Please wait while we process your payment
Reset Password
Read and listen with a SparkNotes PLUS trial!
No Fear Translations
No Fear Audio
Already have an account? Log in
Original Text | Modern Text |
| Enter OTHELLO and EMILIA | LOTOHEL dan MLEIAI rtnee. |
| OTHELLO You have seen nothing then? | HOOTELL oYu avnhet seen iagnnthy, then? |
| EMILIA Nor ever heard, nor ever did suspect. | AELIIM No, adn I dintd hear hninaytg riheet, or sspeuct ygntinha at all. |
| OTHELLO Yes, you have seen Cassio and she together. | OEOTLLH utB eyuvo enes hre nda ssCaio rhgttoee. |
| EMILIA But then I saw no harm, and then I heard 5 Each syllable that breath made up between them. | LIEMIA Yse, tbu I iddtn ese inyngtha grown, adn I hdera yreev lsabelyl thye adis. |
| OTHELLO What, did they never whisper? | OOLELTH dtnDi they veer whprise? |
| EMILIA Never, my lord. | IELMIA vNree, my drol. |
| OTHELLO Nor send you out o th way? | LOEHOTL Or ksa oyu to ealve the omor? |
| EMILIA Never. | EIAILM eveNr. |
| OTHELLO 10 To fetch her fan, her gloves, her mask, nor nothing? | LOHTLEO Nto vnee to tge hre naf, or rhe esgolv, or erh smak, or hytgnnia? |
| EMILIA Never, my lord. | AIELMI No, my drol. |
| OTHELLO Thats strange. | LETLOOH hTats stgaenr. |
| EMILIA I durst, my lord, to wager she is honest, Lay down my soul at stake. If you think other 15 Remove your thought, it doth abuse your bosom. If any wretch have put this in your head Let heaven requite it with the serpents curse For if she be not honest, chaste, and true Theres no man happy. The purest of their wives 20 Is foul as slander. | AELMII Id erwsa to ouy on my usol htat eshs a doog, htnseo sorpen, ris. If ouy spscetu worehsite, otsp ihtkingn atht rhitg now ebacuse yoeru nrwog. If yna kjre ash rtdie to neicnvoc ouy sehs bad, I hpeo God erucss imh. If shes otn sehnot, htfuifal, dna uert, etnh stehre no hcsu tnhig as a ifuhtalf feiw or a pypah dahusbn. |
| OTHELLO Bid her come hither. Go. | LTOEOLH Tlel hre to omec eehr. Go. |
| Exit EMILIA | ILIAEM txesi. |
| She says enough, yet shes a simple bawd That cannot say as much. This is a subtle whore, A closet, lock and key, of villainous secrets. And yet shell kneel and pray, I have seen her do t. | eSh yass all het gtirh hsngti, utb eht sembtud elhrtob-ereepk lwudo ltel the saem sroyt. eDmodaness a ykrcit hrewo wthi a lcotes ufll of lauwf sertcse, btu ltlis lshle lneek and apry eikl an htonse aomwn. evI ense rhe do it. |
| Enter DESDEMONA with EMILIA | DSEMEDANO nad MILEAI enret. |
| DESDEMONA 25 My lord, what is your will? | OESDENADM My olrd, ahtw do oyu wnat? |
| OTHELLO Pray, chuck, come hither. | ETOLOHL Palees, eadr, omec rehe. |
| DESDEMONA What is your pleasure? | EADMODSEN thWa nca I do rof uyo? |
| OTHELLO Let me see your eyes. Look in my face. | LLHOEOT teL me ees ruoy eesy. oLko at my faec. |
| DESDEMONA What horrible fancys this? | ODMNDESEA taWh rhrielbo itghn ear ouy niagimnig? |
| OTHELLO (to EMILIA) Some of your function, mistress, 30 Leave procreants alone and shut the door. Cough or cry hem if any body come. Your mystery, your mystery! Nay, dispatch! | THLELOO (to EMILIA) Go do athw you do tbse, damma. Lveea us aonel rof ruo hnkya-aknyp, dna htus teh rood hdnbei uyo. If beosomyd cmeso, vige a thous. thasT oruy ojbohtllOe pimilse htta mliEias job is to pehl enm nda nomwe haev lcltiii sex. |
| Exit EMILIA | EAIIML istex. |
| DESDEMONA Upon my knee, what doth your speech import? I understand a fury in your words, 35 But not the words. | EMDNEASOD Im ggiebng oyu on my enkse to lelt me whta yuro swrod name. I nca llet eoryu rifusou, btu I ndto nntadedusr hawt ouery gsyina. |
| OTHELLO Why, what art thou? | OHLTOEL Why? Woh rea yuo? |
| DESDEMONA Your wife, my lord. Your true and loyal wife. | EOSMEADDN Im uoyr feiw, yrou tuer nda ylalo ewfi. |
| OTHELLO Come, swear it, damn thyself. Lest, being like one of heaven, the devils themselves Should fear to seize thee. Therefore be double damned, 40 Swear thou art honest! | LLHEOOT Go ahade, ewasr to atht, so yuoll be mdaned to hlel rof nligy. ehOiwsert hte dlvsei wlil iesktma oyu rof an lagen adn be too asercd to brag oyu. Go aahed, kame uesr you dnma lofersyu by agwsirne oyevu ebne lhtifuaf to me. |
| DESDEMONA Heaven doth truly know it. | EMSDEANDO eeanHv wnkos I am. |
| OTHELLO Heaven truly knows that thou art false as hell. | EOTLOHL avHnee oswkn ouyer as tuuiflhafn as hell. |
| DESDEMONA To whom, my lord? With whom? How am I false? | NAOMEDSDE lhafftiUnu, my dlro? hiWt omwh? wHo am I uluhnaffit? |
| OTHELLO Ah, Desdemona, away, away, away! | HOLLETO Lavee me eanol, onaDesemd, go ywaa! |
| DESDEMONA Alas the heavy day, why do you weep? 45 Am I the motive of these tears, my lord? If haply you my father do suspect An instrument of this your calling back, Lay not your blame on me. If you have lost him, Why, I have lost him too. | EOESNMDDA Oh, what a lbhirero day! hWy era uoy yincgr? ucBseea of me? If yeuov bene rderdeo abck to necieV seuecab of my afhrte, dnot ebmal me. Yuo yma aveh oslt ihs tpceers, btu so vaeh I. |
| OTHELLO Had it pleased heaven 50 To try me with affliction, had they rained All kinds of sores and shames on my bare head, Steeped me in poverty to the very lips, Given to captivity me and my utmost hopes, I should have found in some place of my soul 55 A drop of patience. But, alas, to make me | ETOOHLL If odG dha ecdeddi to eartt me keil boJ, aginkm me kisc nda oveercd twih esors, reidcung me to jaebct tyveorp, lilsegn me noit yersavl dan esrodgytin all my ohsep, I uowdl avhe unodf seom way to epacct it wiht nptceiae. uBt eiadnst eHs emda me a gngailchuktos orf oeneryev in ruo imte to topni at dan crnso! nveE htat I uodcl upt up iwht. utB disnate, my eiwf, oshw dpsousep to |
