Coketown lay shrouded in a haze of its own . . . suggestive of itself, though not a brick of it could be seen.

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Summary — Chapter 1: Effects in the Bank

On one of Coketown’s rare sunny days, Mrs. Sparsit sits in her apartment in the bank and talks to Bitzer, a former pupil at Gradgrind’s school, and now a porter at the bank. The two are discussing the young Tom Gradgrind, who, although he still works at the bank, has become a “dissipated, extravagant idler.” A very well-dressed young gentleman interrupts their conversation by knocking at the door. The stranger explains that he has come to Coketown to enter politics as a disciple of Gradgrind. His suave manner and genteel appearance please Mrs. Sparsit, and she attempts to flatter him. The young man inquires about Louisa Bounderby, of whom he has heard intimidating reports: he imagines that she must be middle-aged, quick-witted, and formidable. When Mrs. Sparsit assures him that Mrs. Bounderby is simply a lovely young woman, he seems very relieved and interested.

Summary — Chapter 2: Mr. James Harthouse

We learn that the strange visitor’s name is James Harthouse and that he is a disingenuous, wealthy young man who is only interested in Gradgrind’s politics because he hopes they will alleviate his pervasive boredom. He does not really share Gradgrind’s philosophy of fact, but he is prepared to pretend that he does in order to pass the time. Harthouse goes to dinner at Bounderby’s, where he is very intrigued by Louisa.

Summary — Chapter 3: The Whelp

After dinner, Harthouse takes the caddish young Tom—who is highly impressed with his new acquaintance’s amoral worldliness—back to his apartment. Harthouse plies Tom with wine and tobacco and then coaxes the story of Louisa’s marriage out of him. The drunken Tom claims that Louisa only married Bounderby for Tom’s sake, so that she could use Bounderby’s money to help her brother with his own financial difficulties. Once Harthouse learns that Louisa does not love her husband, he privately resolves to seduce her.

Summary — Chapter 4: Men and Brothers

Elsewhere in Coketown, the factory Hands, who have decided to unionize in an attempt to improve their wretched conditions, hold a meeting. An inflammatory orator named Slackbridge gives an impassioned speech about the necessity of unionizing and of showing their sense of fellowship. The only Hand who remains unconvinced is Stephen Blackpool. Stephen says he does not believe that the union will do any good because it will only aggravate the already tense relationship between employers and workers. After he voices this opinion, he is cast out of the meeting. The other Hands—his longtime friends and companions—agree to shun him as a sign of their solidarity. Stephen asks them only to allow him to continue working. He endures four days of ostracism before Bitzer summons him to Bounderby’s house.

Analysis — Book the Second: Reaping: Chapters 1–4

At the beginning of Book the Second, Dickens displays his knack for using characterization to articulate his moral themes with the character of Mrs. Sparsit. If Stephen represents the poor and Bounderby and Gradgrind represent the wealthy middle class, Mrs. Sparsit and Harthouse are satires of the aristocracy. Dependent on Bounderby for her well-being, Mrs. Sparsit is adept at manipulating her circumstances around her belief that she is a great lady wronged by others. Much as Bounderby takes pride in his humble origins, Mrs. Sparsit frequently brings up the fact that she descends from one of the best families in the kingdom. Dickens often satirizes her by describing her control over her features, claiming that she makes her aristocratic Roman nose “more Roman” in a moment of outrage. In this section, she uses Bitzer to gain useful information about the other bank employees. She is clearly spying, but pretends to be too ladylike to want to hear their names. Nevertheless, she manages to ascertain that Bitzer believes young Tom to be a horrible employee.

The two main events in this section are the arrival of James Harthouse, with his menacing amorality and his desire to seduce Louisa, and the union meeting, with Stephen’s expulsion from the company of his fellow Hands. Harthouse, with his worldly cynicism and sophisticated boredom, is immediately presented as a foil to the more provincial characters in Coketown. He is neither committed to the philosophy of fact nor capable of any fancy; rather, he is simply looking out of his aristocratic haze for something to pass the time. He is perfectly equipped to capitalize on Louisa’s inner confusion and capable of awakening her feelings without caring about the result. Harthouse is a stereotypical aristocratic dandy—he is not motivated by the desire for wealth or power, but rather by boredom and the desire for some new form of entertainment. Louisa presents a special source of interest because he has never met anyone like her before and cannot fully understand her.

The union meeting takes us deeper into the world of the Hands and allows Dickens to satirize the everyday, agitating spokesman with the harshly drawn caricature of Slackbridge. The narrator informs us that Slackbridge differs from the other Hands in that he is “not so honest, he [is] not so manly, he [is] not so good-humored.” His primary intention is apparently to stir up the workers’ feelings until they are in an impassioned frenzy against their employers.

Dickens’s own feelings about labor unions, and about any attempt to right wrongs through hostility and conflict, are expressed through Stephen’s views. Stephen immediately recognizes that Slackbridge does not care so much about creating unity among workers as he does about creating tension between employers and employees. This tension, Stephen believes, will do nothing to aid the workers in their desire for better working conditions and pay. Thus, Stephen asks only to be allowed to make his living in peace: “I mak’ no complaints . . . o’ being outcasten and overlooken, fro this time forrard, but I hope I shall be let to work.” Stephen is unwilling to sacrifice his belief in what is right, even if he will be made a pariah. With his hardworking integrity, Stephen represents a very sentimental and idealized portrait of a poor worker, which Dickens wields to arouse our sympathy. Through the contrast between Slackbridge and Stephen, however, Dickens suggests that the working class contains both good and bad individuals, just like the rest of society.