky, which pleases Don Quixote's romantic sensibilities
but displeases Sancho.
Analysis: Chapters V–X
In every way Don Quixote's opposite, Sancho Panza serves
as a simple-minded foil to his master's complex madness. Cervantes
contrasts these two men even on the most fundamental levels: Don Quixote
is tall and gaunt and deprives himself in his pursuit of noble ideals,
while Sancho is short and pudgy and finds happiness in the basic
pleasures of food and wine. Sancho is a peace-loving laborer who
leaves his family only after Don Quixote promises to make him a
governor. Don Quixote's violent idealism befuddles Sancho, who consistently
warns his master about the error of his ways. Sancho eats when he
is hungry but accepts Don Quixote's fasting as a knightly duty.
He complains when he is hurt and marvels at his master's capacity
to withstand suffering. Sancho's perception of Don Quixote informs
our own perception of him, and we identify and sympathize with the
bumbling Sancho because he reacts to Don Quixote the way most people
would. Through Sancho, we see Don Quixote as a human being with
an oddly admirable yet challenging outlook on life.
At the same time, Sancho makes it difficult to sympathize
with him since he participates in his master's fantasy world when
it suits his own interests. In robbing the monk, for instance, Sancho
pretends to believe that he is claiming the spoils of war. He takes
advantage of Don Quixote's sincere belief in a fantasy world to
indulge his greed, a trait that does not fit with our conception
of Sancho as an innocent peasant.
Unlike many of the novel's battle scenes, which at times
seem mechanical and plodding, the battle between Don Quixote and
the attendant is genuinely suspenseful. As opposed to the fight
scene with the guests at the inn or the charge at the windmills,
this battle is graphic. Unlike Don Quixote's previous foesinanimate
objects, unsuspecting passersby, or disapproving brutesthe attendant attacks
Don Quixote with genuine zeal, which, along with the attendant's
skill, heightens the battle's suspense. The attendant accepts the
myth Don Quixote presents himthat they are two great enemies battling
for honor. The fight thus takes on epic proportions for Don Quixote,
and its form underscores these proportions, since the men verbally
spar, choose their weapons, and engage. After several blows, the
battle concludes when Don Quixote defeats his opponent and forces
him to submit to the humiliaton of presenting himself to Dulcinea.
Cervantes's sudden interruption of the narrative draws
attention to the deficiencies of the work and, by implication, those
of other heroic tales. Cervantes's claim that the tale is factual
is undercut when he stops the story due to a gap in the alleged
historial account. Cervantes seems to be showing his scholarship
by cutting off the narrative to credit its source, but the source
he then describes turns out to be incomplete. At best, Don
Quixote now appears to be a translationand not even Cervantes's
own translationwhich gives the novel a more mythical feel. Though
myths are powerful for those who believe them, they are vulnerable
to distortion with each storyteller's version. In forcing us to
question the validity of the story during one of its most dramatic
moments, Cervantes implicitly criticizes the authorship and authenticity
of all heroic tales.
In his famous charge at the windmills, we see that Don
Quixote persists in living in a fantasy world even when he is able
to see reality for a moment. Don Quixote briefly connects with reality
after Sancho points out that the giants are merely windmills, but
Don Quixote immediately makes an excuse, claiming that the enchanter
has deceived him. This enchanter is not entirely fictionalDon Quixote has
so deceived himself with his books of chivalry that he seeks to make
up excuses even in the face of reality. Throughout the novel, Cervantes
analyzes the dangers inherent in the overzealous pursuit of ideals,
as we see Don Quixote continually constructing stories to explain
a belief system that is often at odds with reality.
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