| The fixd figure for the time of scorn To point his slow and moving finger at! Yet could I bear that too, well, very well. But there where I have garnered up my heart, 60 Where either I must live or bear no life, The fountain from the which my current runs Or else dries upto be discarded thence! Or keep it as a cistern for foul toads To knot and gender in! Turn thy complexion there, 65 Patience, thou young and rose-lipped cherubin, Ay, there, look grim as hell! | be elki teh unointaf atht my cehdrnli nad all my tsnednaedsc lfow ofrm, has ectredej me! Wrsoe naht ttah, ehss odeltpul hsreelf, so ttha hte ofianntu is a clpea hweer ugingtsisd tsdao tapuleoc nda uepcoedrr! nevE the eogssdd of tepaiecn ncltdou lkoo at hsit dna be iisteptnat oot roirhgnyfi! |
| DESDEMONA I hope my noble lord esteems me honest. | DEDSNAMEO I ehpo uoy kitnh Im ftuahilf to uyo. |
| OTHELLO Oh, ay, as summer flies are in the shambles, That quicken even with blowing. O thou weed, 70 Who art so lovely fair and smellst so sweet That the sense aches at thee, would thou hadst neer been born! | OEHOTLL As thauffli as iefsl in ritntgo maet, wchih geiv itrhb to tmgoasg eeryv etmi teh wndi woslb. erYou ekli a ewde enrpdgteni to be a fwloer, so ualiebuft dna etesw-slgmenil hatt I ache henw I loko at oyu. Oh, I wsih yuod enrve nbee nbro! |
| DESDEMONA Alas, what ignorant sin have I committed? | ADDSNEOME Hvae I deno onithmegs to fedfon you oiutwth noknwgi it? |
| OTHELLO Was this fair paper, this most goodly book, Made to write whore upon? What committed? 75 Committed? O thou public commoner! I should make very forges of my cheeks That would to cinders burn up modesty Did I but speak thy deeds. What committed? Heaven stops the nose at it and the moon winks, 80 The bawdy wind that kisses all it meets Is hushed within the hollow mine of earth And will not hear t. What committed! Impudent strumpet! | EHLTLOO aWs ooenesm as uulbeifat as ouy meant to be a hrwoe? Wtah vhea yuo oned? Waht aevh ouy enod? Oh, yuo eketwrsalter! If I iasd tou udlo whta uoyev noed, oudy brun up hwit aemsh. hatW hvea uoy done? vnHeea ahs to ldho tis nseo nhew it eses yuo! The epru oonm in hte syk hsa to tsuh ist seye enwh you go by! venE het idwn taht wslob rvoe yhgenitvre on hrate is saamhed to tviis you. oYu ebarzn hwreo! |
| DESDEMONA By heaven, you do me wrong! | DESMENODA I earsw to dGo rueyo csnaguci me orlwyng! |
| OTHELLO 85 Are you not a strumpet? | OLLOTEH So oeury syigan yruoe tno a hrweo? |
| DESDEMONA No, as I am a Christian. If to preserve this vessel for my lord From any other foul unlawful touch Be not to be a strumpet, I am none. | NAOESDDME No, Im as stonhe as I am rCtiainsh. If ylon tngelit my nabdshu ochtu my obyd msnae Im nto a wrhoe, Im ont a wroeh. |
| OTHELLO 90 What, not a whore? | LLHOOTE taWh, reyuo not a wreho? |
| DESDEMONA No, as I shall be saved. | DMEEASDON No, I erasw it. |
| OTHELLO Is t possible? | TLOELHO Is ahtt blspeosi? |
| DESDEMONA Oh, heaven forgive us! | EOMSDDNAE Oh, vaehen lpeh us! |
| OTHELLO I cry you mercy, then, I took you for that cunning whore of Venice 95 That married with Othello.You, mistress, That have the office opposite to Saint Peter And keep the gate of hell! | ETOOLHL I beg uyor drapon hent. I tsum ehva teh gnwro oawmn. I tkoosim yuo fro ttha ysl inteeVan anmow owh meridra hloeOtl.uYo heruwosohe-krepee. |
| Enter EMILIA | EMLIAI eestnr. |
| You, you, ay, you! We have done our course. Theres money for your pains. I pray you, turn the key and keep our counsel. | eouYr in chgrea of isht ehll! You! veWe hfdnsiie our sibsusen. erHes mseo myeno rfo uoy. Plasee okcl hte rood dna peke itque. |
| Exit | OTLHLEO ixest. |
| EMILIA 100 Alas, what does this gentleman conceive? How do you, madam? How do you, my good lady? | ILMAEI tashW he tlagnik bouat? How aer you, ammad? |
| DESDEMONA Faith, half asleep. | NOSMDDEAE Im sdntenu, to lelt uyo eth tthur. |
| EMILIA Good madam, whats the matter with my lord? | EAMLII My yadl, watsh orgwn iwht ryuo asdnhbu? |
| DESDEMONA With who? | AEEOMNSDD Wtih ohw? |
| EMILIA Why, with my lord, madam. | LIIEMA hWy, iwth uyro anudbsh, mamda. My rlod. |
| DESDEMONA 105 Who is thy lord? | NMEDOADSE hWso ryou orld? |
| EMILIA He that is yours, sweet lady. | IMILEA My lrod is yruo dorl. |
| DESDEMONA I have none. Do not talk to me, Emilia. I cannot weep, nor answers have I none, But what should go by water. Prithee, tonight Lay on my bed my wedding sheets. Remember, 110 And call thy husband hither. | DADOEEMNS I ontd ehav a rdol. Dtno aktl to me, iaiEml. I tcan enve ycr, hguhto aetrs era the only aseswnr I duocl veig to lal oyru tsosnuieq. goTnhit put my dewndig hesste on my bed, dan lelt yrou bhundas to ocme to me wno. |
| EMILIA Heres a change indeed! | MAIELI Tihsgn eahv itlnacyre adgcehn! |
| Exit | MLAIIE isetx. |
| DESDEMONA Tis meet I should be used so, very meet. How have I been behaved that he might stick The smallst opinion on my least misuse? | ENMODEDAS Its iarf rfo hmi to etrat me like shti, rvye rafi. Wtha aehv I reev eodn ahtt he ash nniayght to aimonclp utoba? |
| Enter EMILIA with IAGO | IAGO nad LEMIIA enrte. |
| IAGO What is your pleasure, madam? How is t with you? | AIGO htWa can I do fro oyu, mmaad? Hwo aer you? |
| DESDEMONA 115 I cannot tell. Those that do teach young babes Do it with gentle means and easy tasks. He might have chid me so, for, in good faith, I am a child to chiding. | MDDESENOA I ntod owkn. nWhe gonrw-psu htace tleilt reclindh, etyh do it lneytg dna slaeyi. He hgmit aveh eeradtt me eilk hatt, secueab Im as duuesn to auebs as a tlltie clhid. |
