There is little good to be said for Lear’s older daughters, who are largely indistinguishable in their villainy and spite. Goneril and Regan are clever—or at least clever enough to flatter their father in the play’s opening scene—and, early in the play, their bad behavior toward Lear seems matched by his own pride and temper. But any sympathy that the audience can muster for them evaporates quickly, first when they turn their father out into the storm at the end of Act 2 and then when they viciously put out Gloucester’s eyes in Act 3. Goneril and Regan are, in a sense, personifications of evil—they have no conscience, only appetite. It is this greedy ambition that enables them to crush all opposition and make themselves mistresses of Britain. Ultimately, however, this same appetite brings about their undoing. Their desire for power is satisfied, but both harbor sexual desire for Edmund, which destroys their alliance and eventually leads them to destroy each other. Evil, the play suggests, inevitably turns in on itself.