1. Narrator: “In
a far away land, long ago, lived a king and his fair queen. Many
years had they longed for a child and finally their wish was granted.
A daughter was born, and they called her Aurora. Yes, they named
her after the dawn for she filled their lives with sunshine. ”
At these words, spoken by an off-screen
voice, the golden storybook of Sleeping Beauty opens.
The camera then zooms in upon the still illustrations of the book’s
turning pages, and they begin to animate. Choral voices swell after
the word “Aurora,” establishing her dawning glory and simultaneously
suggesting the emotional veracity and gravity of the story. The
quote also suggests that the story’s royal family achieves happiness
and completion only when a child joins them. Without the child,
the family suffers. Disney thus affirms his appeal to the traditional
family of two married parents with children. The subsequent story
affirms the rightness of an intact family. When Phillip returns
Aurora, who has been displaced from her family for so long, he creates
a larger, happier, and more profitable family as Stefan unites his
kingdom with Hubert’s.
The opening asserts that the story is set in a distant
time, in an unnamed place. This vagueness allows viewers to stimulate
their imaginations, and assures them that historical accuracy is
neither of concern nor to be expected. Though the film later narrows
the timeframe to the fourteenth century, viewers must reconcile
this semimythical setting with the reality of the film’s 1959 release
in the United States. Walt Disney originally wished to remake Sleeping Beauty and
re-release a new version of it every seven years, a plan that suggests
not only that new versions of the film would have changed through
the decades, but that the 1959 version of
the film indeed relates in many ways to 1950s
America.