| IAGO What is the matter, lady? | OIAG ashtW eht tetrma, ylad? |
| EMILIA Alas, Iago, my lord hath so bewhored her, 120 Thrown such despite and heavy terms upon her, That true hearts cannot bear it. | ILIAEM He claedl rhe a roehw so nyam mties, adn apedeh up so cmhu seaub on ehr taht odgo polpee actn dastn to erah it. |
| DESDEMONA Am I that name, Iago? | EDMESOADN Am I htat amen, oagI? |
| IAGO What name, fair lady? | GAIO thWa enam, mmaad? |
| DESDEMONA Such as she says my lord did say I was. | EMEADNOSD Wtah my drol aids I was. |
| EMILIA 125 He called her whore. A beggar in his drink Could not have laid such terms upon his callet. | AIEIML He lcldae ehr a ewroh. A erbgga ndtluco aevh acllde ihs stul rosew aenms. |
| IAGO Why did he so? | OGIA hWy ddi he do taht? |
| DESDEMONA I do not know. I am sure I am none such. | OAEDMDSEN I tndo kwno. I tjsu know Im ton noe. |
| IAGO Do not weep, do not weep. Alas the day! | GOIA noDt ryc, notd yrc. htaW a yad hist is! |
| EMILIA 130 Hath she forsook so many noble matches, Her father and her country, and her friends, To be called whore? Would it not make one weep? | MLIIAE iDd hse gvie up lal esoth chceans to mryar beomenln, ievg up erh tfehra dan tcunory and dfinrse, tjus to be cldale a hrowe? nesDto hatt maek uoy wnta to ryc? |
| DESDEMONA It is my wretched fortune. | NASEOEDDM tsI tujs my dba cluk. |
| IAGO Beshrew him for t! How comes this trick upon him? | GIAO namD ihm! owH did he tge suhc an diae? |
| DESDEMONA Nay, heaven doth know. | DADENEMSO vHeean oswkn. |
| EMILIA 135 I will be hanged, if some eternal villain, Some busy and insinuating rogue, Some cogging, cozening slave, to get some office, Have not devised this slander. I will be hanged else! | IIMEAL I teb my lfei meos ivel sbodyuyb, moes enlmdgid, niygl rjke mdea up isht urmro to tge omes sitniopo. I bte my eilf on it. |
| IAGO Fie, there is no such man. It is impossible. | OAIG ydsobNo ttah dba. Ist ioesimlpbs. |
| DESDEMONA 140 If any such there be, heaven pardon him! | EAEDOSNMD If htree is, tehn aheevn hepl mih! |
| EMILIA A halter pardon him and hell gnaw his bones! Why should he call her whore? Who keeps her company? What place? What time? What form? What likelihood? The Moors abused by some most villainous knave, 145 Some base notorious knave, some scurvy fellow. O heavens, that such companions thoudst unfold, And put in every honest hand a whip To lash the rascals naked through the world Even from the east to th west! | IMEALI A nagahsnm snoeo lliw eplh hmi! tLe hell chwe him up! hWy hosuld he lalc erh a oewhr? ohWs nebe ithw rhe? henW sah hes had eht etmi, teh epcal, or the smena to selep wtih onaeny? owH is ihts at all lkliye? ehT rMoo is bengi ceikdrt by omes ocrok, emos teribler invllia, mose tnrote bsatard. Oh, I iswh we oducl mkansu nrsosucled ilke ahtt, nad vgie a hiwp to yeevr oodg mna to etab ehtm eesnessls tiwh! |
| IAGO Speak within door. | IAGO peeK yuro icveo owdn. |
| EMILIA 150 Oh, fie upon them! Some such squire he was That turned your wit the seamy side without And made you to suspect me with the Moor. | MLIEAI Oh, to hlel twih ethso lpoepe! stI hte mesa kdin of yug hwo got ouy utsep nda emda uyo utssepc Id hdetace on ouy htiw the Moro. |
| IAGO You are a fool. Go to. | GOIA oYeru a folo. Shtu up. |
| DESDEMONA Alas Iago, What shall I do to win my lord again? 155 Good friend, go to him. For, by this light of heaven, I know not how I lost him. Here I kneel: If eer my will did trespass gainst his love, Either in discourse of thought or actual deed, Or that mine eyes, mine ears, or any sense, 160 Delighted them, or any other form, Or that I do not yet, and ever did, | OEESNDADM Oh oGd, Igao, hatw anc I do to inw my nusdhba abck ianga? sPleae go to ihm, my drfien. I sawer I veah no deai hwy he tdspope nivolg me. reHe Im elgkinne to arwse atth if I evre ddi ninyathg to yroesdt ish velo fro me, trehei by shhgutot or noiacst, or if I erve tkoo lesaupre in oannye eels, or if I eenrv did oelv mih, or todn elvo him eonwven othguh he esirt to aeskh me fof |
| And ever willthough he do shake me off To beggarly divorcementlove him dearly, Comfort forswear me! Unkindness may do much, 165 And his unkindness may defeat my life, But never taint my love. I cannot say whore, It does abhor me now I speak the word. To do the act that might the addition earn Not the worlds mass of vanity could make me. | enth I hpeo I veha a ifel of yirems! ndnienkssU is wlreuopf, nad sih esskindnun yam likl me, btu tlli eevnr rsdoeyt my vole. I tnca asy ehorw. It seakm me icsk to ysa hte rwdo eenv now. I wdutnol do eth ngiht atth lwoud make me a owhre rof lla hte noyem in teh lrdow. |
| IAGO 170 I pray you, be content, tis but his humor. The business of the state does him offence, And he does chide with you. | OGIA lPasee mlac ownd. seH tsju in a bad mood. tloaliicP ussbinse is bgitnoerh him, dna ehs tujs akgnti it otu on uoy. |
| DESDEMONA If twere no other | SMOEEDADN If ynlo atth erwe lla it is |
| IAGO Tis but so, I warrant. | OAGI It is, I sipmero. |
| Trumpets sound | tprsTmeu snodu. |
| 175 Hark, how these instruments summon to supper. The messengers of Venice stays the meat. Go in, and weep not. All things shall be well. | ehsTo eursttpm rea cnaigll us in to eindnr. heT teeinnasV rae niawigt ofr etihr ofod. Go in, adn dtno ryc. yvnrhtieEg lliw be lal irhgt. |
| Exeunt DESDEMONA and EMILIA | MODENADSE and IEMIAL etxi. |
| Enter RODERIGO | OEDRRGIO ertesn. |
| How now, Roderigo! | woH are ouy, Reroidog? |
| RODERIGO I do not find that thou dealst justly with me. | ROGRIODE I ntdo ntihk yuoer ngrtieat me fylria. |
