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Angrily, the speaker accuses the modern age of having lost its connection to nature and to everything meaningful: “Getting and spending, we lay waste our powers: / Little we see in Nature that is ours; / We have given our hearts away, a sordid boon!” He says that even when the sea “bares her bosom to the moon” and the winds howl, humanity is still out of tune, and looks on uncaringly at the spectacle of the storm. The speaker wishes that he were a pagan raised according to a different vision of the world, so that, “standing on this pleasant lea,” he might see images of ancient gods rising from the waves, a sight that would cheer him greatly. He imagines “Proteus rising from the sea,” and Triton “blowing his wreathed horn.”
This poem is one of the many excellent sonnets Wordsworth
wrote in the early
“The world is too much with us” falls in line with a number
of sonnets written by Wordsworth in the early
On the whole, this sonnet offers an angry summation of
the familiar Wordsworthian theme of communion with nature, and states
precisely how far the early nineteenth century was from living out
the Wordsworthian ideal. The sonnet is important for its rhetorical
force (it shows Wordsworth’s increasing confidence with language
as an implement of dramatic power, sweeping the wind and the sea
up like flowers in a bouquet), and for being representative of other
poems in the Wordsworth canon—notably “London,
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