This translation is intended to supplement a work entitled "The Authoress of the Odyssey", which I published in 1897. I could not give the whole "Odyssey" in that book without making it unwieldy, I therefore epitomised my translation, which was already completed and which I now publish in full.
I shall not here argue the two main points dealt with in the work just mentioned; I have nothing either to add to, or to withdraw from, what I have there written. The points in question are:
(1) that the "Odyssey" was written entirely at, and drawn entirely from, the place now called Trapani on the West Coast of Sicily, alike as regards the Phaeacian and the Ithaca scenes; while the voyages of Ulysses, when once he is within easy reach of Sicily, solve themselves into a periplus of the island, practically from Trapani back to Trapani, via the Lipari islands, the Straits of Messina, and the island of Pantellaria.
(2) That the poem was entirely written by a very young woman, who lived at the place now called Trapani, and introduced herself into her work under the name of Nausicaa.
The main arguments on which I base the first of these somewhat startling contentions, have been prominently and repeatedly before the English and Italian public ever since they appeared (without rejoinder) in the "Athenaeum" for January 30 and February 20, 1892. Both contentions were urged (also without rejoinder) in the Johnian "Eagle" for the Lent and October terms of the same year. Nothing to which I should reply has reached me from any quarter, and knowing how anxiously I have endeavoured to learn the existence of any flaws in my argument, I begin to feel some confidence that, did such flaws exist, I should have heard, at any rate about some of them, before now. Without, therefore, for a moment pretending to think that scholars generally acquiesce in my conclusions, I shall act as thinking them little likely so to gainsay me as that it will be incumbent upon me to reply, and shall confine myself to translating the "Odyssey" for English readers, with such notes as I think will be found useful. Among these I would especially call attention to one on xxii. 465-473 which Lord Grimthorpe has kindly allowed me to make public.
I have repeated several of the illustrations used in "The Authoress of the Odyssey", and have added two which I hope may bring the outer court of Ulysses' house more vividly before the reader. I should like to explain that the presence of a man and a dog in one illustration is accidental, and was not observed by me till I developed the negative. In an appendix I have also reprinted the paragraphs explanatory of the plan of Ulysses' house, together with the plan itself. The reader is recommended to study this plan with some attention.
In the preface to my translation of the "Iliad" I have given my views as to the main principles by which a translator should be guided, and need not repeat them here, beyond pointing out that the initial liberty of translating poetry into prose involves the continual taking of more or less liberty throughout the translation; for much that is right in poetry is wrong in prose, and the exigencies of readable prose are the first things to be considered in a prose translation. That the reader, however, may see how far I have departed from strict construe, I will print here Messrs. Butcher and Lang's translation of the sixty lines or so of the "Odyssey." Their translation runs:
The "Odyssey" (as every one knows) abounds in passages borrowed from the "Iliad"; I had wished to print these in a slightly different type, with marginal references to the "Iliad," and had marked them to this end in my MS. I found, however, that the translation would be thus hopelessly scholasticised, and abandoned my intention. I would nevertheless urge on those who have the management of our University presses, that they would render a great service to students if they would publish a Greek text of the "Odyssey" with the Iliadic passages printed in a different type, and with marginal references. I have given the British Museum a copy of the "Odyssey" with the Iliadic passages underlined and referred to in MS.; I have also given an "Iliad" marked with all the Odyssean passages, and their references; but copies of both the "Iliad" and "Odyssey" so marked ought to be within easy reach of all students.
Any one who at the present day discusses the questions that have arisen round the "Iliad" since Wolf's time, without keeping it well before his reader's mind that the "Odyssey" was demonstrably written from one single neighbourhood, and hence (even though nothing else pointed to this conclusion) presumably by one person only—that it was written certainly before 750, and in all probability before 1000 B.C.—that the writer of this very early poem was demonstrably familiar with the "Iliad" as we now have it, borrowing as freely from those books whose genuineness has been most impugned, as from those which are admitted to be by Homer—any one who fails to keep these points before his readers, is hardly dealing equitably by them. Any one on the other hand, who will mark his "Iliad" and his "Odyssey" from the copies in the British Museum above referred to, and who will draw the only inference that common sense can draw from the presence of so many identical passages in both poems, will, I believe, find no difficulty in assigning their proper value to a large number of books here and on the Continent that at present enjoy considerable reputations. Furthermore, and this perhaps is an advantage better worth securing, he will find that many puzzles of the "Odyssey" cease to puzzle him on the discovery that they arise from over-saturation with the "Iliad."
Other difficulties will also disappear as soon as the development of the poem in the writer's mind is understood. I have dealt with this at some length in pp. 251-261 of "The Authoress of the Odyssey". Briefly, the "Odyssey" consists of two distinct poems: (1) The Return of Ulysses, which alone the Muse is asked to sing in the opening lines of the poem. This poem includes the Phaeacian episode, and the account of Ulysses' adventures as told by himself in Books ix.-xii. It consists of lines 1-79 (roughly) of Book i., of line 28 of Book v., and thence without intermission to the middle of line 187 of Book xiii., at which point the original scheme was abandoned.
(2) The story of Penelope and the suitors, with the episode of Telemachus' voyage to Pylos. This poem begins with line 80 (roughly) of Book i., is continued to the end of Book iv., and not resumed till Ulysses wakes in the middle of line 187, Book xiii., from whence it continues to the end of Book xxiv.
In "The Authoress of the Odyssey", I wrote:
I believe this to be substantially correct.
Lastly, to deal with a very unimportant point, I observe that the Leipsic Teubner edition of 894 makes Books ii. and iii. end with a comma. Stops are things of such far more recent date than the "Odyssey," that there does not seem much use in adhering to the text in so small a matter; still, from a spirit of mere conservatism, I have preferred to do so. Why [Greek] at the beginnings of Books ii. and viii., and [Greek], at the beginning of Book vii. should have initial capitals in an edition far too careful to admit a supposition of inadvertence, when [Greek] at the beginning of Books vi. and xiii., and [Greek] at the beginning of Book xvii. have no initial capitals, I cannot determine. No other Books of the "Odyssey" have initial capitals except the three mentioned unless the first word of the Book is a proper name.
July 25, 1900.