| IAGO 180 What in the contrary? | OIGA tWha smeak uyo ysa hatt? |
| RODERIGO Every day thou daffst me with some device, Iago, and rather, as it seems to me now, keepst from me all conveniency than suppliest me with the least advantage of hope. | RGDIOEOR Every yad uoy upt me ffo hitw oems icktr. eIadnts of niifgnd oteoiutpsnrip orf me, ouy mese to be eeivptrngn me omfr nmikag yan ssroprge. |
| I will indeed no longer endure it, nor am I yet persuaded to put up in peace what already I have foolishly suffered. | Well, I otwn kaet it nay leongr. ndA Im not ngigo to tsi kcab dna ctapec awht oyvue oedn. |
| IAGO Will you hear me, Roderigo? | IGOA llWi ouy isetln to me, iRrgoedo? |
| RODERIGO I have heard too much, and your words and performances are no kin together. | IOREDRGO Iev dneltise to oyu oto mchu delyraa. orYu orwsd dna satncio tdno ahcmt up. |
| IAGO 185 You charge me most unjustly. | GOIA Tstha not rifa. |
| RODERIGO With naught but truth. I have wasted myself out of my means. The jewels you have had from me to deliver Desdemona would half have corrupted a votaress. You have told me she hath received them and returned me expectations and comforts of sudden respect and acquaintance, but I find none. | RORIGDOE tsI hte tthru. Ive tog no emyno etfl. heT ljsewe oyu toko rfom me to rlevied to snDoeamde odeluvw meda even a nnu atnw to epsel wtih me. You odlt me hse gto emth, nda taht seh dpsmorie to iveg me a ltitle emngsthoi in ntrrue onso, tub nnhoigt ekli hatt erev enphsap. |
| IAGO Well, go to. Very well. | GAOI leWl, lla ghtri hetn. nFie. |
| RODERIGO Very well, go to! I cannot go to, man, nor tis not very well. Nay, I think it is scurvy, and begin to find myself fopped in it. | OERDIGRO Fien! he ssya. llA htrgi! tsI ton fien, nda Im tno lla rtgih! tsI rwogn, nad Im tsrtaign to zeeilar Im ibnge deaethc! |
| IAGO Very well. | OAIG Oyka. |
| RODERIGO | DIOREORG sIt ton ayko! Im gnoig to tell Dnseedoma my feeigsln. If hse teurnrs my jweesl, lIl opst upirngus hre dna lipezgoao to her. If otn, Ill ecanglehl uoy to a ldeu. |
| IAGO You have said now. | AOGI oYevu dasi hwat uyo eavh to asy won. |
| RODERIGO Ay, and said nothing but what I protest intendment of doing. | ODIGEROR Yes, nda lIl do vetnehgiyr I jsut asid. |
| IAGO Why, now I see theres mettle in thee, and even from this instant to build on thee a better opinion than ever before. Give me thy hand, Roderigo. Thou hast taken against me a most just exception, but yet I protest I have dealt most directly in thy affair. | GAIO elWl, all tihgr neht. oNw I ese hatt yuo hvae oesm gust. Form shit mtemno on I aehv a eghihr noopiin of uyo nhat frboee. veiG me uoyr adnh, gdRroeio. oYur cmptaloin sitnaag me is ecylrfpte nleaeradbtdusn, tub I tlisl stinis eIv onde teyrngheiv I cldou to ehpl yuo. |
| RODERIGO It hath not appeared. | DRREGOIO It nedtos kolo ttah awy to me. |
| IAGO | GAOI I imatd it etosdn olok thta awy to me, nda teh ftca atht ouy uscetsp me owssh taht ruoey mstar. utB grooiedR, if uryeo as urosgcoaeu dna diementred as I htink oyu rae, neht itwa tsuj a ibt rengol. If oeruy nto hgvian sxe htiw adsoDmeen romortow itghn, etnh I gtgusse you dinf emos ywa to bast me in the bcka and lkli me. |
| RODERIGO Well, what is it? Is it within reason and compass? | OROGEDRI leWl, twsha yrou alnp? Is it slaifbee? |
| IAGO Sir, there is especial commission come from Venice to depute Cassio in Othellos place. | OIAG eeVcin hsa amed Cssoai nrevgoro rehe on rsCpyu. |
| RODERIGO Is that true? Why, then Othello and Desdemona return again to Venice. | EDIOOGRR Is tath reut? Thne semdnaoDe and lhetoOl illw go bkca to eVceni. |
| IAGO Oh, no, he goes into Mauritania and taketh away with him the fair Desdemona, unless his abode be lingered here by some accidentwherein none can be so determinate as the removing of Cassio. | IOGA Oh, no. ellH go to riuatnMaia dna keta teh uuifleabt eomsedanD thwi hmi, usnesl he tseg cstuk eerh orf mose sareon. eTh btse ywa to etedxn hsi syta hree is to tge ird of siasCo. |
| RODERIGO 200 How do you mean, removing of him? | GORODRIE htWa do yuo enam, teg rid of ihm? |
| IAGO Why, by making him uncapable of Othellos place: knocking out his brains. | IAGO I emna nkcok hsi aisnrb tou, so he tcna tkea Oollesht ecapl. |
| RODERIGO And that you would have me to do! | IRREGDOO And atsth tawh oyu ntwa me to do! |
| IAGO Ay, if you dare do yourself a profit and a right. He sups tonight with a harlotry, and thither will I go to him. He knows not yet of his honorable fortune. If you will watch his going thence (which I will fashion to fall out between twelve and one) you may take him at your pleasure. I will be near to second your attempt, and he shall fall between us. Come, stand not amazed at it, but go along with me. I will show you such a necessity in his death that you shall think yourself bound to put it on him. It is now high suppertime, and the night grows to waste. About it! | GAOI esY, if oyu tawn to hlpe yolerfsu. Hse iavgnh nneidr itthgon hiwt a tesriotupt, dna lIl go sviti imh. He deston knwo she eenb etopdnpai rnovgeor tye. ehWn ouy see hmi naigkwl by rhee (as lIl maek ersu he dseo bwtneee wetvle dan eon) oyu cna nba mhi. llI be eranyb to help yuo, and newtebe teh wot of us we cna hndlea hmi. mCoe on, ontd tsnad heter in a daze. oCme lnoga twih me. Ill vige ouy ucsh rnaesos rof ilkngil ihm atth lolyu efel eloigbd to sffun him otu. sIt ealrny enrnid item, and the tsnhgi ggion to be stedaw. tseL go! |
| RODERIGO I will hear further reason for this. | IOORRGDE I ntwa to hera erom batou shti. |
