Themes are the fundamental and often universal ideas
explored in a literary work.
The Importance of Character
As a “Story of a Man of Character,” The Mayor
of Casterbridge focuses on how its protagonist’s qualities
enable him to endure. One tends to think of character, especially
in terms of a “Man of Character,” as the product of such values
as honor and moral righteousness. Certainly Michael Henchard does
not fit neatly into such categories. Throughout the novel, his volatile
temper forces him into ruthless competition with Farfrae that strips
him of his pride and property, while his insecurities lead him to
deceive the one person he learns to truly care about, Elizabeth-Jane.
Henchard dies an unremarkable death, slinking off to a humble cottage
in the woods, and he stipulates in his will that no one mourn or
remember him. There will be no statues in the Casterbridge square,
as one might imagine, to mark his life and work. Yet Hardy insists
that his hero is a worthy man. Henchard’s worth, then—that which
makes him a “Man of Character”—lies in his determination to suffer
and in his ability to endure great pain. He shoulders the burden
of his own mistakes as he sells his family, mismanages his business,
and bears the storm of an unlucky fate, especially when the furmity-woman confesses
and Newson reappears. In a world that seems guided by the “scheme[s]
of some sinister intelligence bent on punishing” human beings, there
can be no more honorable and more righteous characteristic than
Henchard’s brand of “defiant endurance.”
The Value of a Good Name
The value of a good name is abundantly clear within the
first few chapters of the novel: as Henchard wakes to find that
the sale of his wife was not a dream or a drunken hallucination,
his first concern is to remember whether he divulged his name to
anyone during the course of the previous evening. All the while,
Susan warns Elizabeth-Jane of the need for discretion at the Three
Mariners Inn—their respectability (and, more important, that of
the mayor) could be jeopardized if anyone discovered that Henchard’s
family performed chores as payment for lodging.
The importance of a solid reputation and character is
rather obvious given Henchard’s situation, for Henchard has little
else besides his name. He arrives in Casterbridge with nothing more than
the implements of the hay-trusser’s trade, and though we never learn
the circumstances of his ascent to civic leader, such a climb presumably
depends upon the worth of one’s name. Throughout the course of the
novel, Henchard attempts to earn, or to believe that he has earned,
his position. He is, however, plagued by a conviction of his own
worthlessness, and he places himself in situations that can only
result in failure. For instance, he indulges in petty jealousy of Farfrae,
which leads to a drawn-out competition in which Henchard loses his
position as mayor, his business, and the women he loves. More crucial,
Henchard’s actions result in the loss of his name and his reputation
as a worthy and honorable citizen. Once he has lost these essentials,
he follows the same course toward death as Lucetta, whose demise
is seemingly precipitated by the irretrievable loss of respectability
brought about by the “skimmity-ride.”
The Indelibility of the Past
The Mayor of Casterbridge is a novel
haunted by the past. Henchard’s fateful decision to sell his wife
and child at Weydon-Priors continues to shape his life eighteen
years later, while the town itself rests upon its former incarnation:
every farmer who tills a field turns up the remains of long-dead
Roman soldiers. The Ring, the ancient Roman amphitheater that dominates
Casterbridge and provides a forum for the secret meetings of its
citizens, stands as a potent symbol of the indeli-bility of a past
that cannot be escaped. The terrible events that once occurred here
as entertainment for the citizens of Casterbridge have, in a certain
sense, determined the town’s present state. The brutality of public
executions has given way to the miseries of thwarted lovers.
Henchard’s past proves no less indomitable. Indeed, he
spends the entirety of the novel attempting to right the wrongs
of long ago. He succeeds only in making more grievous mistakes,
but he never fails to acknowledge that the past cannot be buried
or denied. Only Lucetta is guilty of such folly. She dismisses her
history with Henchard and the promises that she made to him in order
to pursue Farfrae, a decision for which she pays with her reputation
and, eventually, her life.
