Scene Study prepares you to perform key scenes for your theater class or audition. We've got all the information you need for a great performance.
Excerpt from Act 2 Dialogue: Peter Stockmann, Dr. Stockmann, Mrs. Stockmann, Petra
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Understanding the Given Circumstances
- Peter Stockmann is the mayor of the town and chairman of the board overseeing the Baths, which are critical to the town’s economy.
- Peter confronts his brother, Dr. Thomas Stockmann, who has discovered that the town’s baths are polluted. The confrontation takes place in Dr. Stockmann’s home. The setting is private but charged with tension, as it reflects the first time these two brothers fight over personal and professional matters. Dr. Stockmann’s wife and daughter can overhear the argument.
- Leading up to this confrontation, Dr. Stockmann has shared his concerns with the newspaper and key individuals in the town, which Peter perceives as a threat to the town’s prosperity and his own authority.
- The mayor’s primary objective is to silence Dr. Stockmann. He pressures Dr. Stockmann to retract his statements and align with the town’s leadership to avoid economic fallout.
- Dr. Stockmann must decide whether to comply with his brother’s demands or stand by his principles and risk alienation from his townsfolk.
Blocking and Movement
In theater, blocking is the process of planning the actors’ physical movements and positions. Be sure to show respect and establish trust when working with scene partners. As you prepare to block this scene, ask yourself the following questions:
- Where in Dr. Stockmann’s home does this conversation take place? Are the actors standing or seated as the monologue begins, and does the position of each convey control or authority?
- How does Peter Stockmann feel about having to confront his brother directly? Does he pace the room, stand still to assert dominance, or move closer to Thomas to emphasize key points?
- As Peter discusses the Baths and their importance to the town’s prosperity, does he gesture outward, as if referencing the town as a whole, or keep his movements controlled and precise to underscore his calculated approach?
- Does Peter maintain eye contact with Dr. Stockmann throughout the exchange, or does he occasionally look away, perhaps as a way of dismissing or minimizing Dr. Stockmann’s perspective?
- Consider Peter’s tone and how his movements support his words. Is his body language stiff and formal to mirror his role as mayor, or does it occasionally betray personal frustration with his brother?
- How might Peter and Dr. Stockmann react to the sudden entrance of Dr. Stockmann’s wife and daughter?
Meaning in Heightened Language
In An Enemy of the People, Ibsen’s heightened language conveys authority, frustration, and manipulation. Every word and phrase reflect Peter Stockmann’s need to assert dominance and undermine his brother’s credibility. By focusing on Ibsen’s deliberate use of language and the emotional experience it evokes, an actor can bring depth and nuance to Peter’s character and create a more powerful performance.
Consider the following:
- Peter’s language is formal and structured, reflecting his role as the mayor and his calculated approach to controlling the situation. For example, phrases like “You have no conception what an amount of harm you do yourself by your impetuosity” and “The matter in hand is not simply a scientific one” demonstrate his bureaucratic tone. However, underneath this formality is a layer of anger and condescension, revealed through Peter’s use of emotionally charged personal attacks like “I know how irritable you are” and “such a cantankerous man.” How does Peter’s word choice reflect how he wants others to view him? How does his word choice reflect how he wants others to view Dr. Stockmann?
- Peter repeats certain words, such as “authority” and “superiors,” that underscore his focus on hierarchy and control. How might you pronounce these words to help call the audience’s attention to their significance and what they symbolize?
- When performing the scene, experiment with different vocal qualities to highlight these elements. Consider leaning into the clipped delivery of Peter Stockmann’s more critical lines to emphasize his frustration. How might softening the tone in moments of persuasion emphasize Peter’s manipulative tactics?
Full Act 2 Dialogue: Peter Stockmann, Dr. Stockmann, Mrs. Stockmann, Petra
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