| IAGO 205 And you shall be satisfied. | GOAI You ilwl. oYull hare lla uyo wtna to aher. |
| Exeunt | hTey itex. |
Original Text | Modern Text |
| Enter OTHELLO and EMILIA | LOTOHEL dan MLEIAI rtnee. |
| OTHELLO You have seen nothing then? | HOOTELL oYu avnhet seen iagnnthy, then? |
| EMILIA Nor ever heard, nor ever did suspect. | AELIIM No, adn I dintd hear hninaytg riheet, or sspeuct ygntinha at all. |
| OTHELLO Yes, you have seen Cassio and she together. | OEOTLLH utB eyuvo enes hre nda ssCaio rhgttoee. |
| EMILIA But then I saw no harm, and then I heard 5 Each syllable that breath made up between them. | LIEMIA Yse, tbu I iddtn ese inyngtha grown, adn I hdera yreev lsabelyl thye adis. |
| OTHELLO What, did they never whisper? | OOLELTH dtnDi they veer whprise? |
| EMILIA Never, my lord. | IELMIA vNree, my drol. |
| OTHELLO Nor send you out o th way? | LOEHOTL Or ksa oyu to ealve the omor? |
| EMILIA Never. | EIAILM eveNr. |
| OTHELLO 10 To fetch her fan, her gloves, her mask, nor nothing? | LOHTLEO Nto vnee to tge hre naf, or rhe esgolv, or erh smak, or hytgnnia? |
| EMILIA Never, my lord. | AIELMI No, my drol. |
| OTHELLO Thats strange. | LETLOOH hTats stgaenr. |
| EMILIA I durst, my lord, to wager she is honest, Lay down my soul at stake. If you think other 15 Remove your thought, it doth abuse your bosom. If any wretch have put this in your head Let heaven requite it with the serpents curse For if she be not honest, chaste, and true Theres no man happy. The purest of their wives 20 Is foul as slander. | AELMII Id erwsa to ouy on my usol htat eshs a doog, htnseo sorpen, ris. If ouy spscetu worehsite, otsp ihtkingn atht rhitg now ebacuse yoeru nrwog. If yna kjre ash rtdie to neicnvoc ouy sehs bad, I hpeo God erucss imh. If shes otn sehnot, htfuifal, dna uert, etnh stehre no hcsu tnhig as a ifuhtalf feiw or a pypah dahusbn. |
| OTHELLO Bid her come hither. Go. | LTOEOLH Tlel hre to omec eehr. Go. |
| Exit EMILIA | ILIAEM txesi. |
| She says enough, yet shes a simple bawd That cannot say as much. This is a subtle whore, A closet, lock and key, of villainous secrets. And yet shell kneel and pray, I have seen her do t. | eSh yass all het gtirh hsngti, utb eht sembtud elhrtob-ereepk lwudo ltel the saem sroyt. eDmodaness a ykrcit hrewo wthi a lcotes ufll of lauwf sertcse, btu ltlis lshle lneek and apry eikl an htonse aomwn. evI ense rhe do it. |
| Enter DESDEMONA with EMILIA | DSEMEDANO nad MILEAI enret. |
| DESDEMONA 25 My lord, what is your will? | OESDENADM My olrd, ahtw do oyu wnat? |
| OTHELLO Pray, chuck, come hither. | ETOLOHL Palees, eadr, omec rehe. |
| DESDEMONA What is your pleasure? | EADMODSEN thWa nca I do rof uyo? |
| OTHELLO Let me see your eyes. Look in my face. | LLHOEOT teL me ees ruoy eesy. oLko at my faec. |
| DESDEMONA What horrible fancys this? | ODMNDESEA taWh rhrielbo itghn ear ouy niagimnig? |
| OTHELLO (to EMILIA) Some of your function, mistress, 30 Leave procreants alone and shut the door. Cough or cry hem if any body come. Your mystery, your mystery! Nay, dispatch! | THLELOO (to EMILIA) Go do athw you do tbse, damma. Lveea us aonel rof ruo hnkya-aknyp, dna htus teh rood hdnbei uyo. If beosomyd cmeso, vige a thous. thasT oruy ojbohtllOe pimilse htta mliEias job is to pehl enm nda nomwe haev lcltiii sex. |
| Exit EMILIA | EAIIML istex. |
| DESDEMONA Upon my knee, what doth your speech import? I understand a fury in your words, 35 But not the words. | EMDNEASOD Im ggiebng oyu on my enkse to lelt me whta yuro swrod name. I nca llet eoryu rifusou, btu I ndto nntadedusr hawt ouery gsyina. |
| OTHELLO Why, what art thou? | OHLTOEL Why? Woh rea yuo? |
| DESDEMONA Your wife, my lord. Your true and loyal wife. | EOSMEADDN Im uoyr feiw, yrou tuer nda ylalo ewfi. |
| OTHELLO Come, swear it, damn thyself. Lest, being like one of heaven, the devils themselves Should fear to seize thee. Therefore be double damned, 40 Swear thou art honest! | LLHEOOT Go ahade, ewasr to atht, so yuoll be mdaned to hlel rof nligy. ehOiwsert hte dlvsei wlil iesktma oyu rof an lagen adn be too asercd to brag oyu. Go aahed, kame uesr you dnma lofersyu by agwsirne oyevu ebne lhtifuaf to me. |
| DESDEMONA Heaven doth truly know it. | EMSDEANDO eeanHv wnkos I am. |
| OTHELLO Heaven truly knows that thou art false as hell. | EOTLOHL avHnee oswkn ouyer as tuuiflhafn as hell. |
| DESDEMONA To whom, my lord? With whom? How am I false? | NAOMEDSDE lhafftiUnu, my dlro? hiWt omwh? wHo am I uluhnaffit? |
| OTHELLO Ah, Desdemona, away, away, away! | HOLLETO Lavee me eanol, onaDesemd, go ywaa! |
| DESDEMONA Alas the heavy day, why do you weep? 45 Am I the motive of these tears, my lord? If haply you my father do suspect An instrument of this your calling back, Lay not your blame on me. If you have lost him, Why, I have lost him too. | EOESNMDDA Oh, what a lbhirero day! hWy era uoy yincgr? ucBseea of me? If yeuov bene rderdeo abck to necieV seuecab of my afhrte, dnot ebmal me. Yuo yma aveh oslt ihs tpceers, btu so vaeh I. |
| OTHELLO Had it pleased heaven 50 To try me with affliction, had they rained All kinds of sores and shames on my bare head, Steeped me in poverty to the very lips, Given to captivity me and my utmost hopes, I should have found in some place of my soul 55 A drop of patience. But, alas, to make me | ETOOHLL If odG dha ecdeddi to eartt me keil boJ, aginkm me kisc nda oveercd twih esors, reidcung me to jaebct tyveorp, lilsegn me noit yersavl dan esrodgytin all my ohsep, I uowdl avhe unodf seom way to epacct it wiht nptceiae. uBt eiadnst eHs emda me a gngailchuktos orf oeneryev in ruo imte to topni at dan crnso! nveE htat I uodcl upt up iwht. utB disnate, my eiwf, oshw dpsousep to |
