Suggestions
Use up and down arrows to review and enter to select.Please wait while we process your payment
If you don't see it, please check your spam folder. Sometimes it can end up there.
If you don't see it, please check your spam folder. Sometimes it can end up there.
Please wait while we process your payment
By signing up you agree to our terms and privacy policy.
Don’t have an account? Subscribe now
Create Your Account
Sign up for your FREE 7-day trial
Already have an account? Log in
Your Email
Choose Your Plan
Save over 50% with a SparkNotes PLUS Annual Plan!
Purchasing SparkNotes PLUS for a group?
Get Annual Plans at a discount when you buy 2 or more!
Price
$24.99 $18.74 /subscription + tax
Subtotal $37.48 + tax
Save 25% on 2-49 accounts
Save 30% on 50-99 accounts
Want 100 or more? Contact us for a customized plan.
Your Plan
Payment Details
Payment Summary
SparkNotes Plus
You'll be billed after your free trial ends.
7-Day Free Trial
Not Applicable
Renews February 3, 2023 January 27, 2023
Discounts (applied to next billing)
DUE NOW
US $0.00
SNPLUSROCKS20 | 20% Discount
This is not a valid promo code.
Discount Code (one code per order)
SparkNotes Plus subscription is $4.99/month or $24.99/year as selected above. The free trial period is the first 7 days of your subscription. TO CANCEL YOUR SUBSCRIPTION AND AVOID BEING CHARGED, YOU MUST CANCEL BEFORE THE END OF THE FREE TRIAL PERIOD. You may cancel your subscription on your Subscription and Billing page or contact Customer Support at custserv@bn.com. Your subscription will continue automatically once the free trial period is over. Free trial is available to new customers only.
Choose Your Plan
Payment Details
Payment Summary
For the next 7 days, you'll have access to awesome PLUS stuff like AP English test prep, No Fear Shakespeare translations and audio, a note-taking tool, personalized dashboard, & much more!
You’ve successfully purchased a group discount. Your group members can use the joining link below to redeem their group membership. You'll also receive an email with the link.
Members will be prompted to log in or create an account to redeem their group membership.
Thanks for creating a SparkNotes account! Continue to start your free trial.
Please wait while we process your payment
Your PLUS subscription has expired
Please wait while we process your payment
Please wait while we process your payment
The speaker says that she died for Beauty, but she was hardly adjusted to her tomb before a man who died for Truth was laid in a tomb next to her. When the two softly told each other why they died, the man declared that Truth and Beauty are the same, so that he and the speaker were “Brethren.” The speaker says that they met at night, “as Kinsmen,” and talked between their tombs until the moss reached their lips and covered up the names on their tombstones.
This poem follows many of Dickinson’s typical formal patterns—the ABCB rhyme scheme, the rhythmic use of the dash to interrupt the flow—but has a more regular meter, so that the first and third lines in each stanza are iambic tetrameter, while the second and fourth lines are iambic trimeter, creating a four-three-four-three stress pattern in each stanza.
This bizarre, allegorical death fantasy recalls Keats (“Beauty is Truth, Truth Beauty,” from Ode on a Grecian Urn), but its manner of presentation belongs uniquely to Dickinson. In this short lyric, Dickinson manages to include a sense of the macabre physicality of death (“Until the Moss had reached our lips—”), the high idealism of martyrdom (“I died for Beauty. . . One who died for Truth”), a certain kind of romantic yearning combined with longing for Platonic companionship (“And so, as Kinsmen, met a Night—”), and an optimism about the afterlife (it would be nice to have a like-minded friend) with barely sublimated terror about the fact of death (it would be horrible to lie in the cemetery having a conversation through the walls of a tomb). As the poem progresses, the high idealism and yearning for companionship gradually give way to mute, cold death, as the moss creeps up the speaker’s corpse and her headstone, obliterating both her capacity to speak (covering her lips) and her identity (covering her name).
The ultimate effect of this poem is to show that every aspect of human life—ideals, human feelings, identity itself—is erased by death. But by making the erasure gradual—something to be “adjusted” to in the tomb—and by portraying a speaker who is untroubled by her own grim state, Dickinson creates a scene that is, by turns, grotesque and compelling, frightening and comforting. It is one of her most singular statements about death, and like so many of Dickinson’s poems, it has no parallels in the work of any other writer.
Please wait while we process your payment