What is the role of treasure in Beowulf?
In our culture, preoccupation with material goods usually connotes shallowness, and
the pursuit of riches is often seen as incompatible—or at least difficult to reconcile—with
our moral convictions. In Beowulf, however, the Danes, Geats, and Swedes’ collective
reverence for treasure is not represented as a shortcoming or moral weakness. In fact, the
poem often uses treasure as a symbol of the Scandinavian people’s most cherished cultural
values.
In Beowulf, kings, heroes, and other powerful men must continuously establish their
reputations, both those they have inherited and those they have earned. Characters
accomplish the former by reminding listeners of their famous ancestors and the latter by
collecting treasures. The magnificent rewards Beowulf receives from Hrothgar testify to the
Geatish warrior’s valor and prowess, just as the majestic Heorot signifies Hrothgar’s power.
Sometimes, a splendid object is enough to gain a man respect, even without his having earned
it through brave deeds—the Danish guard who watches Beowulf’s ship, for example, gets a
sword “with gold fittings” that in the future will make him “a respected man / at his place
on the mead-bench” (1901–1903). On the other hand, loss of treasure symbolizes a fall from
power. After Beowulf dies, the poet announces the end of a glorious Geatish era by noting
that “no follower” will wear the treasure Beowulf wins from the dragon in his memory, “nor
lovely woman / link and attach [it] as a torque around her neck.” Treasure symbolizes
prosperity and stability; without these attributes, the Geatish clan can no longer be seen
in jewels and finery.
The kings of Beowulf also use treasure to solidify their most important bonds: those
with their followers, and those with other nations. Each king has a duty to give his most
loyal thanes riches, a responsibility indicated by the frequent use of royal epithets such
as “ring-giver,” “gift-lord,” and “gold-friend to retainers.” The act is not only a matter
of custom, but also of honor. Among his other crimes, the wicked Heremod is accused of
giving “no more rings / to honor the Danes” (1719–1720). In this culture, treasure is not
for hoarding but for circulating in socially useful ways. On an international level, the
kings use treasure to strengthen alliances and avoid conflict among the various Scandinavian
tribes. Friendly tribes may exchange gifts, while hostile nations may pacify one another
with gold or with the paying of blood tributes. In this scheme, women represent the most
valuable token of exchange, as kings often betroth their daughters to foreign rulers for
political gain. The constant mention of the gold and jewels that adorn Wealtheow suggest her
political value: The queen not only wears treasure, in a sense, she is treasure.
Finally, treasure also symbolizes the contradictory feelings the Geats and Danes have
toward death, a constant presence in this dark, brutal era. Though the poet writes from an
explicitly Christian perspective, the Geats and Danes seem to lack a notion of a divine
afterlife. In this world, human existence remains limited to the mortal lifespan. However,
people have the opportunity to achieve some kind of afterlife by accruing wealth, prestige,
and glory while they live: Owning significant treasure increases the likelihood that one’s
name and reputation will live on after death. At the same time, the Geats and Danes realize
that treasure remains earthbound, unable to accompany its owner into the hereafter. Both of
these notions figure into the Scandinavian funeral ritual of sending a king off to sea in a
burning ship filled with treasure. The more rings, swords, and coats of mail piled upon the
ship, the greater the king’s glory; however, those riches eventually burn away or become
otherwise lost to the king’s people. In Beowulf, treasure simultaneously has an eternal and
an evanescent quality.
Amidst the general veneration of treasure, though, come some discordant notes. In one
of the poem’s most mournful moments, the narrator describes “some forgotten person” burying
the collective riches of his entire, equally forgotten race. In this case, the accumulation
of glorious wealth was not enough to gain a lasting legacy, and the treasure only enhances
the survivor’s terrible loneliness, as he is “left with nobody / to bear a sword or to
burnish plated goblets / put a sheen on the cup” (2252–2253). Just a few lines earlier,
Beowulf had imagined how the sight of the Danes wearing “glittering regalia” and “burnished
ring-mail” originally belonging to the Heatho-Bards would provoke the Heatho-Bards to
viciously attack their guests. And after Beowulf’s death, the poet bitterly describes how
the treasure left in the dragon’s lair is “as useless to men now as it ever was” (3168). As
the poem looks ahead to both the Danish war with the Heatho-Bards and the Geatish
devastation following Beowulf’s death, the creeping disillusion with wealth hints at the
darkness looming on the horizon.