From the night at Samson’s to the bridge-crossing
Samson
On a farmstead some distance away from the Bundren household, Samson
is sitting on his porch with two friends, MacCallum and Quick, when
he sees the Bundrens pass by. Quick catches up to them to inform
them that the bridge has washed away. The Bundrens return to Samson’s,
and Samson offers to put them up for the evening. The Bundrens accept,
but refuse an offer of supper and sleep in the barn. Samson’s wife,
Rachel, considers it an “outrage” that the Bundrens are dragging
Addie’s coffin through the countryside and tearfully berates Samson.
In the morning, Samson purposefully stays in bed until the Bundrens
have gone on.
Dewey Dell
As the family turns back to find a new way of crossing
the river, Dewey Dell thinks of her dead mother and of her relationships
with the men in her family. She recalls a nightmare she had when
she used to share a bed with Vardaman. In the nightmare, she was
neither able to see nor to feel, then she suddenly felt an unidentified
“them” beneath her, “like a piece of cool silk dragged across my
legs.” Instead of turning into the town of New Hope, the family
goes back past Tull’s lane again, and again Tull waves at the passing
Bundrens.
Tull
Tull takes his mule out to follow the wagon, and catches
up with it down by the levee. The Bundrens stand at the river’s
edge, staring at the washed-out bridge and contemplating a crossing.
Tull feels them all looking at him with varying degrees of hostility:
Dewey Dell as if Tull had tried to touch her, Darl with his curious
coolness, Cash with the appraising eyes of a carpenter, and Jewel
with an overt glare. Jewel lashes out at Tull for following them
down to the river, but Cash hushes him, and says some of them should
use the bridge to wade across while the others drive the wagon through
the shallower part of the river. Tull refuses to let them use his
mule, and though both Jewel and Darl reproach him for it, Tull stands
by this decision.
Darl
Darl sees Jewel glare at Tull. Darl recalls a time during
Jewel’s teenage years when Jewel began falling asleep regularly
during the day. He remembers how Addie used to cover up Jewel’s
mistakes, and how his siblings quietly took over his chores. Initially,
Cash and Darl suspected that Jewel was spending his nights with
a married woman. One night, Cash trailed Jewel on his midnight run,
but refused to reveal Jewel’s secret. A few months later, when Jewel came
home on a new horse that he had purchased from Quick, it was revealed
that he had been spending his nights clearing land by the light
of a lantern in order to get the money. Anse became angry with Jewel,
but Jewel countered that his horse would not eat a single grain
of Anse’s food. Later that night, Darl remembers, he found Addie
crying beside Jewel, who was asleep in bed.
Tull
Tull accompanies Anse, Dewey Dell, and Vardaman on a treacherous
crossing of the sunken bridge. They get to the other side, with Tull
holding on to Vardaman’s hand to make sure he gets across safely.
Once they are across, Anse explains to Tull that he is trying to fulfill
Addie’s promise. They go to meet the wagon, which is crossing farther
down the river.
Analysis
This section uses gestures, particularly looks, to chronicle
the interactions between the different characters. The most obvious
example occurs with Tull’s arrival at the river’s edge, where he
finds himself being stared at in very different ways by the various
Bundren children. In these stares, we find a confirmation of the
character traits we have seen before, and it is interesting that
Tull should see sexual resentment in Dewey Dell’s eyes. Clearly,
Dewey Dell’s suspicions are, to a certain extent, groundless, as
Tull never even mentions her appearance, let alone any sexual desire
for her. Dewey Dell’s fixation with sex, however, may come not only
from her experience with Lafe or her fierce reliance on Peabody,
but also from her stifling existence as the sole woman in an all-male
family after Addie’s death. Dewey Dell’s dream as she lies next
to Vardaman certainly demonstrates a sense of repression, as she
finds herself unable to see or feel, but then gives way to an explosive
sexuality as she finds an unnamed tangle of men beneath her. There
is no real indication that the Bundren household is incestuous,
and Dewey Dell’s “they” might well be Lafe and Peabody, but this
episode, and her glaring at Tull, certainly indicate that Dewey
Dell cannot help but feel sexuality all around her.
