In the British camp near Dover, Regan asks Edmund if he loves Goneril and if he has found his way into her bed. Edmund responds in the negative to both questions. Regan expresses jealousy of her sister and beseeches Edmund not to be familiar with her.
Abruptly, Goneril and Albany enter with their troops. Albany states that he has heard that the invading French army has been joined by Lear and unnamed others who may have legitimate grievances against the present government. Despite his sympathy toward Lear and these other dissidents, Albany declares that he intends to fight alongside Edmund, Regan, and Goneril to repel the foreign invasion. Goneril and Regan jealously spar over Edmund, neither willing to leave the other alone with him. The three exit together.
Just as Albany begins to leave, Edgar, now disguised as an ordinary peasant, catches up to him. He gives Albany the letter that he took from Oswald’s body—the letter in which Goneril’s involvement with Edmund is revealed and in which Goneril asks Edmund to kill Albany. Edgar tells Albany to read the letter and says that if Albany wins the upcoming battle, he can sound a trumpet and Edgar will provide a champion to defend the claims made in the letter. Edgar vanishes and Edmund returns. Edmund tells Albany that the battle is almost upon them, and Albany leaves. Alone, Edmund addresses the audience, stating that he has sworn his love to both Regan and Goneril. He debates what he should do, reflecting that choosing either one would anger the other. He decides to put off the decision until after the battle, observing that if Albany survives it, Goneril can take care of killing him herself. He asserts menacingly that if the British win the battle and he captures Lear and Cordelia, he will show them no mercy.
The battle begins. Edgar, in peasant’s clothing, leads Gloucester to the shelter of a tree and goes into battle to fight on Lear’s side. He soon returns, shouting that Lear’s side has lost and that Lear and Cordelia have been captured. Gloucester states that he will stay where he is and wait to be captured or killed, but Edgar says that one’s death occurs at a predestined time. Persuaded, Gloucester goes with Edgar.
In these scenes, the battle is quickly commenced and just as quickly concluded. The actual fighting happens offstage, during the short Act 5, scene 2. Meanwhile, the tangled web of affection, romance, manipulation, power, and betrayal among Goneril, Regan, Albany, and Edmund has finally taken on a clear shape. We learn from Edmund that he has promised himself to both sisters; we do not know whether he is lying to Regan when he states that he has not slept with Goneril. Nor can we deduce from Edmund’s speech which of the sisters he prefers—or, in fact, whether he really loves either of them—but it is clear that he has created a problem for himself by professing love for both.
It is clear now which characters support Lear and Cordelia and which characters are against them. Albany plans to show Lear and Cordelia mercy; Edmund, like Goneril and Regan, does not. Since all of these characters are, theoretically, fighting on the same side—the British—it is unclear what the fate of the captured Lear and Cordelia will be.
to help with the side story, think of the movie Thor:
Edgar- Thor (the good brother; gets punished and illegitimate brother takes over for a while)
Edmund-Loki (evil, illegitimate son who is jealous of his brother)
MIND BLOWN. Stan Lee probably read Shakespeare
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it is kind of confusing dealing with King Lear and his three daughters, and then having to deal with Gloucester. My suggestion, think of the movie Thor:
-Edgar: Thor (the good brother who is supposed to succeed Odin-son/Gloucester when he dies; is deceived by Loki/Edmund and then gets punished)
-Edmund: Loki (the evil, illegitimate brother who is jealous of Thor/Edgar (except Loki was adopted); gets control of the throne for a while)
Hope this helps
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There's “a time to keep and a time to cast away." King Lear just got his times mixed up, and it gave us a great play. Finished Lear on my way to reading and blogging about them all by April 2014.
In case you're interested in a few of my thoughts on the play, visit my blog (also there, I've linked to a good production of the play that's available on the PBS Great Performances website):
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