The king speaks to a group of attendants, telling them of Polonius’s death and his intention to send Hamlet to England. Rosencrantz and Guildenstern appear with Hamlet, who is under guard. Pressed by Claudius to reveal the location of Polonius’s body, Hamlet is by turns inane, coy, and clever, saying that Polonius is being eaten by worms, and that the king could send a messenger to find Polonius in heaven or seek him in hell himself. Finally, Hamlet reveals that Polonius’s body is under the stairs near the castle lobby, and the king dispatches his attendants to look there. The king tells Hamlet that he must leave at once for England, and Hamlet enthusiastically agrees. He exits, and Claudius sends Rosencrantz and Guildenstern to ensure that he boards the ship at once. Alone with his thoughts, Claudius states his hope that England will obey the sealed orders he has sent with Rosencrantz and Guildenstern. The orders call for Prince Hamlet to be put to death.
On a nearby plain in Denmark, young Prince Fortinbras marches at the head of his army, traveling through Denmark on the way to attack Poland. Fortinbras orders his captain to go and ask the King of Denmark for permission to travel through his lands. On his way, the captain encounters Hamlet, Rosencrantz, and Guildenstern on their way to the ship bound for England. The captain informs them that the Norwegian army rides to fight the Poles. Hamlet asks about the basis of the conflict, and the man tells him that the armies will fight over “a little patch of land / That hath in it no profit but the name” (IV.iv.98–99). Astonished by the thought that a bloody war could be fought over something so insignificant, Hamlet marvels that human beings are able to act so violently and purposefully for so little gain. By comparison, Hamlet has a great deal to gain from seeking his own bloody revenge on Claudius, and yet he still delays and fails to act toward his purpose. Disgusted with himself for having failed to gain his revenge on Claudius, Hamlet declares that from this moment on, his thoughts will be bloody.
As we saw in Act IV, scene ii, the murder of Polonius and the subsequent traumatic encounter with his mother seem to leave Hamlet in a frantic, unstable frame of mind, the mode in which his excitable nature seems very similar to actual madness. He taunts Claudius, toward whom his hostility is now barely disguised, and makes light of Polonius’s murder with word games. He also pretends to be thrilled at the idea of sailing for England with Rosencrantz and Guildenstern.
On some level he is prepared for what is to come. His farewell to his mother proved as much, when he told her that he would trust his old schoolfellows as if they were “adders fang’d,” that is, poisonous snakes (III.iv.185.2). But although Hamlet suspects his friends’ treachery, he may not fully realize the malevolence of Claudius’s designs for him. Claudius’s subterfuge in asking the English to execute Hamlet reveals the extent to which he now fears Hamlet: whether Hamlet is sane or mad, he is a danger to Claudius, and Claudius wishes him to die. It is also revealing that one of Claudius’s considerations in seeking to have Hamlet murdered in far-off England, rather than merely executing him in Denmark, is that he is beloved by the common people of Denmark—“loved of the distracted multitude,” as Claudius says (IV.iii.4). Again, where King Hamlet was a brave warrior, King Claudius is a crafty politician, constantly working to strengthen his own power, circumvent threats to his throne, and manipulate those around him to his own advantage.
Act IV, scene iv restores the focus of the play to the theme of human action. Hamlet’s encounter with the Norwegian captain serves to remind the reader of Fortinbras’s presence in the world of the play and gives Hamlet another example of the will to action that he lacks. Earlier, he was amazed by the player’s evocation of powerful feeling for Hecuba, a legendary character who meant nothing to him (II.ii). Now, he is awestruck by the willingness of Fortinbras to devote the energy of an entire army, probably wasting hundreds of lives and risking his own, to reclaim a worthless scrap of land in Poland. Hamlet considers the moral ambiguity of Fortinbras’s action, but more than anything else he is impressed by the forcefulness of it, and that forcefulness becomes a kind of ideal toward which Hamlet decides at last to strive. “My thoughts be bloody, or be nothing worth!” he declares (IV.iv.9.56). Of course, he fails to put this exclamation into action, as he has failed at every previous turn to achieve his revenge on Claudius. “My thoughts be bloody,” Hamlet says. Tellingly, he does not say “My deeds be bloody.”
A view on Shakespeare's most well known play...
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HAMLET REVEALED IN NEW INTREPETATION
For 400 Years Real Structure Has Been Ignored
HAMLET by William Shakespeare is not a drama about a man who is incapable of making a decision nor is it only about Hamlet seeking revenge. Revenge is only part if not half the play. It is about a man who is going through a spiritual metamorphosis. Some say HAMLET is among the greatest plays ever written, but is it about a man who is dimwitted and slow, incapable of making up his mind? That’s like saying Julius Caesar won wars because he though
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A rationalist, by definition, is logical. And if he--not his friend, not his mother, not his pastor--sees a ghost, he will acknowledge as such. That's why Horatio freely admitted upon seeing the evidence. So I'm not sure what "blind rationalist" means.
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