I want to ask about the girl. What he knows about her. If he knows anything about her. If there was anything he learned after I ran off to the bathroom. But that’s so unlike me. This me I’ve created doesn’t pry. Doesn’t ask unnecessary questions. Doesn’t push for information about his friends or their companions. I need the moments that include James and his date to be buried in the blur of the day and not become the chunk of time that separates itself and becomes its own memory. 

This quote from Chapter 8 highlights how Evie constructs and maintains a meticulously curated persona to fit her circumstances and objectives. Every interaction is calculated, and she suppresses her natural impulses to align with the character she has created for this specific situation. Evie carefully constructs the persona of the perfect girlfriend to meet Ryan’s expectations and avoid suspicion. In this role, Evie suppresses her natural impulses, ensures that she stays unremarkable and unmemorable, the kind of woman who never pries or pushes for information. 

Every detail of her behavior is calibrated to avoid standing out—a performance that keeps her close to Ryan without raising any red flags. She knows that the identity she’s crafted must be accommodating, easygoing, and supportive, someone who doesn’t complicate things by asking unnecessary questions about his friends or their companions. The quote captures the fragility and loneliness of playing a role that erases her true self. Evie isn’t just pretending to be a perfect girlfriend—she is methodically crafting a persona designed to serve Ryan’s needs without drawing attention to herself. This performance is a survival strategy, but it also underscores how she must sacrifice her authenticity, ensuring that even in intimate moments, she’s always performing, never fully seen, and never truly known. 

 Sara is the girl who just wants everyone to get along. She probably had pale pink roses at her wedding and purposefully chose the same china pattern as her mother-in-law. 

This quote highlights Sara’s performance of a harmonious, conflict-free identity, carefully cultivating an image of someone who prioritizes tradition and unity. By selecting pale pink roses—soft, uncontroversial, and universally pleasing—Sara signals that her choices are designed to avoid friction and maintain peace. Choosing the same china pattern as her mother-in-law further reflects her desire to blend in seamlessly, reinforcing familial bonds through continuity and convention. Sara’s identity is not just performed but embedded in these outward choices, which project an image of simplicity, acceptance, and effortlessness. 

Sara’s persona is a deliberate construction, but it is also one that feels authentic and unchallenged—she is the kind of person who knows exactly who she is supposed to be and plays the part without question. There’s no indication of tension or struggle in Sara’s performance, which is precisely what makes it seem effortless. In contrast, Evie observes Sara’s performance with a sense of yearning. While Evie is a master at adopting identities, each one is a deliberate act of deception, crafted to serve a purpose rather than reflect an authentic self. The effort Evie puts into her roles is a reminder that, for her, identity is always fleeting, a mask she wears to survive, not something she can truly embody. Sara’s ability to perform her role sincerely—without pretense or ulterior motives—represents a kind of stability that Evie craves but knows she can never have. Evie wishes she could adopt an identity that feels as natural as Sara’s, one rooted in belonging rather than manipulation. 

I am Mia Bianchi. Even though I’m only twenty-two, new-hire paperwork shows I’m twenty-seven. The right clothes and makeup are key. I’m a graduate of Clemson University—Go Tigers!—and I excelled in my public policy classes and killed it on the debate team. I can’t even begin to understand how someone was able to add my image into a pic of a debate against UNC a few years ago. But there it was. Just grainy enough that if you were looking for me you’d find me, but not so clear as to draw questions from the students who were actually present. 

This quote, from Evie’s time as Andrew Marshall’s campaign worker, highlights the shallow indicators of identity that Evie carefully assembles to create a persona. She knows that these surface details—age, education, clothing, and credentials—are enough to craft a convincing identity. Though these elements are superficial, Evie understands that, when combined, they create the illusion of a complete and unobjectionable person. By meticulously curating Mia’s background, Evie presents a version of herself that belongs seamlessly in a space alongside someone like Andrew Marshall, positioning herself as a plausible wunderkind and trusted advisor. 

The details—such as the right makeup and clothes, a fabricated Clemson University degree, and even a grainy photo from a debate team event—are chosen not for their depth but for their ability to fit comfortably within societal expectations. Evie knows that identity in these elite circles isn’t about authenticity but about signaling competence and belonging through recognizable markers. These shallow indicators, when presented together, create a person who feels familiar and acceptable to those around her—someone who appears to fit the mold. Combining these markers with her convincing performance, Evie positions herself as someone worthy of trust and capable of becoming exactly what others expect her to be, even if the identity is nothing more than a carefully crafted façade.