The Reconciliation of Religion and Science
Tennyson lived during a period of great scientific advancement, and he used his poetry to work out the conflict between religious faith and scientific discoveries. Notable scientific findings and theories of the Victorian period include stratigraphy, the geological study of rock layers used to date the earth, in 1811; the first sighting of an asteroid in 1801 and galaxies in the 1840s; and Darwin’s theory of evolution and natural selection in 1859. In the second half of the century, scientists, such as Fülöp Semmelweis, Joseph Lister, and Louis Pasteur, began the experiments and work that would eventually lead to germ theory and our modern understanding of microorganisms and diseases. These discoveries challenged traditional religious understandings of nature and natural history.
For most of his career, Tennyson was deeply interested in and troubled by these discoveries. His poem “Locksley Hall” (1842) expresses his ambivalence about technology and scientific progress. There the speaker feels tempted to abandon modern civilization and return to a savage life in the jungle. In the end, he chooses to live a civilized, modern life and enthusiastically endorses technology. In Memoriam connects the despair Tennyson felt over the loss of his friend Arthur Hallam and the despair he felt when contemplating a godless world. In the end, the poem affirms both religious faith and faith in human progress. Nevertheless, Tennyson continued to struggle with the reconciliation of science and religion, as illustrated by some of his later work. For example, “Locksley Hall Sixty Years After” (1886) takes as its protagonist the speaker from the original “Locksley Hall,” but now he is an old man, who looks back on his youthful optimism and faith in progress with scorn and skepticism.
The Virtues of Perseverance and Optimism
After the death of his friend Arthur Hallam, Tennyson struggled through a period of deep despair, which he eventually overcame to begin writing again. During his time of mourning, Tennyson rarely wrote and, for many years, battled alcoholism. Many of his poems are about the temptation to give up and fall prey to pessimism, but they also extol the virtues of optimism and discuss the importance of struggling on with life. The need to persevere and continue is the central theme of In Memoriam and “Ulysses” (1833), both written after Hallam’s death. Perhaps because of Tennyson’s gloomy and tragic childhood, perseverance and optimism also appear in poetry written before Hallam’s death, such as “The Lotos-Eaters” (1832, 1842). Poems such as “The Lady of Shalott” (1832, 1842) and “The Charge of the Light Brigade” (1854) also vary this theme: both poems glorify characters who embrace their destinies in life, even though those destinies end in tragic death. The Lady of Shalott leaves her seclusion to meet the outer world, determined to seek the love that is missing in her life. The cavalrymen in “The Charge of the Light Brigade” keep charging through the valley toward the Russian cannons; they persevere even as they realize that they will likely die.
The Glory of England
Tennyson used his poetry to express his love for England. Although he expressed worry and concern about the corruption that so dominated the nineteenth century, he also wrote many poems that glorify nineteenth-century England. “The Charge of the Light Brigade” praises the fortitude and courage of English soldiers during a battle of the Crimean War in which roughly 200 men were killed. As poet laureate, Tennyson was required to write poems for specific state occasions and to dedicate verse to Queen Victoria and her husband, Prince Albert. Nevertheless, Tennyson praised England even when not specifically required to do so. In the Idylls of the King, Tennyson glorified England by encouraging a collective English cultural identity: all of England could take pride in Camelot, particularly the chivalrous and capable knights who lived there. Indeed, the modern conception of Camelot as the source of loyalty, chivalry, and romance comes, in part, from Tennyson’s descriptions of it in the Idylls of the King and “The Lady of Shalott.”
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