Themes are the fundamental and often universal ideas explored in a literary work.

The Weakness of Public Morality

In “Young Goodman Brown,” Hawthorne reveals what he sees as the corruptibility that results from Puritan society’s emphasis on public morality, which often weakens private religious faith. Although Goodman Brown has decided to come into the forest and meet with the devil, he still hides when he sees Goody Cloyse and hears the minister and Deacon Gookin. He seems more concerned with how his faith appears to other people than with the fact that he has decided to meet with the devil. Goodman Brown’s religious convictions are rooted in his belief that those around him are also religious. This kind of faith, which depends so much on other people’s views, is easily weakened. When Goodman Brown discovers that his father, grandfather, Goody Cloyse, the minister, Deacon Gookin, and Faith are all in league with the devil, Goodman Brown quickly decides that he might as well do the same. Hawthorne seems to suggest that the danger of basing a society on moral principles and religious faith lies in the fact that members of the society do not arrive at their own moral decisions. When they copy the beliefs of the people around them, their faith becomes weak and rootless.

The Inevitable Loss of Innocence

Goodman Brown loses his innocence because of his inherent corruptibility, which suggests that whether the events in the forest were a dream or reality, the loss of his innocence was inevitable. Instead of being corrupted by some outside force, Goodman Brown makes a personal choice to go into the forest and meet with the devil; the choice was the true danger, and the devil only facilitates Goodman Brown’s fall. Goodman Brown is never certain whether the evil events of the night are real, but it does not matter. If they are a dream, then they come completely from Goodman Brown’s head—a clear indication of his inherent dark side. If they are real, then Goodman Brown has truly seen that everyone around him is corrupt, and he brought this realization upon himself through his excessive curiosity. Goodman Brown’s loss of innocence was inevitable, whether the events of the night were real or a dream.

The Fear of the Wilderness

From the moment he steps into the forest, Goodman Brown voices his fear of the wilderness, seeing the forest as a place where no good is possible. In this he echoes the dominant point of view of seventeenth-century Puritans, who believed that the wild New World was something to fear and then dominate. Goodman Brown, like other Puritans, associates the forest with the wild “Indians” and sees one hiding behind every tree. He believes that the devil could easily be present in such a place—and he eventually sees the devil himself, just as he had expected. He considers it a matter of family honor that his forefathers would never have walked in the forest for pleasure, and he is upset when the devil tells him that this was not the case. He himself is ashamed to be seen walking in the forest and hides when Goody Cloyse, the minister, and Deacon Gookin pass. The forest is characterized as devilish, frightening, and dark, and Goodman Brown is comfortable in it only after he has given in to evil.

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