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Excerpt from Act 4 Dialogue: Dr. Stockmann, Peter Stockmann, Aslaksen, Billing, Hovstad

 

HOVSTAD

The majority always has right on its side. 

BILLING 

And truth too, by God! 

DR. STOCKMANN

The majority never has right on its side. Never, I say! That is one of these social lies against which an independent, intelligent man must wage war...

Read the full dialogue.

 

 

Understanding the Given Circumstances

  • The scene takes place in a public meeting room in a small town. Dr. Stockmann addresses a group of townspeople, including his brother, Peter Stockmann, who is the town’s mayor, and other influential citizens.  
  • The play is set in the late nineteenth century in Norway, reflecting the social and political climate of that time. 
  • Prior to this scene, Dr. Stockmann has discovered that the town’s water supply, central to its economy through the health resort, is contaminated.  
  • The townspeople expect a debate focused on the Baths and the implications of Dr. Stockmann’s claims. Many arrive with skepticism, having already been influenced by political and economic concerns rather than scientific evidence. 
  • Dr. Stockmann disrupts these expectations by shifting his speech away from the physical contamination of the Baths to what he sees as deeper, moral corruption within the town itself. His accusations against the town’s leadership and its “compact majority” shock the audience and escalate tensions. 
  • The townspeople consider it highly inappropriate that Dr. Stockmann speaks so forcefully against the town’s leadership—especially his own brother. Dr. Stockmann’s defiant tone and inflammatory language provoke immediate outrage, as he challenges the very foundation of the town’s decision-making power. 
  • The crowd’s reaction fluctuates throughout the scene, initially showing some support but ultimately turning against him as he attacks not only the authorities but the majority of the community itself. 
  • Aslaksen, acting as chairman, attempts to maintain order and moderate the discussion, repeatedly ringing his bell and calling for restraint. However, the meeting spirals into chaos as Dr. Stockmann refuses to temper his speech. 

 

Blocking and Movement

In theater, blocking is the process of planning the actors’ physical movements and positions. Be sure to show respect and establish trust when working with scene partners. As you prepare to block this scene, ask yourself the following questions:

  • How does Dr. Stockmann’s confidence and frustration affect his posture? Does he stand tall and make sweeping gestures, or is he more erratic, moving about the space to emphasize his points? 
  • When Dr. Stockmann makes his revelations, does he move closer to the audience or remain distant? How does this choice reflect his emotional state—feeling triumphant, rebellious, or isolated? 
  • What is the physical distance between Dr. Stockmann and Peter Stockmann during their exchange? Does the tension between them cause a physical divide, or do they move toward each other to assert control? 
  • What physical reaction does Dr. Stockmann have when the audience erupts in disturbance? Does he stay grounded, or does he react with irritation, frustration, or further defiance by pacing or gesturing strongly?
  • How does the crowd’s reaction influence the movement of other characters like Aslaksen, Hovstad, and Billing? Do they move to calm the room, or do they try to distance themselves from the chaos? 
  • Does Dr. Stockmann ever pause to reflect on his words? For example, does he stand still when making bold statements like “The majority never has right on its side,” or does he use movement to punctuate his argument? 
  • How do the citizens’ reactions contribute to Dr. Stockmann’s movement? Are they sitting or standing? Does their physical presence or response to the tension shift his focus or movement? 

 

Character Relationships

Thoroughly exploring each character’s background and relationship with other characters in the scene can be one of the most crucial aspects of developing a performance. 

When approaching this scene for performance, ask yourself the following questions: 

  • What is Dr. Stockmann’s primary goal in this scene? How does he want the crowd to perceive him, and what tactics does he use to command attention? Consider his physicality—how might his movements reflect his sense of defiance and righteousness? 
  • How does Dr. Stockmann view his brother, Peter Stockmann, and what effect does their relationship have on their dialogue? Think about how their contrasting roles (Dr. Stockmann as the “truth-teller” and Peter as the mayor) influence their interactions. How might Dr. Stockmann’s body language shift between defiance and frustration toward his brother? 
  • What do Aslaksen’s posture and movements say about his role in the scene? How does he physically engage with the conflict? How do his attempts to mediate or control the situation differ from Dr. Stockmann’s boldness?  
  • What does Dr. Stockmann’s relationship with the townspeople reveal about his mindset? How does his attitude toward them shift, and how should his movements and tone reflect this shift? Consider the tension between his confidence and their growing resistance. 
  • How might Hovstad and Billing react to Dr. Stockmann’s speech? What do their responses say about their relationships with him, and how do their reactions differ? How might their facial expressions, gestures, or positioning illustrate their internal conflicts? 
  • How does Dr. Stockmann’s radical rhetoric change the dynamic in the room? As the crowd reacts, think about how the other characters’ movements and expressions should evolve. What impact does his speech have on their physicality—do they move toward him, move away from him, or physically shrink from his words? 

