Brown, Julia Prewitt. Cosmopolitan Criticism: Oscar Wilde’s Philosophy of Art. Charlottesvile: University Press of Virginia, 1997.
Ellmann, Richard, ed. Oscar
Wilde: A Collection of Critical Essays. Englewood Cliffs,
New Jersey: Prentice-Hall, 1969.
Fido, Martin. Oscar
Wilde. New York: Viking Press, 1973.
Gillespie, Michael Patrick. The
Picture of Dorian Gray: What the World Thinks
Me. New York: Twayne Publishers, 1995.
McCormack, Jerusha Hull. The
Man Who Was Dorian Gray. New York: St. Martin’s Press, 2000.
Nicholls, Mark. The
Importance of Being Oscar: The Life and Wit of Oscar Wilde. New
York: St. Martin’s Press, 1980.
Raby, Peter, ed. The
Cambridge Companion to Oscar Wilde. Cambridge: Cambridge
University Press, 1997.
Roden, Frederick S., ed. Palgrave Advances in Oscar Wilde Studies. New York: Palgrave Macmillan, 2004.
Wilde, Oscar. The Picture of Dorian Gray (Norton Critical Edition, 2nd edition). Michael Gillespie, ed. New York: W. W. Norton, 2006.
Womack, Kenneth. “‘Withered,
Wrinkled, and Loathsome of Visage’: Reading the Ethics of the Soul
and the Late-Victorian Gothic in The Picture of Dorian Gray.”
In Victorian Gothic: Literary and Cultural Manifestations
in the Nineteenth Century, edited by Ruth Robbins and Julian
Wolfreys, 168–181. New York: Palgrave, 2000.