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The dramatic monologue verse form allowed Browning to explore and probe the minds of specific characters in specific places struggling with specific sets of circumstances. In The Ring and the Book, Browning tells a suspenseful story of murder using multiple voices, which give multiple perspectives and multiple versions of the same story. Dramatic monologues allow readers to enter into the minds of various characters and to see an event from that character’s perspective. Understanding the thoughts, feelings, and motivations of a character not only gives readers a sense of sympathy for the characters but also helps readers understand the multiplicity of perspectives that make up the truth. In effect, Browning’s work reminds readers that the nature of truth or reality fluctuates, depending on one’s perspective or view of the situation. Multiple perspectives illustrate the idea that no one sensibility or perspective sees the whole story and no two people see the same events in the same way. Browning further illustrated this idea by writing poems that work together as companion pieces, such as “Fra Lippo Lippi” and “Andrea del Sarto.” Poems such as these show how people with different characters respond differently to similar situations, as well as depict how a time, place, and scenario can cause people with similar personalities to develop or change quite dramatically.
Browning wrote many poems about artists and poets, including
such dramatic monologues as “Pictor Ignotus” (
Throughout his work, Browning tried to answer questions
about an artist’s responsibilities and to describe the relationship
between art and morality. He questioned whether artists had an obligation
to be moral and whether artists should pass judgment on their characters
and creations. Unlike many of his contemporaries, Browning populated
his poems with evil people, who commit crimes and sins ranging from
hatred to murder. The dramatic monologue format allowed Browning
to maintain a great distance between himself and his creations:
by channeling the voice of a character, Browning could explore evil
without actually being evil himself. His characters served as
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