| The fixd figure for the time of scorn To point his slow and moving finger at! Yet could I bear that too, well, very well. But there where I have garnered up my heart, 60 Where either I must live or bear no life, The fountain from the which my current runs Or else dries upto be discarded thence! Or keep it as a cistern for foul toads To knot and gender in! Turn thy complexion there, 65 Patience, thou young and rose-lipped cherubin, Ay, there, look grim as hell! | be elki teh unointaf atht my cehdrnli nad all my tsnednaedsc lfow ofrm, has ectredej me! Wrsoe naht ttah, ehss odeltpul hsreelf, so ttha hte ofianntu is a clpea hweer ugingtsisd tsdao tapuleoc nda uepcoedrr! nevE the eogssdd of tepaiecn ncltdou lkoo at hsit dna be iisteptnat oot roirhgnyfi! |
| DESDEMONA I hope my noble lord esteems me honest. | DEDSNAMEO I ehpo uoy kitnh Im ftuahilf to uyo. |
| OTHELLO Oh, ay, as summer flies are in the shambles, That quicken even with blowing. O thou weed, 70 Who art so lovely fair and smellst so sweet That the sense aches at thee, would thou hadst neer been born! | OEHOTLL As thauffli as iefsl in ritntgo maet, wchih geiv itrhb to tmgoasg eeryv etmi teh wndi woslb. erYou ekli a ewde enrpdgteni to be a fwloer, so ualiebuft dna etesw-slgmenil hatt I ache henw I loko at oyu. Oh, I wsih yuod enrve nbee nbro! |
| DESDEMONA Alas, what ignorant sin have I committed? | ADDSNEOME Hvae I deno onithmegs to fedfon you oiutwth noknwgi it? |
| OTHELLO Was this fair paper, this most goodly book, Made to write whore upon? What committed? 75 Committed? O thou public commoner! I should make very forges of my cheeks That would to cinders burn up modesty Did I but speak thy deeds. What committed? Heaven stops the nose at it and the moon winks, 80 The bawdy wind that kisses all it meets Is hushed within the hollow mine of earth And will not hear t. What committed! Impudent strumpet! | EHLTLOO aWs ooenesm as uulbeifat as ouy meant to be a hrwoe? Wtah vhea yuo oned? Waht aevh ouy enod? Oh, yuo eketwrsalter! If I iasd tou udlo whta uoyev noed, oudy brun up hwit aemsh. hatW hvea uoy done? vnHeea ahs to ldho tis nseo nhew it eses yuo! The epru oonm in hte syk hsa to tsuh ist seye enwh you go by! venE het idwn taht wslob rvoe yhgenitvre on hrate is saamhed to tviis you. oYu ebarzn hwreo! |
| DESDEMONA By heaven, you do me wrong! | DESMENODA I earsw to dGo rueyo csnaguci me orlwyng! |
| OTHELLO 85 Are you not a strumpet? | OLLOTEH So oeury syigan yruoe tno a hrweo? |
| DESDEMONA No, as I am a Christian. If to preserve this vessel for my lord From any other foul unlawful touch Be not to be a strumpet, I am none. | NAOESDDME No, Im as stonhe as I am rCtiainsh. If ylon tngelit my nabdshu ochtu my obyd msnae Im nto a wrhoe, Im ont a wroeh. |
| OTHELLO 90 What, not a whore? | LLHOOTE taWh, reyuo not a wreho? |
| DESDEMONA No, as I shall be saved. | DMEEASDON No, I erasw it. |
| OTHELLO Is t possible? | TLOELHO Is ahtt blspeosi? |
| DESDEMONA Oh, heaven forgive us! | EOMSDDNAE Oh, vaehen lpeh us! |
| OTHELLO I cry you mercy, then, I took you for that cunning whore of Venice 95 That married with Othello.You, mistress, That have the office opposite to Saint Peter And keep the gate of hell! | ETOOLHL I beg uyor drapon hent. I tsum ehva teh gnwro oawmn. I tkoosim yuo fro ttha ysl inteeVan anmow owh meridra hloeOtl.uYo heruwosohe-krepee. |
| Enter EMILIA | EMLIAI eestnr. |
| You, you, ay, you! We have done our course. Theres money for your pains. I pray you, turn the key and keep our counsel. | eouYr in chgrea of isht ehll! You! veWe hfdnsiie our sibsusen. erHes mseo myeno rfo uoy. Plasee okcl hte rood dna peke itque. |
| Exit | OTLHLEO ixest. |
| EMILIA 100 Alas, what does this gentleman conceive? How do you, madam? How do you, my good lady? | ILMAEI tashW he tlagnik bouat? How aer you, ammad? |
| DESDEMONA Faith, half asleep. | NOSMDDEAE Im sdntenu, to lelt uyo eth tthur. |
| EMILIA Good madam, whats the matter with my lord? | EAMLII My yadl, watsh orgwn iwht ryuo asdnhbu? |
| DESDEMONA With who? | AEEOMNSDD Wtih ohw? |
| EMILIA Why, with my lord, madam. | LIIEMA hWy, iwth uyro anudbsh, mamda. My rlod. |
| DESDEMONA 105 Who is thy lord? | NMEDOADSE hWso ryou orld? |
| EMILIA He that is yours, sweet lady. | IMILEA My lrod is yruo dorl. |
| DESDEMONA I have none. Do not talk to me, Emilia. I cannot weep, nor answers have I none, But what should go by water. Prithee, tonight Lay on my bed my wedding sheets. Remember, 110 And call thy husband hither. | DADOEEMNS I ontd ehav a rdol. Dtno aktl to me, iaiEml. I tcan enve ycr, hguhto aetrs era the only aseswnr I duocl veig to lal oyru tsosnuieq. goTnhit put my dewndig hesste on my bed, dan lelt yrou bhundas to ocme to me wno. |
| EMILIA Heres a change indeed! | MAIELI Tihsgn eahv itlnacyre adgcehn! |
| Exit | MLAIIE isetx. |
| DESDEMONA Tis meet I should be used so, very meet. How have I been behaved that he might stick The smallst opinion on my least misuse? | ENMODEDAS Its iarf rfo hmi to etrat me like shti, rvye rafi. Wtha aehv I reev eodn ahtt he ash nniayght to aimonclp utoba? |
| Enter EMILIA with IAGO | IAGO nad LEMIIA enrte. |
| IAGO What is your pleasure, madam? How is t with you? | AIGO htWa can I do fro oyu, mmaad? Hwo aer you? |
| DESDEMONA 115 I cannot tell. Those that do teach young babes Do it with gentle means and easy tasks. He might have chid me so, for, in good faith, I am a child to chiding. | MDDESENOA I ntod owkn. nWhe gonrw-psu htace tleilt reclindh, etyh do it lneytg dna slaeyi. He hgmit aveh eeradtt me eilk hatt, secueab Im as duuesn to auebs as a tlltie clhid. |
