Stella’s older sister, who was a high school English teacher in Laurel, Mississippi, until she was forced to leave her post. Blanche is a loquacious and fragile woman around the age of thirty. After losing Belle Reve, the DuBois family home, Blanche arrives in New Orleans at the Kowalski apartment and eventually reveals that she is completely destitute. Though she has strong sexual urges and has had many lovers, she puts on the airs of a woman who has never known indignity. She avoids reality, preferring to live in her own imagination. As the play progresses, Blanche’s instability grows along with her misfortune. Stanley sees through Blanche and finds out the details of her past, destroying her relationship with his friend Mitch. Stanley also destroys what’s left of Blanche by raping her and then having her committed to an insane asylum.
Blanche’s younger sister, about twenty-five years old and of a mild disposition that visibly sets her apart from her more vulgar neighbors. Stella possesses the same timeworn aristocratic heritage as Blanche, but she jumped the sinking ship in her late teens and left Mississippi for New Orleans. There, Stella married lower-class Stanley, with whom she shares a robust sexual relationship. Stella’s union with Stanley is both animal and spiritual, violent but renewing. After Blanche’s arrival, Stella is torn between her sister and her husband. Eventually, she stands by Stanley, perhaps in part because she gives birth to his child near the play’s end. While she loves and pities Blanche, she cannot bring herself to believe Blanche’s accusations that Stanley dislikes Blanche, and she eventually dismisses Blanche’s claim that Stanley raped her. Stella’s denial of reality at the play’s end shows that she has more in common with her sister than she thinks.
The husband of Stella. Stanley is the epitome of vital force. He is loyal to his friends, passionate to his wife, and heartlessly cruel to Blanche. With his Polish ancestry, he represents the new, heterogeneous America. He sees himself as a social leveler, and wishes to destroy Blanche’s social pretensions. Around thirty years of age, Stanley, who fought in World War II, now works as an auto-parts salesman. Practicality is his forte, and he has no patience for Blanche’s distortions of the truth. He lacks ideals and imagination. By the play’s end, he is a disturbing degenerate: he beats his wife and rapes his sister-in-law. Horrifyingly, he shows no remorse. Yet, Blanche is an outcast from society, while Stanley is the proud family man.
Stanley’s army friend, coworker, and poker buddy, who courts Blanche until he finds out that she lied to him about her sordid past. Mitch, like Stanley, is around thirty years of age. Though he is clumsy, sweaty, and has unrefined interests like muscle building, Mitch is more sensitive and more gentlemanly than Stanley and his other friends, perhaps because he lives with his mother, who is slowly dying. Blanche and Mitch are an unlikely match: Mitch doesn’t fit the bill of the chivalric hero, the man Blanche dreams will come to rescue her. Nevertheless, they bond over their lost loves, and when the doctor takes Blanche away against her will, Mitch is the only person present besides Stella who despairs over the tragedy.
Stella’s friend, upstairs neighbor, and landlady. Eunice and her husband, Steve, represent the low-class, carnal life that Stella has chosen for herself. Like Stella, Eunice accepts her husband’s affections despite his physical abuse of her. At the end of the play, when Stella hesitates to stay with Stanley at Blanche’s expense, Eunice forbids Stella to question her decision and tells her she has no choice but to disbelieve Blanche.
The young man with poetic aspirations whom Blanche fell in love with and married as a teenager. One afternoon, she discovered Allan in bed with an older male friend. That evening at a ball, after she announced her disgust at his homosexuality, he ran outside and shot himself in the head. Allan’s death, which marked the end of Blanche’s sexual innocence, has haunted her ever since. Long dead by the time of the play’s action, Allan never appears onstage.
A teenager who comes to the Kowalskis’ door to collect for the newspaper when Blanche is home alone. The boy leaves bewildered after Blanche hits on him and gives him a passionate farewell kiss. He embodies Blanche’s obsession with youth and presumably reminds her of her teenage love, the young poet Allan Grey, whom she married and lost to suicide. Blanche’s flirtation with the newspaper collector also displays her unhealthy sexual preoccupation with teenage boys, which we learn of later in the play.
A former suitor of Blanche’s whom she met again a year before her arrival in New Orleans while vacationing in Miami. Despite the fact that Shep is married, Blanche hopes he will provide the financial support for her and Stella to escape from Stanley. As Blanche’s mental stability deteriorates, her fantasy that Shep is coming to sweep her away becomes more and more real to her. Shep never appears onstage.
Stanley’s poker buddy who lives upstairs with his wife, Eunice. Like Stanley, Steve is a brutish, hot-blooded, physically fit male and an abusive husband.
Stanley’s poker buddy. Like Stanley and Steve, Steve is physically fit and brutish. Pablo is Hispanic, and his friendship with Steve, Stanley, and Mitch emphasizes the culturally diverse nature of their neighborhood.
In Scene One, the Negro woman is sitting on the steps talking to Eunice when Blanche arrives, and she finds Stanley’s openly sexual gestures toward Stella hilarious. Later, in Scene Ten, we see her scurrying across the stage in the night as she rifles through a prostitute’s lost handbag.
At the play’s finale, the doctor arrives to whisk Blanche off to an asylum. He and the nurse initially seem to be heartless institutional caretakers, but, in the end, the doctor appears more kindly as he takes off his jacket and leads Blanche away. This image of the doctor ironically conforms to Blanche’s notions of the chivalric Southern gentleman who will offer her salvation.
A vendor of Mexican funeral decorations who frightens Blanche by issuing the plaintive call “Flores para los muertos,” which means “Flowers for the dead.”
Also called the “Matron,” she accompanies the doctor to collect Blanche and bring her to an institution. She possesses a severe, unfeminine manner and has a talent for subduing hysterical patients.
A supply man who is Stanley’s coworker and his source for stories of Blanche’s disreputable past in Laurel, Mississippi. Shaw travels regularly through Laurel.
Moments before Stanley rapes Blanche, the back wall of the Kowalskis’ apartment becomes transparent, and Blanche sees a prostitute in the street being pursued by a male drunkard. The prostitute’s situation evokes Blanche’s own predicament. After the prostitute and the drunkard pass, the Negro woman scurries by with the prostitute’s lost handbag in hand.