 

Full Act 4 Dialogue: Dr. Stockmann, Peter Stockmann, Aslaksen, Billing, Hovstad

 

ASLAKSEN 

I will now put the Mayor’s proposition to the vote. 

DR. STOCKMANN 

There is no necessity! Tonight I have no intention of dealing with all that filth down at the Baths. No; I have something quite different to say to you. 

PETER STOCKMANN (aside)

What is coming now? 

A DRUNKEN MAN (by the entrance door)

I am a ratepayer! And therefore, I have a right to speak too! And my entire—firm—inconceivable opinion is— 

A NUMBER OF VOICES

Be quiet, at the back there! 

OTHERS

He is drunk! Turn him out!

(They turn him out.

DR. STOCKMANN 

Am I allowed to speak? 

ASLAKSEN (ringing his bell):  

Dr. Stockmann will address the meeting. 

DR. STOCKMANN 

I should like to have seen anyone, a few days ago, dare to attempt to silence me as has been done tonight! I would have defended my sacred rights as a man, like a lion! But now it is all one to me; I have something of even weightier importance to say to you.

(The crowd presses nearer to him, MORTEN KIIL conspicuous among them.) 

I have thought and pondered a great deal, these last few days—pondered over such a variety of things that in the end my head seemed too full to hold them— 

PETER STOCKMANN (with a cough)

Ahem! 

DR. STOCKMANN 

—but I got them clear in my mind at last, and then I saw the whole situation lucidly. And that is why I am standing here to-night. I have a great revelation to make to you, my fellow-citizens! I will impart to you a discovery of a far wider scope than the trifling matter that our water supply is poisoned and our medicinal Baths are standing on pestiferous soil. 

A NUMBER OF VOICES (shouting)

Don’t talk about the Baths! We won’t hear you! None of that! 

DR. STOCKMANN

I have already told you that what I want to speak about is the great discovery I have made lately—the discovery that all the sources of our moral life are poisoned and that the whole fabric of our civic community is founded on the pestiferous soil of falsehood. 

VOICES OF DISCONCERTED CITIZENS

What is that he says? 

PETER STOCKMANN

Such an insinuation—! 

ASLAKSEN (with his hand on his bell)

I call upon the speaker to moderate his language. 

DR. STOCKMANN

I have always loved my native town as a man only can love the home of his youthful days. I was not old when I went away from here; and exile, longing and memories cast as it were an additional halo over both the town and its inhabitants. (Some clapping and applause.) And there I stayed, for many years, in a horrible hole far away up north. When I came into contact with some of the people that lived scattered about among the rocks, I often thought it would have been more service to the poor half-starved creatures if a veterinary doctor had been sent up there, instead of a man like me. (Murmurs among the crowd.) 

BILLING (laying down his pen

I’m damned if I have ever heard—! 

HOVSTAD

It is an insult to a respectable population! 

DR. STOCKMANN

Wait a bit! I do not think anyone will charge me with having forgotten my native town up there. I was like one of the eider-ducks brooding on its nest, and what I hatched was the plans for these Baths. (Applause and protests.) And then when fate at last decreed for me the great happiness of coming home again—I assure you, gentlemen, I thought I had nothing more in the world to wish for. Or rather, there was one thing I wished for—eagerly, untiringly, ardently—and that was to be able to be of service to my native town and the good of the community. 

PETER STOCKMANN (looking at the ceiling)

You chose a strange way of doing it—ahem! 

DR. STOCKMANN

And so, with my eyes blinded to the real facts, I revelled in happiness. But yesterday morning—no, to be precise, it was yesterday afternoon—the eyes of my mind were opened wide, and the first thing I realised was the colossal stupidity of the authorities—.

