Summary — The Great River
For several days, the Company passes swiftly down the
Anduin without incident. The landscape, especially on the eastern
bank facing Mordor, gets more and more barren and foreboding. One
night, Sam thinks he sees two pale eyes shining out of a log floating
nearby, which seems to be heading straight for Gimli’s boat. Sam
mentions this observation to Frodo, who puts it together with the
pattering noises in Moria and the strange creature in Lórien, and
suspects that Gollum himself has been following them. The next night,
Frodo keeps watch, and, as expected, he sees a dark shape swim up
close to the boats. The hobbit draws his sword and the shape disappears. Aragorn
confirms Frodo’s suspicions and says that he, too, has seen Gollum,
and has even tried, unsuccessfully, to catch him.
The next day, the Company paddles more swiftly, fearful
that their tracker will inform the Enemy of their whereabouts. Indeed, when
they find themselves suddenly in the rapids of Sarn Gebir, they are
forced to turn around and make for the shore with Orc arrows whistling
over their heads. Just as the Company reaches the shore, a dark
shape in the sky comes speeding up from the south, filling the Company
with terror. Frodo suddenly feels the pain of the old wound in his
shoulder. Legolas grabs his new bow, lets fly an arrow, and sends
the flying form crashing down on the other side of the river. They
hear no more from the Orcs that night. Frodo refuses to say to the
others what he thinks the flying shape might have been.
The next morning, though Boromir tries mightily to convince
the Company to make for Minas Tirith, they decide to push on further along
the river. To get past a set of rapids, they use an old portage road
to carry the boats and gear to where the river runs smooth again.
The current takes them swiftly onward to the Gates of Argonath,
a narrow passage between two immense cliffs, guarded by two gigantic
statues—likenesses of Aragorn’s ancestors Isildur and Anárion. The
Gates mark the ancient northern border of the realm of Gondor, one
of the realms of Men. Passing through Argonath, the Company comes
to the three great hills before the Falls of Rauros—Amon Lhaw on
the east, Tol Brandir in the midst of the river, and Amon Hen on
the west. They draw up the boats at the foot of Amon Hen, as they
can go no further on the river. They must now, at last, choose to
go either west to Minas Tirith or east to Mordor.
Analysis
As the first stage of the Ring’s journey winds down, it
is worth pausing to note how exactly Tolkien has brought the Company
this far. There is, of course, plenty of action, many songs, and
a great deal of recounted history, but much of the novel simply
consists of descriptions of the Company walking through countryside.
Tolkien’s eye for scenery, and his talent for making that scenery
reflect mood, make the natural environment almost another character
in itself, whether it is the sleepy Shire, the enchanted Lothlórien,
or the bleak Brown Lands. In the case of Old Man Willow or the pass
of Caradhras, the natural world actually does become a character. Each
land through which the Company passes has its own topography and
its own flora and fauna. Indeed, though some might find Tolkien’s
characters a bit two-dimensional and his dialogue at times implausible
with its mythic-biblical tone, the richness and fullness of the
world surrounding the action make up for it.
In addition, such lush description allows Tolkien to demonstrate just
how thoroughly he has thought out his realm of Middle-earth. If
inclined, we can follow the trail of the Fellowship, from its seeds
in the Shire to its dissolution at the foot of Amon Hen, on maps enclosed
in the novel. Each river the party fords is there, as is each mountain
range they cross. The maps add an aura of the arcane, giving us
the feeling that we are poring over an ancient manuscript. They
add to the sense that the novel is a record of a past age and place.
At the same time, the maps serve a practical function, allowing
us to follow the quest geographically and mark its progress toward
Mordor, the final destination. Tolkien realizes the importance of
providing this sort of bird’s-eye view for us: all along the way,
first the hobbits and then the Fellowship stop at high places to mark
their progress, whether in the Old Forest, at Weathertop, or on
the tree-platform in Lothlórien. These vistas give us a sense of where
the Fellowship is going, how far it has come, and an overall impression
of direction and order in what might otherwise seem an incessant
slog through unending terrain.
Gollum’s stalking of the group is one of the most notable
examples of the constant anxiety the Fellowship experiences on the
journey. Indeed, the various skirmishes with Barrow-wights and tentacled
monsters certainly provide the Fellowship with a series of challenges
and violent encounters. However, it could be argued that unceasing
dread, rather than isolated bursts of incident, is more characteristic
of the travelers’ everyday experience—and more of a drain on their
energies. An unknown and unseen enemy is far more terrifying than
one clearly viewed and recognized. Gollum, like the dark shapes
of the Ringwraiths, is frightening more in his obscurity and elusiveness
than in the actual harm he causes. He haunts and stalks rather than
ambushes or attacks, so his threat is never-ending. Gollum’s pale,
staring eyes and the ever-present patter of his footsteps in the
distance symbolize the constant paranoia with which the Fellowship
is forced to live in the name of safety.
