Then we all turn on the wagon and watch him. He is coming up the road behind us, wooden-backed, wooden-faced, moving only from his hips down. He comes up without a word, with his pale rigid eyes in his high sullen face, and gets into the wagon.
The breeze was setting up from the barn, so we put her under the apple tree, where the moonlight can dapple the apple tree upon the long slumbering flanks within which now and then she talks in little trickling bursts of secret and murmurous bubbling. I took Vardaman to listen. When we came up the cat leaped down from it and flicked away with silver claw and silver eye into the shadow.
He has seen me without even turning his head or eyes in which the glare swims like two small torches. “Come on,” he says, leaping down the slope toward the barn.
For an instant longer he runs silver in the moonlight, then he springs out like a flat figure cut leanly from tin against an abrupt and soundless explosion as the whole loft of the barn takes fire at once, as though it had been stuffed with powder.
Then it topples forward, gaining momentum, revealing Jewel and the sparks raining on him too in engendering gusts, so that he appears to be enclosed in a nimbus of fire.
We follow the wagon, the whispering wheels, passing the cabins where faces come suddenly to the doors, white-eyed. We hear sudden voices, ejaculant. Jewel has been looking from side to side; now his head turns forward and I can see his ears taking on a still deeper tone of furious red.