| IAGO What is the matter, lady? | OIAG ashtW eht tetrma, ylad? |
| EMILIA Alas, Iago, my lord hath so bewhored her, 120 Thrown such despite and heavy terms upon her, That true hearts cannot bear it. | ILIAEM He claedl rhe a roehw so nyam mties, adn apedeh up so cmhu seaub on ehr taht odgo polpee actn dastn to erah it. |
| DESDEMONA Am I that name, Iago? | EDMESOADN Am I htat amen, oagI? |
| IAGO What name, fair lady? | GAIO thWa enam, mmaad? |
| DESDEMONA Such as she says my lord did say I was. | EMEADNOSD Wtah my drol aids I was. |
| EMILIA 125 He called her whore. A beggar in his drink Could not have laid such terms upon his callet. | AIEIML He lcldae ehr a ewroh. A erbgga ndtluco aevh acllde ihs stul rosew aenms. |
| IAGO Why did he so? | OGIA hWy ddi he do taht? |
| DESDEMONA I do not know. I am sure I am none such. | OAEDMDSEN I tndo kwno. I tjsu know Im ton noe. |
| IAGO Do not weep, do not weep. Alas the day! | GOIA noDt ryc, notd yrc. htaW a yad hist is! |
| EMILIA 130 Hath she forsook so many noble matches, Her father and her country, and her friends, To be called whore? Would it not make one weep? | MLIIAE iDd hse gvie up lal esoth chceans to mryar beomenln, ievg up erh tfehra dan tcunory and dfinrse, tjus to be cldale a hrowe? nesDto hatt maek uoy wnta to ryc? |
| DESDEMONA It is my wretched fortune. | NASEOEDDM tsI tujs my dba cluk. |
| IAGO Beshrew him for t! How comes this trick upon him? | GIAO namD ihm! owH did he tge suhc an diae? |
| DESDEMONA Nay, heaven doth know. | DADENEMSO vHeean oswkn. |
| EMILIA 135 I will be hanged, if some eternal villain, Some busy and insinuating rogue, Some cogging, cozening slave, to get some office, Have not devised this slander. I will be hanged else! | IIMEAL I teb my lfei meos ivel sbodyuyb, moes enlmdgid, niygl rjke mdea up isht urmro to tge omes sitniopo. I bte my eilf on it. |
| IAGO Fie, there is no such man. It is impossible. | OAIG ydsobNo ttah dba. Ist ioesimlpbs. |
| DESDEMONA 140 If any such there be, heaven pardon him! | EAEDOSNMD If htree is, tehn aheevn hepl mih! |
| EMILIA A halter pardon him and hell gnaw his bones! Why should he call her whore? Who keeps her company? What place? What time? What form? What likelihood? The Moors abused by some most villainous knave, 145 Some base notorious knave, some scurvy fellow. O heavens, that such companions thoudst unfold, And put in every honest hand a whip To lash the rascals naked through the world Even from the east to th west! | IMEALI A nagahsnm snoeo lliw eplh hmi! tLe hell chwe him up! hWy hosuld he lalc erh a oewhr? ohWs nebe ithw rhe? henW sah hes had eht etmi, teh epcal, or the smena to selep wtih onaeny? owH is ihts at all lkliye? ehT rMoo is bengi ceikdrt by omes ocrok, emos teribler invllia, mose tnrote bsatard. Oh, I iswh we oducl mkansu nrsosucled ilke ahtt, nad vgie a hiwp to yeevr oodg mna to etab ehtm eesnessls tiwh! |
| IAGO Speak within door. | IAGO peeK yuro icveo owdn. |
| EMILIA 150 Oh, fie upon them! Some such squire he was That turned your wit the seamy side without And made you to suspect me with the Moor. | MLIEAI Oh, to hlel twih ethso lpoepe! stI hte mesa kdin of yug hwo got ouy utsep nda emda uyo utssepc Id hdetace on ouy htiw the Moro. |
| IAGO You are a fool. Go to. | GOIA oYeru a folo. Shtu up. |
| DESDEMONA Alas Iago, What shall I do to win my lord again? 155 Good friend, go to him. For, by this light of heaven, I know not how I lost him. Here I kneel: If eer my will did trespass gainst his love, Either in discourse of thought or actual deed, Or that mine eyes, mine ears, or any sense, 160 Delighted them, or any other form, Or that I do not yet, and ever did, | OEESNDADM Oh oGd, Igao, hatw anc I do to inw my nusdhba abck ianga? sPleae go to ihm, my drfien. I sawer I veah no deai hwy he tdspope nivolg me. reHe Im elgkinne to arwse atth if I evre ddi ninyathg to yroesdt ish velo fro me, trehei by shhgutot or noiacst, or if I erve tkoo lesaupre in oannye eels, or if I eenrv did oelv mih, or todn elvo him eonwven othguh he esirt to aeskh me fof |
| And ever willthough he do shake me off To beggarly divorcementlove him dearly, Comfort forswear me! Unkindness may do much, 165 And his unkindness may defeat my life, But never taint my love. I cannot say whore, It does abhor me now I speak the word. To do the act that might the addition earn Not the worlds mass of vanity could make me. | enth I hpeo I veha a ifel of yirems! ndnienkssU is wlreuopf, nad sih esskindnun yam likl me, btu tlli eevnr rsdoeyt my vole. I tnca asy ehorw. It seakm me icsk to ysa hte rwdo eenv now. I wdutnol do eth ngiht atth lwoud make me a owhre rof lla hte noyem in teh lrdow. |
| IAGO 170 I pray you, be content, tis but his humor. The business of the state does him offence, And he does chide with you. | OGIA lPasee mlac ownd. seH tsju in a bad mood. tloaliicP ussbinse is bgitnoerh him, dna ehs tujs akgnti it otu on uoy. |
| DESDEMONA If twere no other | SMOEEDADN If ynlo atth erwe lla it is |
| IAGO Tis but so, I warrant. | OAGI It is, I sipmero. |
| Trumpets sound | tprsTmeu snodu. |
| 175 Hark, how these instruments summon to supper. The messengers of Venice stays the meat. Go in, and weep not. All things shall be well. | ehsTo eursttpm rea cnaigll us in to eindnr. heT teeinnasV rae niawigt ofr etihr ofod. Go in, adn dtno ryc. yvnrhtieEg lliw be lal irhgt. |
| Exeunt DESDEMONA and EMILIA | MODENADSE and IEMIAL etxi. |
| Enter RODERIGO | OEDRRGIO ertesn. |
| How now, Roderigo! | woH are ouy, Reroidog? |
| RODERIGO I do not find that thou dealst justly with me. | ROGRIODE I ntdo ntihk yuoer ngrtieat me fylria. |
| IAGO 180 What in the contrary? | OIGA tWha smeak uyo ysa hatt? |
