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James Arthur Baldwin was born August 2, 1924 in Harlem, New York City, to Emma Berdis Jones. When Baldwin was three, Emma married Evangelical preacher David Baldwin. Emma and David would go on to have eight children together. David was a strict stepfather, and he demanded more from Baldwin than the other children, straining their relationship. Isolated, Baldwin found escape and solace in reading books and caring for his younger siblings. These sanctuaries had the additional effect of keeping Baldwin away from the criminal activity in his neighborhood. As a young teenager, Baldwin began to question his sexuality. Unsure of how to cope with his identity and seeking further refuge from neighborhood drug activity, Baldwin became a junior minister at Harlem Pentecostal Church. However, the three years he spent preaching disillusioned Baldwin. He began to view Christianity as racist and hypocritical, and became an avowed atheist for the rest of his life.
Although academically successful and confident in his own intellectual abilities, Baldwin faced structural racism in the educational opportunities available to him. Nevertheless, his talent shone through. At ten years old, Baldwin wrote a play that impressed his elementary school teacher. At Frederick Douglass Junior High, Baldwin met Countee Cullen, a prominent poet of the Harlem Renaissance, who encouraged Baldwin’s writing. He also began to write for the school newspaper The Douglass Pilot, publishing his first essay at the age of thirteen. He attended DeWitt Clinton High School in the Bronx, where he worked as the literary editor of the school’s magazine. After he graduated high school in 1942, Baldwin had to find work in order to help support his family because of his stepfather’s fading health. He worked for a defense contractor in New Jersey, but his anger at dealing with the day-to-day aggressions of segregation got him fired. Just before his nineteenth birthday, Baldwin’s stepfather died, and Baldwin decided to devote his life to writing.
Baldwin moved to Greenwich Village in New York City, an area known for housing artists, intellectuals, and free-thinkers. Through the friendship and encouragement of fellow author Richard Wright, he applied for and won the Eugene F. Saxton fellowship. Between the fellowship and several odd jobs, Baldwin supported himself enough to write several essays for major publications, like The Nation. However, he didn’t manage to complete the novel he wanted to write. Disillusioned with the racism of the United States, Baldwin emigrated to France in 1948, when he was twenty-four. There he joined the vibrant intellectual scene of Paris’s Left Bank.
Because of the different cultural norms of Paris, Baldwin was able to observe how being a Black American affected his life and identity. Paris also allowed Baldwin to accept himself as a bisexual man. In 1953, he finally completed and published his first novel, a bildungsroman called Go Tell it On the Mountain. This semi-autobiographical novel drew on his experiences as a junior preacher and his complicated relationship with his stepfather. In 1954, Baldwin received a Guggenheim Fellowship that he used to support himself through writing his second novel, Giovanni’s Room (1956), which follows a white American student in Paris who must cope with the social implications of his bisexuality. This novel shocked audiences not only because of its nuanced exploration of sexuality, but also because it features predominantly white characters. People expected Baldwin to write only about racial issues, but he refused to limit himself.
Despite some reservations, Baldwin returned to the United States briefly in the summer of 1957 to speak with leaders of the Civil Rights movement, including Martin Luther King Jr. He would continue to travel back and forth between France and the United States throughout the 1960s. In 1962, The New Yorker published a long essay of Baldwin’s, “Letter from a Region in My Mind,” which Baldwin later revised to become The Fire Next Time (1963). Infuriated by the violence against Civil Rights protestors, Baldwin wrote the play The Blues for Mister Charlie, which was loosely based on the 1955 murder of Black teenager Emmett Till. The play opened on Broadway in 1964 to mixed reviews. In 1970, Baldwin moved from Paris to Saint-Paul-de-Vence in Provence, where he hosted his artist friends. He continued to write throughout this period, including his final novel, Just Above My Head (1979), which explores both racism and homophobia, and a book-length essay called “The Evidence of Things Not Seen.” Baldwin died from stomach cancer on December 1, 1987.
“You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, who had ever been alive.”
“I love America more than any other country in the world and, exactly for this reason, I insist on the right to criticize her perpetually.”
“I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain.”
“The paradox of education is precisely this - that as one begins to become conscious one begins to examine the society in which he is being educated. ”
