Life and Times of William Shakespeare
Likely the most influential writer in all of English literature
and certainly the most important playwright of the English Renaissance,
William Shakespeare was born in 1564 in
the town of Stratford-upon-Avon in Warwickshire, England. The son
of a successful middle-class glove-maker, Shakespeare attended grammar school,
but his formal education proceeded no further. In 1582,
he married an older woman, Anne Hathaway, and had three children
with her. Around 1590 he
left his family behind and traveled to London to work as an actor
and playwright. Public and critical success quickly followed, and
Shakespeare eventually became the most popular playwright in England
and part owner of the Globe Theater. His career bridged the reigns of
Elizabeth I (ruled 1558-1603)
and James I (ruled 1603-1625);
he was a favorite of both monarchs. Indeed, James granted Shakespeare’s
company the greatest possible compliment by endowing them with the
status of king’s players. Wealthy and renowned, Shakespeare retired
to Stratford, and died in 1616 at
the age of fifty-two. At the time of Shakespeare’s death, such luminaries
as Ben Jonson hailed him as the apogee of Renaissance theatre.
Shakespeare’s works were collected and printed in various
editions in the century following his death, and by the early eighteenth
century his reputation as the greatest poet ever to write in English
was well established. The unprecedented admiration garnered by his
works led to a fierce curiosity about Shakespeare’s life; but the
paucity of surviving biographical information has left many details
of Shakespeare’s personal history shrouded in mystery. Some people
have concluded from this fact that Shakespeare’s plays in reality
were written by someone else—Francis Bacon and the Earl of Oxford
are the two most popular candidates—but the evidence for this claim
is overwhelmingly circumstantial, and the theory is not taken seriously
by many scholars.
In the absence of definitive proof to the contrary, Shakespeare
must be viewed as the author of the 37 plays and 154 sonnets
that bear his name. The legacy of this body of work is immense.
A number of Shakespeare’s plays seem to have transcended even the
category of brilliance, becoming so influential as to affect profoundly the
course of Western literature and culture ever after.
The Sonnets
Shakespeare’s sonnets are very different from Shakespeare’s
plays, but they do contain dramatic elements and an overall sense
of story. Each of the poems deals with a highly personal theme,
and each can be taken on its own or in relation to the poems around
it. The sonnets have the feel of autobiographical poems, but we
don’t know whether they deal with real events or not, because no
one knows enough about Shakespeare’s life to say whether or not
they deal with real events and feelings, so we tend to refer to
the voice of the sonnets as “the speaker”—as though he were a dramatic
creation like Hamlet or King Lear.
There are certainly a number of intriguing continuities
throughout the poems. The first 126 of
the sonnets seem to be addressed to an unnamed young nobleman, whom
the speaker loves very much; the rest of the poems (except for the
last two, which seem generally unconnected to the rest of the sequence)
seem to be addressed to a mysterious woman, whom the speaker loves,
hates, and lusts for simultaneously. The two addressees of the sonnets
are usually referred to as the “young man” and the “dark lady”;
in summaries of individual poems, I have also called the young man
the “beloved” and the dark lady the “lover,” especially in cases
where their identity can only be surmised. Within the two mini-sequences,
there are a number of other discernible elements of “plot”: the
speaker urges the young man to have children; he is forced to endure
a separation from him; he competes with a rival poet for the young
man’s patronage and affection. At two points in the sequence, it
seems that the young man and the dark lady are actually lovers themselves—a
state of affairs with which the speaker is none too happy. But while
these continuities give the poems a narrative flow and a helpful
frame of reference, they have been frustratingly hard for scholars
and biographers to pin down. In Shakespeare’s life, who were the
young man and the dark lady?
Historical Mysteries
Of all the questions surrounding Shakespeare’s life, the
sonnets are perhaps the most intriguing. At the time of their publication
in 1609 (after
having been written most likely in the 1590s
and shown only to a small circle of literary admirers), they were
dedicated to a “Mr. W.H,” who is described as the “onlie begetter”
of the poems. Like those of the young man and the dark lady, the
identity of this Mr. W.H. remains an alluring mystery. Because he
is described as “begetting” the sonnets, and because the young man
seems to be the speaker’s financial patron, some people have speculated
that the young man is Mr. W.H. If his initials
were reversed, he might even be Henry Wriothesley, the Earl of Southampton,
who has often been linked to Shakespeare in theories of his history.
But all of this is simply speculation: ultimately, the circumstances
surrounding the sonnets, their cast of characters and their relations
to Shakespeare himself, are destined to remain a mystery.
