The Taming of the Shrew

Katherine -  The “shrew” of the play’s title, Katherine, or Kate, is the daughter of Baptista Minola, with whom she lives in Padua. She is sharp-tongued, quick-tempered, and prone to violence, particularly against anyone who tries to marry her. Her hostility toward suitors particularly distresses her father. But her anger and rudeness disguise her deep-seated sense of insecurity and her jealousy toward her sister, Bianca. She does not resist her suitor Petruchio forever, though, and she eventually subjugates herself to him, despite her previous repudiation of marriage.

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Petruchio -  Petruchio is a gentleman from Verona. Loud, boisterous, eccentric, quick-witted, and frequently drunk, he has come to Padua “to wive and thrive.” He wishes for nothing more than a woman with an enormous dowry, and he finds Kate to be the perfect fit. Disregarding everyone who warns him of her shrewishness, he eventually succeeds not only in wooing Katherine, but in silencing her tongue and temper with his own.

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Bianca -  The younger daughter of Baptista. The lovely Bianca proves herself the opposite of her sister, Kate, at the beginning of the play: she is soft-spoken, sweet, and unassuming. Thus, she operates as Kate’s principal female foil. Because of her large dowry and her mild behavior, several men vie for her hand. Baptista, however, will not let her marry until Kate is wed.

Baptista -  Minola Baptista is one of the wealthiest men in Padua, and his daughters become the prey of many suitors due to the substantial dowries he can offer. He is good-natured, if a bit superficial. His absentmindedness increases when Kate shows her obstinate nature. Thus, at the opening of the play, he is already desperate to find her a suitor, having decided that she must marry before Bianca does.

Lucentio -  A young student from Pisa, the good-natured and intrepid Lucentio comes to Padua to study at the city’s renowned university, but he is immediately sidetracked when he falls in love with Bianca at first sight. By disguising himself as a classics instructor named Cambio, he convinces Gremio to offer him to Baptista as a tutor for Bianca. He wins her love, but his impersonation gets him into trouble when his father, Vincentio, visits Padua.

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Tranio -  Lucentio’s servant. Tranio accompanies Lucentio from Pisa. Wry and comical, he plays an important part in his master’s charade—he assumes Lucentio’s identity and bargains with Baptista for Bianca’s hand.

Gremio and Hortensio -  Two gentlemen of Padua. Gremio and Hortensio are Bianca’s suitors at the beginning of the play. Though they are rivals, these older men also become friends during their mutual frustration with and rejection by Bianca. Hortensio directs Petruchio to Kate and then dresses up as a music instructor to court Bianca. He and Gremio are both thwarted in their efforts by Lucentio. Hortensio ends up marrying a widow.

Grumio -  Petruchio’s servant and the fool of the play—a source of much comic relief.

Biondello -  Lucentio’s second servant, who assists his master and Tranio in carrying out their plot.

Christopher Sly -  The principal character in the play’s brief Induction, Sly is a drunken tinker, tricked by a mischievous nobleman into thinking that he is really a lord.