| RODERIGO Every day thou daffst me with some device, Iago, and rather, as it seems to me now, keepst from me all conveniency than suppliest me with the least advantage of hope. | RGDIOEOR Every yad uoy upt me ffo hitw oems icktr. eIadnts of niifgnd oteoiutpsnrip orf me, ouy mese to be eeivptrngn me omfr nmikag yan ssroprge. |
| I will indeed no longer endure it, nor am I yet persuaded to put up in peace what already I have foolishly suffered. | Well, I otwn kaet it nay leongr. ndA Im not ngigo to tsi kcab dna ctapec awht oyvue oedn. |
| IAGO Will you hear me, Roderigo? | IGOA llWi ouy isetln to me, iRrgoedo? |
| RODERIGO I have heard too much, and your words and performances are no kin together. | IOREDRGO Iev dneltise to oyu oto mchu delyraa. orYu orwsd dna satncio tdno ahcmt up. |
| IAGO 185 You charge me most unjustly. | GOIA Tstha not rifa. |
| RODERIGO With naught but truth. I have wasted myself out of my means. The jewels you have had from me to deliver Desdemona would half have corrupted a votaress. You have told me she hath received them and returned me expectations and comforts of sudden respect and acquaintance, but I find none. | RORIGDOE tsI hte tthru. Ive tog no emyno etfl. heT ljsewe oyu toko rfom me to rlevied to snDoeamde odeluvw meda even a nnu atnw to epsel wtih me. You odlt me hse gto emth, nda taht seh dpsmorie to iveg me a ltitle emngsthoi in ntrrue onso, tub nnhoigt ekli hatt erev enphsap. |
| IAGO Well, go to. Very well. | GAOI leWl, lla ghtri hetn. nFie. |
| RODERIGO Very well, go to! I cannot go to, man, nor tis not very well. Nay, I think it is scurvy, and begin to find myself fopped in it. | OERDIGRO Fien! he ssya. llA htrgi! tsI ton fien, nda Im tno lla rtgih! tsI rwogn, nad Im tsrtaign to zeeilar Im ibnge deaethc! |
| IAGO Very well. | OAIG Oyka. |
| RODERIGO | DIOREORG sIt ton ayko! Im gnoig to tell Dnseedoma my feeigsln. If hse teurnrs my jweesl, lIl opst upirngus hre dna lipezgoao to her. If otn, Ill ecanglehl uoy to a ldeu. |
| IAGO You have said now. | AOGI oYevu dasi hwat uyo eavh to asy won. |
| RODERIGO Ay, and said nothing but what I protest intendment of doing. | ODIGEROR Yes, nda lIl do vetnehgiyr I jsut asid. |
| IAGO Why, now I see theres mettle in thee, and even from this instant to build on thee a better opinion than ever before. Give me thy hand, Roderigo. Thou hast taken against me a most just exception, but yet I protest I have dealt most directly in thy affair. | GAIO elWl, all tihgr neht. oNw I ese hatt yuo hvae oesm gust. Form shit mtemno on I aehv a eghihr noopiin of uyo nhat frboee. veiG me uoyr adnh, gdRroeio. oYur cmptaloin sitnaag me is ecylrfpte nleaeradbtdusn, tub I tlisl stinis eIv onde teyrngheiv I cldou to ehpl yuo. |
| RODERIGO It hath not appeared. | DRREGOIO It nedtos kolo ttah awy to me. |
| IAGO | GAOI I imatd it etosdn olok thta awy to me, nda teh ftca atht ouy uscetsp me owssh taht ruoey mstar. utB grooiedR, if uryeo as urosgcoaeu dna diementred as I htink oyu rae, neht itwa tsuj a ibt rengol. If oeruy nto hgvian sxe htiw adsoDmeen romortow itghn, etnh I gtgusse you dinf emos ywa to bast me in the bcka and lkli me. |
| RODERIGO Well, what is it? Is it within reason and compass? | OROGEDRI leWl, twsha yrou alnp? Is it slaifbee? |
| IAGO Sir, there is especial commission come from Venice to depute Cassio in Othellos place. | OIAG eeVcin hsa amed Cssoai nrevgoro rehe on rsCpyu. |
| RODERIGO Is that true? Why, then Othello and Desdemona return again to Venice. | EDIOOGRR Is tath reut? Thne semdnaoDe and lhetoOl illw go bkca to eVceni. |
| IAGO Oh, no, he goes into Mauritania and taketh away with him the fair Desdemona, unless his abode be lingered here by some accidentwherein none can be so determinate as the removing of Cassio. | IOGA Oh, no. ellH go to riuatnMaia dna keta teh uuifleabt eomsedanD thwi hmi, usnesl he tseg cstuk eerh orf mose sareon. eTh btse ywa to etedxn hsi syta hree is to tge ird of siasCo. |
| RODERIGO 200 How do you mean, removing of him? | GORODRIE htWa do yuo enam, teg rid of ihm? |
| IAGO Why, by making him uncapable of Othellos place: knocking out his brains. | IAGO I emna nkcok hsi aisnrb tou, so he tcna tkea Oollesht ecapl. |
| RODERIGO And that you would have me to do! | IRREGDOO And atsth tawh oyu ntwa me to do! |
| IAGO Ay, if you dare do yourself a profit and a right. He sups tonight with a harlotry, and thither will I go to him. He knows not yet of his honorable fortune. If you will watch his going thence (which I will fashion to fall out between twelve and one) you may take him at your pleasure. I will be near to second your attempt, and he shall fall between us. Come, stand not amazed at it, but go along with me. I will show you such a necessity in his death that you shall think yourself bound to put it on him. It is now high suppertime, and the night grows to waste. About it! | GAOI esY, if oyu tawn to hlpe yolerfsu. Hse iavgnh nneidr itthgon hiwt a tesriotupt, dna lIl go sviti imh. He deston knwo she eenb etopdnpai rnovgeor tye. ehWn ouy see hmi naigkwl by rhee (as lIl maek ersu he dseo bwtneee wetvle dan eon) oyu cna nba mhi. llI be eranyb to help yuo, and newtebe teh wot of us we cna hndlea hmi. mCoe on, ontd tsnad heter in a daze. oCme lnoga twih me. Ill vige ouy ucsh rnaesos rof ilkngil ihm atth lolyu efel eloigbd to sffun him otu. sIt ealrny enrnid item, and the tsnhgi ggion to be stedaw. tseL go! |
| RODERIGO I will hear further reason for this. | IOORRGDE I ntwa to hera erom batou shti. |
| IAGO 205 And you shall be satisfied. | GOAI You ilwl. oYull hare lla uyo wtna to aher. |
| Exeunt | hTey itex. |
