The “pigeon house” does allow Edna to be both at “home” and independent. Once she moves to the pigeon house, Edna no longer has to look at the material objects that Léonce has purchased and with which Edna equates herself. She can behave as she likes, without regard to how others will view her actions. In the end, however, the little house will prove not to be the solution Edna expected. While it does provide her with independence and isolation, allowing her to progress in her sexual awakening and to escape the gilded cage that Léonce’s house constituted, Edna finds herself cooped anew, if less extravagantly. The fact that her final house resembles those used to keep domesticated pigeons does not bode well for Edna’s fate. In the end, feeling alternately an exile and a prisoner, she is “at home” nowhere. Only in death can she hope to find the things a home offers—respite, privacy, shelter, and comfort.