(Uproar, shouts and laughter, MRS. STOCKMANN coughs persistently.) 

PETER STOCKMANN

Mr. Chairman! 

ASLAKSEN (ringing his bell)

By virtue of my authority—! 

DR. STOCKMANN

It is a petty thing to catch me up on a word, Mr. Aslaksen. What I mean is only that I got scent of the unbelievable piggishness our leading men had been responsible for down at the Baths. I can’t stand leading men at any price!—I have had enough of such people in my time. They are like billy-goats on a young plantation; they do mischief everywhere. They stand in a free man’s way, whichever way he turns, and what I should like best would be to see them exterminated like any other vermin—. (Uproar.) 

PETER STOCKMANN

Mr. Chairman, can we allow such expressions to pass? 

ASLAKSEN (with his hand on his bell)

Doctor—! 

DR. STOCKMANN

I cannot understand how it is that I have only now acquired a clear conception of what these gentry are, when I had almost daily before my eyes in this town such an excellent specimen of them—my brother Peter—slow-witted and hide-bound in prejudice—.

(Laughter, uproar and hisses. MRS. STOCKMANN Sits coughing assiduously. ASLAKSEN rings his bell violently.) 

THE DRUNKEN MAN (who has got in again): 

Is it me he is talking about? My name’s Petersen, all right—but devil take me if I— 

ANGRY VOICES

Turn out that drunken man! Turn him out.

(He is turned out again.) 

PETER STOCKMANN

Who was that person? 

1ST CITIZEN

I don’t know who he is, Mr. Mayor. 

2ND CITIZEN

He doesn’t belong here. 

3RD CITIZEN

I expect he is a navvy from over at—(the rest is inaudible). 

ASLAKSEN

He had obviously had too much beer. Proceed, Doctor; but please strive to be moderate in your language. 

DR. STOCKMANN

Very well, gentlemen, I will say no more about our leading men. And if anyone imagines, from what I have just said, that my object is to attack these people this evening, he is wrong—absolutely wide of the mark. For I cherish the comforting conviction that these parasites—all these venerable relics of a dying school of thought—are most admirably paving the way for their own extinction; they need no doctor’s help to hasten their end. Nor is it folk of that kind who constitute the most pressing danger to the community. It is not they who are most instrumental in poisoning the sources of our moral life and infecting the ground on which we stand. It is not they who are the most dangerous enemies of truth and freedom amongst us. 

SHOUTS FROM ALL SIDES

Who then? Who is it? Name! Name! 

DR. STOCKMANN

You may depend upon it—I shall name them! That is precisely the great discovery I made yesterday. (Raises his voice.) The most dangerous enemy of truth and freedom amongst us is the compact majority—yes, the damned compact Liberal majority—that is it! Now you know!

(Tremendous uproar. Most of the crowd are shouting, stamping and hissing. Some of the older men among them exchange stolen glances and seem to be enjoying themselves. MRS. STOCKMANN gets up, looking anxious. EJLIF and MORTEN advance threateningly upon some schoolboys who are playing pranks. ASLAKSEN rings his bell and begs for silence. HOVSTAD and BILLING both talk at once, but are inaudible. At last quiet is restored.) 

ASLAKSEN

As Chairman, I call upon the speaker to withdraw the ill-considered expressions he has just used. 

DR. STOCKMANN

Never, Mr. Aslaksen! It is the majority in our community that denies me my freedom and seeks to prevent my speaking the truth. 

HOVSTAD

The majority always has right on its side. 

BILLING 

And truth too, by God! 

DR. STOCKMANN

The majority never has right on its side. Never, I say! That is one of these social lies against which an independent, intelligent man must wage war. Who is it that constitute the majority of the population in a country? Is it the clever folk, or the stupid? I don’t imagine you will dispute the fact that at present the stupid people are in an absolutely overwhelming majority all the world over. But, good Lord!—you can never pretend that it is right that the stupid folk should govern the clever ones! (Uproar and cries.) Oh, yes—you can shout me down, I know! But you cannot answer me. The majority has might on its side—unfortunately; but right it has not. I am in the right—I and a few other scattered individuals. The minority is always in the right. (Renewed uproar.

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