Torn between two extreme options—unhappy domesticity or a dramatic escape to Argentina for marriage—Eveline has no possibility of a moderately content life. Her dilemma does not illustrate indecisiveness but rather the lack of options for someone in her position. On the docks, when she must make a choice once and for all, Eveline remembers her promise to her mother to keep the family together. So close to escape, Eveline revises her view of her life at home, remembering small kindnesses—her father caring for her when she was sick, a family picnic before her mother died. These memories overshadow the reality of her abusive father and deadening job, and her sudden certainty comes as an epiphany: she must remain with what is familiar. When faced with the clear choice between happiness and unhappiness, Eveline chooses unhappiness, which frightens her less than a life in a foreign country. Eveline’s nagging sense of family duty stems from her fear of love and an unknown life abroad, and her decision to stay in Dublin renders her as just another figure in the crowd of Dubliners watching lovers and friends depart the city.