Nigel doesn’t know whether Rufus mailed the letter. He says people laughed at Rufus for paying so much for Alice, who was half-dead. Although Nigel wants to try to run away again, he feels grudging gratitude to Rufus, who saved him from being sold South. Dana takes care of Alice, who is incontinent and disoriented. Dana worries that Rufus will rape Alice again, but he says that would be like hurting a baby. Gradually, Alice begins to gain awareness of her surroundings and ask questions about her past.
Dana and Alice take over the cookhouse responsibilities so that Sarah can be Carrie’s midwife as she gives birth. Alice asks Dana whether she, Alice, is a slave. After warning Alice that she might not want to know the answers to these questions, she tells Alice about her history: Because she helped a slave escape, she was made a slave herself. Alice then remembers Isaac. She wants desperately to get to him, but Dana reminds her that she wouldn’t get far in her weakened state. Tess, a slave whom Weylin has recently started sleeping with, comes to announce that Weylin wants dinner served. Dana tells Alice that Rufus never revealed that Isaac beat him. Alice is furious and abuses Dana. Dana hears the cries of Carrie’s baby.
Weylin gives Nigel some clothes for his newborn son, Jude. Dana overhears Weylin telling Rufus that buying Alice was a waste of money, because he will have to whip her severely to get what he wants from her. Dana tells Rufus she wants to write another letter to Kevin. Rufus asks her to talk Alice into sleeping with him. Dana resists, but she worries that even if Alice refuses to go to him willingly, he will simply resort to rape. Rufus abuses Dana on the subject of Kevin, suggesting that maybe Kevin wants to be with “his own kind.” Rufus tells her that his father thinks he should just sleep with Dana. Rufus says he would cut his own throat if he ever found himself wanting Dana. Dana talks to Alice, who berates Dana, saying she’s on her way to being a mammy, and that she should convince Rufus to sleep with her, rather than Alice. She asks Dana whether she would have sex with Rufus, and Dana says no. Alice says she will run away rather than go to Rufus, but when Dana says she will try to stall Rufus to give her a start, Alice breaks down, cries, and says she will go to him.
Rufus is mostly kind to Alice, although he gets drunk and beats her at least once. Dana plans to run away, but fear prevents her from doing so immediately. One night, Alice shows Dana the letters she wrote to Kevin. Rufus never mailed them. That night, Dana runs away. Almost immediately, the Weylins come looking for her. Rufus drives her out of the bushes where she is hiding, and Weylin kicks her in the face. She loses consciousness.
In some ways, Dana is an unreliable narrator. Her own narration clearly foreshadows events that she never sees coming, an obliviousness that Butler creates intentionally. Butler wants us to understand that when it comes to Rufus, Dana has a blind spot. For example, Dana’s narration makes it obvious—to us, but not to her—that Rufus never mailed the letters to Kevin. She recounts Rufus’s evasive responses to her queries about the letters and Sarah’s ominous hint that Rufus’s word should not be trusted. Yet until part 12 of “The Fight,” Dana persists in believing that Rufus sent the letters, as he says he did. At this point in the novel, we also strongly suspect, because of evidence that Dana herself has provided, that Rufus poses a sexual threat to her. We know that he is willing to resort to rape when his efforts at persuasion fail, and we know that Dana closely resembles Alice, her relative, who is the object of Rufus’s obsessive sexual desire. But while we may fear that Rufus is on the brink of raping Dana, she does not seem aware of this particular danger. Dana’s need to see Rufus as a good man, despite all indications to the contrary, may stem from a number of sources. She may identify him as Kevin’s double, a basically good white man from an earlier time in history. She may feel familial sympathy for him, since he is her ancestor. She may want to believe that human nature is not so easily corrupted by power. Whatever the reason, or combination of reasons, Dana proves herself repeatedly unable to predict outcomes that Butler makes obvious to us.
The birth of Jude, Nigel’s and Carrie’s son, points to the cyclical nature of slavery. Jude’s birth corresponds with Alice’s rebirth; as the baby cries out for the first time, Alice wakes up and faces the world anew by remembering who she is and what she has been through. What should be two joyful events—the birth of a baby and the mental recovery of a gravely ill woman—are grim because of their context. Jude is born into slavery. Alice is born into the knowledge that she has been beaten half to death, enslaved, deprived of her husband, and forced to live side by side with her rapist. Jude’s birth is also a melancholy-tinged event for his parents. Jude binds Nigel and Carrie more closely to Weylin. Because the couple must care for their infant, they cannot realistically plan to escape. Nigel’s dreams of freedom die with the birth of his son. Just as concern for Carrie forces Sarah to keep her head down and work hard, concern for Jude will force Carrie and Nigel to behave as Weylin wishes.