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From the marlin waking Santiago by jerking the line to Santiago’s return to his shack
Then the fish came alive, with his death in him, and rose high out of the water showing all his great length and width and all his power and his beauty.
The marlin wakes Santiago by jerking the line. The fish jumps out of the water again and again, and Santiago is thrown into the bow of the skiff, facedown in his dolphin meat. The line feeds out fast, and the old man brakes against it with his back and hands. His left hand, especially, is badly cut. Santiago wishes that the boy were with him to wet the coils of the line, which would lessen the friction.
The old man wipes the crushed dolphin meat off his face, fearing that it will make him nauseated and he will lose his strength. Looking at his damaged hand, he reflects that “pain does not matter to a man.” He eats the second flying fish in hopes of building up his strength. As the sun rises, the marlin begins to circle. For hours the old man fights the circling fish for every inch of line, slowly pulling it in. He feels faint and dizzy and sees black spots before his eyes. The fish riots against the line, battering the boat with its spear. When it passes under the boat, Santiago cannot believe its size. As the marlin continues to circle, Santiago adds enough pressure to the line to bring the fish closer and closer to the skiff. The old man thinks that the fish is killing him, and admires him for it, saying, “I do not care who kills who.” Eventually, he pulls the fish onto its side by the boat and plunges his harpoon into it. The fish lurches out of the water, brilliantly and beautifully alive as it dies. When it falls back into the water, its blood stains the waves.
The old man pulls the skiff up alongside the fish and fastens the fish to the side of the boat. He thinks about how much money he will be able to make from such a big fish, and he imagines that DiMaggio would be proud of him. Santiago’s hands are so cut up that they resemble raw meat. With the mast up and the sail drawn, man, fish, and boat head for land. In his light-headed state, the old man finds himself wondering for a moment if he is bringing the fish in or vice versa. He shakes some shrimp from a patch of gulf weed and eats them raw. He watches the marlin carefully as the ship sails on. The old man’s wounds remind him that his battle with the marlin was real and not a dream.
An hour later, a mako shark arrives, having smelled the marlin’s blood. Except for its jaws full of talonlike teeth, the shark is a beautiful fish. When the shark hits the marlin, the old man sinks his harpoon into the shark’s head. The shark lashes on the water and, eventually, sinks, taking the harpoon and the old man’s rope with it. The mako has taken nearly forty pounds of meat, so fresh blood from the marlin spills into the water, inevitably drawing more sharks to attack. Santiago realizes that his struggle with the marlin was for nothing; all will soon be lost. But, he muses, “a man can be destroyed but not defeated.”
Santiago tries to cheer himself by thinking that DiMaggio would be pleased by his performance, and he wonders again if his hands equal DiMaggio’s bone spurs as a handicap. He tries to be hopeful, thinking that it is silly, if not sinful, to stop hoping. He reminds himself that he didn’t kill the marlin simply for food, that he killed it out of pride and love. He wonders if it is a sin to kill something you love. The shark, on the other hand, he does not feel guilty about killing, because he did it in self-defense. He decides that “everything kills everything else in some way.”
Two hours later, a pair of shovel-nosed sharks arrives, and Santiago makes a noise likened to the sound a man might make as nails are driven through his hands. The sharks attack, and Santiago fights them with a knife that he had lashed to an oar as a makeshift weapon. He enjoyed killing the mako because it was a worthy opponent, a mighty and fearless predator, but he has nothing but disdain for the scavenging shovel-nosed sharks. The old man kills them both, but not before they take a good quarter of the marlin, including the best meat. Again, Santiago wishes that he hadn’t killed the marlin. He apologizes to the dead marlin for having gone out so far, saying it did neither of them any good.
I believe the Warbler which lands on Santiago's skiff before flying off to meet the Hawks could be considered a minor character. I believe it serves as a symbol or something of the small comforts of life which are fine and enjoyable, but often leave us without warning or reason.
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In reply to The Gunner.
I think you are right, but I think you can also look at the warbler as almost a metaphor for Santiago.When the warbler lands on his line he is very tired and has just completed a long and hard journey and is resting for a bit before going off to meet the predatory hawks. This is much like Santiago's state just after he has caught the Marlin. He is very tired and worn yet has precious little time to rest before he must go and face the predatory sharks.
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I believe that the Warbler is a symbol Hemingway put in the book to represent his mother. In Hemingway's life he kind of pushed his mother away and wouldn't really focus at all on her later in his life. This is because he couldn't stand her criticizing his writing and didn't want her to be around it. Since Santiago represents Hemingway and fishing represents writing in the book I think the Warbler symbolizes Hemingway's mother.
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