Suggestions
Use up and down arrows to review and enter to select.Please wait while we process your payment
If you don't see it, please check your spam folder. Sometimes it can end up there.
If you don't see it, please check your spam folder. Sometimes it can end up there.
Please wait while we process your payment
By signing up you agree to our terms and privacy policy.
Don’t have an account? Subscribe now
Create Your Account
Sign up for your FREE 7-day trial
Already have an account? Log in
Your Email
Choose Your Plan
Save over 50% with a SparkNotes PLUS Annual Plan!
Purchasing SparkNotes PLUS for a group?
Get Annual Plans at a discount when you buy 2 or more!
Price
$24.99 $18.74 /subscription + tax
Subtotal $37.48 + tax
Save 25% on 2-49 accounts
Save 30% on 50-99 accounts
Want 100 or more? Contact us for a customized plan.
Your Plan
Payment Details
Payment Summary
SparkNotes Plus
You'll be billed after your free trial ends.
7-Day Free Trial
Not Applicable
Renews June 6, 2023 May 30, 2023
Discounts (applied to next billing)
DUE NOW
US $0.00
SNPLUSROCKS20 | 20% Discount
This is not a valid promo code.
Discount Code (one code per order)
SparkNotes Plus subscription is $4.99/month or $24.99/year as selected above. The free trial period is the first 7 days of your subscription. TO CANCEL YOUR SUBSCRIPTION AND AVOID BEING CHARGED, YOU MUST CANCEL BEFORE THE END OF THE FREE TRIAL PERIOD. You may cancel your subscription on your Subscription and Billing page or contact Customer Support at custserv@bn.com. Your subscription will continue automatically once the free trial period is over. Free trial is available to new customers only.
Choose Your Plan
For the next 7 days, you'll have access to awesome PLUS stuff like AP English test prep, No Fear Shakespeare translations and audio, a note-taking tool, personalized dashboard, & much more!
You’ve successfully purchased a group discount. Your group members can use the joining link below to redeem their group membership. You'll also receive an email with the link.
Members will be prompted to log in or create an account to redeem their group membership.
Thanks for creating a SparkNotes account! Continue to start your free trial.
Please wait while we process your payment
Your PLUS subscription has expired
Please wait while we process your payment
Please wait while we process your payment
Antipholus of Syracuse, exploring the city, remarks that people he has never met are continually greeting him, thanking him for favors, showing him goods he has ordered, and so on. Dromio of Syracuse dashes up to him, carrying the gold that Adriana sent to free Antipholus of Ephesus from jail. This Antipholus, of course, has no idea why his servant is bringing him money and immediately asks Dromio whether there are ships in the harbor on which they can book passage out of Ephesus.
As master and slave converse, the Courtesan, at whose home Antipholus of Ephesus ate dinner, comes upon them and asks Antipholus S. for a ring that he borrowed from her during the meal. He and Dromio decide that she is a witch and flee, leaving the Courtesan convinced that he is mad. She resolves to go to Adriana's home, tell her that her husband has stolen the ring, and demand repayment.
Read a translation of Act IV, scene iii
Dromio of Ephesus encounters Antipholus of Ephesus in an officer's custody. His master demands to know where the money is to pay his way out of jail; Dromio, baffled, replies that he has brought the rope's end that Antipholus had earlier sent him to buy. Antipholus flies into a rage and tries to assault his slave, halting only at the sudden appearance of Adriana, Luciana, the Courtesan, and a would-be sorcerer named Doctor Pinch. The women plan to have the doctor use exorcism to cure Antipholus' supposed madness. Antipholus protests, and he argues with Adriana: she claims that he dined at home, while her husband (supported by Dromio's testimony) tells her that he was shut out of his own house. Pinch declares that both master and slave are mad, and they are bound and taken to Adriana's house; Adriana promises the officer to make good all her husband's debts. He tells her that Antipholus owes money to Angelo the goldsmith for a gold chain, and the Courtesan says that she saw Antipholus with the item; Adriana, of course, has never seen the chain. As they talk, Antipholus and Dromio of Syracuse rush in with drawn swords, and everyone else flees, mistaking them for Antipholus and Dromio of Ephesus, who, they assume, have escaped from Pinch. Remarking that even witches are afraid of swords, the Syracusan Antipholus orders his slave to take their belongings onboard a ship.
Read a translation of Act IV, scene iv
The portrait of Ephesus as a place of enchantments continues through these scenes. Antipholus of Ephesus' bafflement at being hailed on the street by complete strangers leads him to comment that "sure, these are but imaginary wiles, / and Lapland sorcerers inhabit here (IV.ii.10-11)." His decision to blame "Lapland sorcerers," however, seems to mask a deeper insecurity, since his reference to "imaginary wiles" (which, in modern parlance, means "tricks of the imagination") suggests that he may be beginning to doubt his own sanity. As his sense of self erodes, his hysteria mounts and his panic at the Courtesan's rather innocuous words and subsequent decision to run around with a drawn sword suggests a man teetering on the brink of panic.
But, as the confusing events multiply and the conflicting stories offered by Antipholus of Ephesus and Adriana come into conflict (with Antipholus E.'s bad temper both obvious and understandable), even the Ephesians themselves become convinced that magic is afoot--or, rather, madness that can be cured by magic. The magic is absurd rather than sinister, however: Antipholus of Syracuse's forebodings about sorcerers and witches are realized only in the ludicrous mountebank Doctor Pinch, whose incantation ("I charge thee, Satan, housed within this man, / to yield possession to my holy prayers" [IV.iv.55-56]) reminds the audience of the blurred lines that define the setting--he offers a Christian prayer in a supposedly pre-Christian city. The character of the Doctor--who is described, somewhat oddly, as a schoolmaster and a conjurer--defines the comic tone of the play. In Shakespeare's tragedies (e.g., Macbeth, with the Weird Sisters), magic is a destructive force; here, sorcery is a hobby of schoolteachers and, ultimately, a sham.
Please wait while we process your payment